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Lecture 7 Othello the Moor of Venice

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Title: Lecture 7 Othello the Moor of Venice


1
Lecture 7 Othello the Moor of Venice
  • Intermezzo focus on skills of analysis

2
Reminder!!! HELLO, HELLO, HELLO!!! Creative
Writing Competition
  • Themes Time turner Confessions Why not? The
    End Fantasy Childhood Mirror
  • The World is Round Love Addiction
  • Open Category (choose your own theme)
  • Note 1 group submissions are acceptable
  • Note 2 You can submit more than one entry
  • Note 3 Closing date 17th August 2007

3
Speaking of Themes in OTHELLO?
  • Theme of nobility or virtue
  • The theme of faulty knowledge, connected to
  • the theme of Appearance and Reality
  • men should be what they seem
  • Could be said the entire play is an argument to
    show that things are not really what they seem
  • Othellos downfall will be caused by believing
    that what he sees is true.

4
Methods of Analysis
  • Text as drama
  • Make an effort to visualize how the scene appears
    on stage from page to stage
  • Ask what EFFECT it would have on a viewing
    audience
  • Think about the movement and grouping of
    characters, sound effects
  • And other theatrical elements

5
Language Critical significance of word choice
  • What words and phrases STAND OUT???
  • Next, ask yourself whether they have any
    qualities in common
  • They may fall into groups you can classify
  • Try to group them as similar kinds of words
  • Or, as having a meaning or an emotion in common
    with each other

6
metaphor
  • Origin metaphora
  • Meaning to transfer transit carry across
  • Hence transfer of meaning
  • Metaphors transfer, connect and compare unlike
    things
  • To make more clear, graphically vivid and
    concretize the meaning of something

7
Imagery style of metaphorization
  • Note striking use of imagery
  • And proceed as with words and phrases
  • Look for what images have in common
  • Notice the choice of imagery?
  • Notice the form of the imagery? (visual?)
  • Notice the degree of novelty that attempts to
    establish new / original / striking connections
  • Degree of concretization effects

8
Example of imagery from Scene 3, of Act 3
  • O beware, my Lord, of jealousy!
  • It is the green-eyed monster transfer of
    meaning!!
  • Ironically intended as a warning
  • Very striking, powerful, impacting, vivid
  • Makes more concretely evident the kind and nature
    of the jealousy Iago speaks of
  • How potent, dangerous, and destructive it can be
  • Once possessed by it, has the power to transform
    a man into a most horrible, wicked, evil person,

9
Poetic language
  • Note use of prose, which can be poetic
  • Adorned with rhetorical inflation, or artifice
  • Also prose as low, popular speech
  • And use of blank verse
  • We note Iagos linguistic duality
  • Iagos styles of speech vary from situation to
    situation to suit his own hidden agenda
  • Iago even assumes the sententious style of
    nobility
  • Sententious full of meaning aphoristic

10
  • Othello speaking verse?
  • Creates the effect of largeness and grandeur and
    nobility of character
  • Verse is polished form of dramatic writing
  • Possessing enormous expressive rhetorical power
  • Can effectively summarize and encapsulate an
    issue
  • As such, it can dramatically heighten and
    intensify the key issue in a speech

11
Analysis of Rhythm
  • Note the punctuation that divides language into
    units of meaning (sense units)
  • Note where phrases are short, and broken
  • Other places where phrases are longer, and the
    speakers speed increases
  • Explain how these variations in rhythmic movement
    relate to 1) the character,
  • or 2) the subject matter of the speech

12
Analysis of syntactical structures and their
Rhythms
  • Characters may speak in
  • Short, simple, and direct sentence structures
  • Continuous, articulate, reasoned structures
  • Fragmented, loose, emotional structures

13
Othellos first soliloquy
  • This fellows of exceeding honesty,
  • And knows all qualities with a learned spirit,
  • Of human dealing. if I do prove her haggard,
  • Though that her jesses were my dear heart-
  • strings,
  • Id whistle her off, and let her down the wind,
  • To prey at fortune. Haply for I am black,
  • And have not those soft parts of conversation
  • That chamberers have, or for I am declind
  • Into the vale of years,yet thats not much
  • Shes gone, I am abusd, and my relief
  • Must be to loathe her

14
  • O curse of marriage,
  • That we can call these delicate creatures ours,
  • And not their appetites! I had rather be a toad,
  • And live upon the vapour in a dungeon,
  • Than keep a corner in a thing I love,
  • For others uses yet tis the plague of great
  • ones ,

15
Significance of Othellos soliloquy?
  • Allows the audience to see into the inner
    workings and troubled state of Othellos mind
  • Why only now?
  • Thus far audience has had no reason to doubt that
    his outward appearance corresponded to the inner
    workings of his mind
  • That is now changing

16
Synoptic overview
  • Othello is thinking about the possibility that
    his wife is unfaithful
  • His thoughts consist of reasons for and against
    being suspicious of her
  • Iagos honesty Iagos learned spirit
  • Desdemonas appearance makes his love and trust
    return how we know?
  • If she is untrue, then heaven mocks itself

17
  • In between these arguments, Othello reflects on
    reasons which make her adultery plausible
  • His colour
  • Believes he lacks refined manners
  • His age believes he is too old for her
  • All of which makes it seem Iago must be right

18
Variety of analytical skills
  • Looking at, and closely examining choice and
  • form of language
  • Diction
  • Imagery
  • Rhythm, and sentence structure
  • Sound repetition (rhyme)

19
Analytical commentary rhythm and sentence
structure
  • Examine the speech in sections
  • Note a regular rhythm up to the period stop after
    dealing
  • If I do prove her haggard interrupts this, and
    the pace increases suddenly
  • Othellos first two sentences fall into two
    distinct categories
  • First is measured second, disturbed

20
  • Third sentence begins how?
  • Begins with irregular phrasing
  • Ranging from the word haply to eleven words
    between pauses
  • Pace here is very broken, then suddenly races
    forward
  • Then it breaks again

21
  • Note the two dashes around the short yet thats
    not much and the sentence breaks off unfinished
  • The rhythm shows how disturbed, and ill at ease
    Othello is in this speech
  • At the start of line 271, shes gone
  • marks an outcry of new emotion

22
Six episodes of thought and feeling in six
movements changing with rhythm
  • First thinks of Iagos knowledge honesty
  • Of Desdemona as a hawk
  • Of his own weakness
  • Of jealous beliefs and the pain he feels
  • Of betrayal in general
  • Upon Desdemona appearing his love returns

23
Analytical commentary
  • Diction? What words stand out (in context)?
  • Othello uses what kind of language? Phrases,
    words to describe Iago?
  • exceeding honesty qualities learned
    spirit and human dealing
  • Suggestive of what???
    Effect?
  • Bring to mind noble qualities in human nature

24
Word choice re Desdemona? Fall into a group you
can classify?
  • Turning his mind to Desdemona, we note a
    transformation. How do we know?
  • haggard jesses whistle her off
  • let her down the wind prey EFFECT?
  • Paints a picture of her as a hawk, bird of prey
  • Words associated with the animal kingdom
  • Iago is associated with the human, civilized
    world Desdemona, with primitive wildness

25
  • Othello admires beauty of women
  • these delicate creatures
  • But underminedhow?
  • By the word appetites
  • This (linked to appearance and reality)
  • points to the primitive element that lies beneath
    a seemingly fine outward appearance

26
O curse of marriagethis forked plague
  • The unfaithfulness of wives
  • Forked carries several implications
  • The idea of an arrow piercing
  • The sense of two-legged
  • The suggestion of horns (Elizabethan symbol of
    the cuckold)
  • The idea of a very difficult dilemma

27
Analytical commentary Imagery
  • I had rather be a toad
  • And live upon the vapour of a dungeon
  • Than keep a corner in the thing I love
  • For others uses
  • Toad a contemptible creature
  • Expressing such a preference?
  • Intended to? Suggestive of what?

28
  • The striking, forceful impact of this imagery
    shows us how much it would horrify and hurt
    Othello should it be firmly established his wife
    has indeed been sleeping around
  • To be a toad, an unsightly, ugly creature
  • But at least this way hed be devoid of human
    consciousness and therefore the torments of the
    emotional pain of jealousy

29
Note the elaboration(noting intended rhetorical
effects)
  • The environment of his imagined toad is no
    ordinary pond, but that of a dungeon with its
    stenching surrounds of waste water
  • Further dramatically emphasizing what he would be
    prepared to sacrifice (his humanity, marriage,
    and military career) and to bear instead such a
    toady existence rather than having to live in
    the knowledge, pain and humiliation of his wifes
    carnalities

30
Dramatic purpose of Act 3 Scene 4
  • To unfold the strange history of the handkerchief
  • To establish that Othello is undergoing a change
  • To relieve the atmosphere of doom in scene 3
  • To present a close up picture of the three women
    of the play
  • To focus a stronger light on the character of
    CASSIO

31
Theme of Witchcraft? Again?
  • The strange origins of the handkerchief?
  • Important for a proper understanding of the play
  • Not an ordinary handkerchiefWhy?
  • It is of magical origin, and for Othello
  • theres magic in the web of it

32
  • It was sewn by sibyl and
  • The worms were hallowed that did breed the silk,
    // And it was dyed in mummy.
  • From whom did he get it?
  • Given to Othellos mother by an Egyptian who said
  • It had the power to preserve love, but if lost or
    given away
  • Love would be lost

33
Symbolical significance of the handkerchief in
the plays plot
  • More then than an ordinary handkerchief
  • Symbolical?
  • Symbolic of Othellos mysterious and romantic
    past which won the heart of Desdemona
  • He in turn gave it to Desdemona as a symbol of
    his love and constancy

34
  • By Desdemona losing this precious handkerchief
  • Symbolically foreshadows the grave possibility
    that she would also lose her love
  • Therefore the handkerchief is of great critical
    significance, and not an object of mere trivia
  • It becomes and functions as an organic element in
    the whole texture of the play

35
  • It flutters in and out through several scenes of
    the play
  • ominously, like a storm signal
  • It is vital to Othellos love
  • Causes distress to Desdemona upon losing it
  • Emilia involved in finding it
  • Passes it on to Iago, because he desired it so
    much

36
  • Iago in turn insists on Emilias silence whenever
    its topic is discussed
  • Cassio also becomes involved admires it
  • His admiration for it arouses Biancas jealousy
  • When it is lost for a time, we come to see its
    physical presence in the hands of Bianca
  • We are thus reminded of imminent tragedy

37
  • As we watch the play progress, this seeming
    trifle of a handkerchief
  • Light as air
  • Changes through Iago to become a powerful deadly
    weapon
  • Dramatic Effect?
  • The poignancy of the tragedy gains by the
    contrast with the pettiness of the handkerchief
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