Title: Lecture 7 Othello the Moor of Venice
1Lecture 7 Othello the Moor of Venice
- Intermezzo focus on skills of analysis
2Reminder!!! HELLO, HELLO, HELLO!!! Creative
Writing Competition
- Themes Time turner Confessions Why not? The
End Fantasy Childhood Mirror - The World is Round Love Addiction
- Open Category (choose your own theme)
- Note 1 group submissions are acceptable
- Note 2 You can submit more than one entry
- Note 3 Closing date 17th August 2007
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3Speaking of Themes in OTHELLO?
- Theme of nobility or virtue
- The theme of faulty knowledge, connected to
- the theme of Appearance and Reality
- men should be what they seem
- Could be said the entire play is an argument to
show that things are not really what they seem - Othellos downfall will be caused by believing
that what he sees is true.
4Methods of Analysis
- Text as drama
- Make an effort to visualize how the scene appears
on stage from page to stage - Ask what EFFECT it would have on a viewing
audience - Think about the movement and grouping of
characters, sound effects - And other theatrical elements
5Language Critical significance of word choice
- What words and phrases STAND OUT???
- Next, ask yourself whether they have any
qualities in common - They may fall into groups you can classify
- Try to group them as similar kinds of words
- Or, as having a meaning or an emotion in common
with each other
6metaphor
- Origin metaphora
- Meaning to transfer transit carry across
- Hence transfer of meaning
- Metaphors transfer, connect and compare unlike
things - To make more clear, graphically vivid and
concretize the meaning of something
7Imagery style of metaphorization
- Note striking use of imagery
- And proceed as with words and phrases
- Look for what images have in common
- Notice the choice of imagery?
- Notice the form of the imagery? (visual?)
- Notice the degree of novelty that attempts to
establish new / original / striking connections - Degree of concretization effects
8Example of imagery from Scene 3, of Act 3
- O beware, my Lord, of jealousy!
- It is the green-eyed monster transfer of
meaning!! - Ironically intended as a warning
- Very striking, powerful, impacting, vivid
- Makes more concretely evident the kind and nature
of the jealousy Iago speaks of - How potent, dangerous, and destructive it can be
- Once possessed by it, has the power to transform
a man into a most horrible, wicked, evil person,
9Poetic language
- Note use of prose, which can be poetic
- Adorned with rhetorical inflation, or artifice
- Also prose as low, popular speech
- And use of blank verse
- We note Iagos linguistic duality
- Iagos styles of speech vary from situation to
situation to suit his own hidden agenda - Iago even assumes the sententious style of
nobility - Sententious full of meaning aphoristic
10- Othello speaking verse?
- Creates the effect of largeness and grandeur and
nobility of character - Verse is polished form of dramatic writing
- Possessing enormous expressive rhetorical power
- Can effectively summarize and encapsulate an
issue - As such, it can dramatically heighten and
intensify the key issue in a speech
11Analysis of Rhythm
- Note the punctuation that divides language into
units of meaning (sense units) - Note where phrases are short, and broken
- Other places where phrases are longer, and the
speakers speed increases - Explain how these variations in rhythmic movement
relate to 1) the character, - or 2) the subject matter of the speech
12Analysis of syntactical structures and their
Rhythms
- Characters may speak in
- Short, simple, and direct sentence structures
- Continuous, articulate, reasoned structures
- Fragmented, loose, emotional structures
13Othellos first soliloquy
- This fellows of exceeding honesty,
- And knows all qualities with a learned spirit,
- Of human dealing. if I do prove her haggard,
- Though that her jesses were my dear heart-
- strings,
- Id whistle her off, and let her down the wind,
- To prey at fortune. Haply for I am black,
- And have not those soft parts of conversation
- That chamberers have, or for I am declind
- Into the vale of years,yet thats not much
- Shes gone, I am abusd, and my relief
- Must be to loathe her
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14- O curse of marriage,
- That we can call these delicate creatures ours,
- And not their appetites! I had rather be a toad,
- And live upon the vapour in a dungeon,
- Than keep a corner in a thing I love,
- For others uses yet tis the plague of great
- ones ,
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15Significance of Othellos soliloquy?
- Allows the audience to see into the inner
workings and troubled state of Othellos mind - Why only now?
- Thus far audience has had no reason to doubt that
his outward appearance corresponded to the inner
workings of his mind - That is now changing
16Synoptic overview
- Othello is thinking about the possibility that
his wife is unfaithful - His thoughts consist of reasons for and against
being suspicious of her - Iagos honesty Iagos learned spirit
- Desdemonas appearance makes his love and trust
return how we know? - If she is untrue, then heaven mocks itself
17- In between these arguments, Othello reflects on
reasons which make her adultery plausible - His colour
- Believes he lacks refined manners
- His age believes he is too old for her
- All of which makes it seem Iago must be right
18Variety of analytical skills
- Looking at, and closely examining choice and
- form of language
- Diction
- Imagery
- Rhythm, and sentence structure
- Sound repetition (rhyme)
19Analytical commentary rhythm and sentence
structure
- Examine the speech in sections
- Note a regular rhythm up to the period stop after
dealing - If I do prove her haggard interrupts this, and
the pace increases suddenly - Othellos first two sentences fall into two
distinct categories - First is measured second, disturbed
20- Third sentence begins how?
- Begins with irregular phrasing
- Ranging from the word haply to eleven words
between pauses - Pace here is very broken, then suddenly races
forward - Then it breaks again
21- Note the two dashes around the short yet thats
not much and the sentence breaks off unfinished - The rhythm shows how disturbed, and ill at ease
Othello is in this speech - At the start of line 271, shes gone
- marks an outcry of new emotion
22Six episodes of thought and feeling in six
movements changing with rhythm
- First thinks of Iagos knowledge honesty
- Of Desdemona as a hawk
- Of his own weakness
- Of jealous beliefs and the pain he feels
- Of betrayal in general
- Upon Desdemona appearing his love returns
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23Analytical commentary
- Diction? What words stand out (in context)?
- Othello uses what kind of language? Phrases,
words to describe Iago? - exceeding honesty qualities learned
spirit and human dealing - Suggestive of what???
Effect? - Bring to mind noble qualities in human nature
24Word choice re Desdemona? Fall into a group you
can classify?
- Turning his mind to Desdemona, we note a
transformation. How do we know? - haggard jesses whistle her off
- let her down the wind prey EFFECT?
- Paints a picture of her as a hawk, bird of prey
- Words associated with the animal kingdom
- Iago is associated with the human, civilized
world Desdemona, with primitive wildness
25- Othello admires beauty of women
- these delicate creatures
- But underminedhow?
- By the word appetites
- This (linked to appearance and reality)
- points to the primitive element that lies beneath
a seemingly fine outward appearance
26O curse of marriagethis forked plague
- The unfaithfulness of wives
- Forked carries several implications
- The idea of an arrow piercing
- The sense of two-legged
- The suggestion of horns (Elizabethan symbol of
the cuckold) - The idea of a very difficult dilemma
27Analytical commentary Imagery
- I had rather be a toad
- And live upon the vapour of a dungeon
- Than keep a corner in the thing I love
- For others uses
- Toad a contemptible creature
- Expressing such a preference?
- Intended to? Suggestive of what?
28- The striking, forceful impact of this imagery
shows us how much it would horrify and hurt
Othello should it be firmly established his wife
has indeed been sleeping around - To be a toad, an unsightly, ugly creature
- But at least this way hed be devoid of human
consciousness and therefore the torments of the
emotional pain of jealousy
29Note the elaboration(noting intended rhetorical
effects)
- The environment of his imagined toad is no
ordinary pond, but that of a dungeon with its
stenching surrounds of waste water - Further dramatically emphasizing what he would be
prepared to sacrifice (his humanity, marriage,
and military career) and to bear instead such a
toady existence rather than having to live in
the knowledge, pain and humiliation of his wifes
carnalities
30Dramatic purpose of Act 3 Scene 4
- To unfold the strange history of the handkerchief
- To establish that Othello is undergoing a change
- To relieve the atmosphere of doom in scene 3
- To present a close up picture of the three women
of the play - To focus a stronger light on the character of
CASSIO
31Theme of Witchcraft? Again?
- The strange origins of the handkerchief?
- Important for a proper understanding of the play
- Not an ordinary handkerchiefWhy?
- It is of magical origin, and for Othello
- theres magic in the web of it
32- It was sewn by sibyl and
- The worms were hallowed that did breed the silk,
// And it was dyed in mummy. - From whom did he get it?
- Given to Othellos mother by an Egyptian who said
- It had the power to preserve love, but if lost or
given away - Love would be lost
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33Symbolical significance of the handkerchief in
the plays plot
- More then than an ordinary handkerchief
- Symbolical?
- Symbolic of Othellos mysterious and romantic
past which won the heart of Desdemona - He in turn gave it to Desdemona as a symbol of
his love and constancy
34- By Desdemona losing this precious handkerchief
- Symbolically foreshadows the grave possibility
that she would also lose her love - Therefore the handkerchief is of great critical
significance, and not an object of mere trivia - It becomes and functions as an organic element in
the whole texture of the play
35- It flutters in and out through several scenes of
the play - ominously, like a storm signal
- It is vital to Othellos love
- Causes distress to Desdemona upon losing it
- Emilia involved in finding it
- Passes it on to Iago, because he desired it so
much
36- Iago in turn insists on Emilias silence whenever
its topic is discussed - Cassio also becomes involved admires it
- His admiration for it arouses Biancas jealousy
- When it is lost for a time, we come to see its
physical presence in the hands of Bianca - We are thus reminded of imminent tragedy
37- As we watch the play progress, this seeming
trifle of a handkerchief - Light as air
- Changes through Iago to become a powerful deadly
weapon - Dramatic Effect?
- The poignancy of the tragedy gains by the
contrast with the pettiness of the handkerchief