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Documentary How to Write a Script Part 3 - Script Elements Visual and Sound – PowerPoint PPT presentation

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Title: Documentary


1
Documentary
  • How to Write a Script Part 3 - Script Elements
    Visual and Sound

2
Script Elements
  • Story
  • Visuals
  • Sound

3
  • The eye of the camera makes reality manageable
    for the learner. The lens can be a time-machine
    or a telescope a magnet or a microscope.
  • Erikson, Carlton and Curl, David (1972).
    Fundamentals of teaching with Audiovisual
    Technology. Second Edition. The Macmillan
    Company. USA. Chapters 1 and 5

4
  • Only through visual media may we see what happens
    to a drivers body when his car is in collision
    or observe the internal workings of a jet
    aircraft engine. P21
  • Erikson, Carlton and Curl, David (1972).
    Fundamentals of teaching with Audiovisual
    Technology. Second Edition. The Macmillan
    Company. USA. Chapters 1 and 5

5
VISUAL ELEMENTS
6
Visual Elements
  • The Shot
  • The shot is a single take on a image.

7
Visual Elements
8
Visual Elements
  • The Shot
  • What the image contains is most important -
    something needs to be happening.

9
Visual Elements
  • The Shot
  • Action, Action, Action! But not random action. It
    must have meaning.

10
Visual Elements
  • The Shot
  • Action, Action, Action! Sometimes the action is
    through the camera angles, cuts, transitions, etc.

11
Visual Elements
  • The Sequence
  • The sequence is a collection of shots put
    together to tell a story.

12
Visual Elements
  • The Sequence
  • 2 categories
  • 1. Continuity Sequence - continuing action that
    ends in a break in time.

13
Visual Elements
  • The Sequence
  • 2. Compilation Sequence - often called a
    newsreel sequence. The shots are tied together
    by subject, not time.

14
Visual Elements
  • Every cut is a lie. Its never that way. Those
    two shots were never next to each other in time
    that way. But youre telling a lie in order to
    tell the truth. --Wolf Koenig

15
Visual Elements
  • The Sequence
  • Documentary sequences, for the most part, are
    observational.

16
Visual Elements
  • The Documentary Sequence
  • If the film did not record the event, it would
    still take place.

17
Visual Elements
  • The Documentary Sequence
  • Sometimes sequences are organized IE a
    filmmaker might organize activists to have a
    rally and film it. The rally is real, so it is
    authentic.

18
Visual Elements
  • Other Visual Elements
  • The Montage - combining a number of small shots
    and weaving them together.
  • Odessa stairs scene from Potemkin was first
    montage.

19
Visual Elements
  • Other Visual Elements
  • Talking Heads - includes interviews or people
    talking directly to the audience on camera. Often
    experts, people involved in the subject in some
    form.

20
Visual Elements
  • Other Visual Elements
  • Colors, textures lines - color can be used as
    symbolism grainy film represents the past a
    man walking through lines of columns might appear
    powerful, while lying down might be submissive or
    passive.

21
Visual Elements
  • Other Visual Elements
  • Archival film footage or photographs. Use of
    stock news footage or photographs, inserts parts
    of TV shows or other films

22
Visual Elements
  • Other Visual Elements
  • Re-enactment - actors re-enact a scene from real
    life.

23
Visual Elements
  • Other Visual Elements
  • Graphics - Title pages to announce new scenes or
    ideas, titles that animate onto image

24
  • Watch how this short film, Fear Factor, informs
    the audience while remaining interesting through
    use of story, visuals, and sound.

25
  • The process of creating the soundtrack for the
    visuals of a film. Since silent films began to
    talk, filmmakers have been looking to improve the
    post production of their film. It has become a
    whole new creative world as people like George
    Lucas proclaim that "It is 50 of a film.
  • "Sound Design, Sound Designer, Sound design, Post
    Production, Audio Design." WILDsound Filmmaking
    Feedback Events, Film festivals, watch movies,
    movie review. N.p., n.d. Web. 6 Jan. 2010.
    lthttp//www.wildsound-filmmaking-feedback-events.c
    om/sound-design.htmlgt.

26
Sound Elements
  • Adding sound to movies would be like putting
    lipstick on the Venus de Milo. - Mary Pickford,
    silent film star

27
Sound Elements
  • Sound is as important as the image.

28
Sound Elements
  • Sound can be manipulated effectively to enhance a
    film.

29
Sound Elements
  • Sound, sometimes, can be far more effective than
    image.

30
Sound Elements
  • Christian Metz identified 5 channels of
    information in film, 3 of which are auditory
  • Visual image
  • Print other graphics
  • Speech
  • Music
  • Noise

31
Sound Elements
  • Six types of sound in film
  • Narrative commentary / Voice over
  • Talking heads
  • Music
  • Ambiance sound
  • Sound effects
  • Silence

32
Sound Elements
  • Narrative commentary / Voice over
  • Soundtrack commentary that sometimes accompanies
    a visual

33
Sound Elements
  • Narrative commentary / Voice over
  • Can be spoken by one or more off-screen
    commentators (voice over the image)

34
Sound Elements
  • Narrative commentary / Voice over
  • Easy and effective way to communicate information
    in a documentary in absence of dialogue between 2
    actors

35
Sound Elements
  • Narrative commentary / Voice over
  • Not the same as talking heads!

36
Sound Elements
  • Talking Heads
  • Interviews replace narration
  • Comes across as more credible
  • Keeps that non-fiction feel

37
Sound Elements
  • Talking Heads
  • Audience can identify who is talking
  • Filmmaker can cut to visual images while talking
    head continues talking
  • Audience knows the voice and has more empathy

38
Sound Elements
  • Music
  • Feature films rely heavily on soundtracks -
    audiences identify with a soundtrack

39
Sound Elements
  • Music
  • Can enhance moments, create moods, and create
    cultural flavor.
  • Appeals on an emotional level, creates empathy
    with event on the screen.

40
Sound Elements
  • Music
  • Establishes a particular geographical location -
    think images of rice field with Indian folk music
    location is India.

41
Sound Elements
  • Ambiance - Ambient Sound
  • Naturally present in atmosphere surrounding
    visual
  • Recorded simultaneously with the visual

42
Sound Elements
  • Ambiance Ambient Sound
  • Traditionally was called noise
  • Essential to creation of a location atmosphere
  • Gives visual reality and realization of space and
    time

43
Sound Elements
  • Ambiance -Ambient Sound
  • Normally used continuously throughout documentary

44
Sound Elements
  • Sound Effects
  • Any sound that is not speech, music, or ambiance
    that is artificially injected into the soundtrack
  • Can be a natural sound digitally created or
    distorted (bird chirping)

45
Sound Elements
  • Sound Effects
  • Used to enhance subject or mood where ambiance
    sounds would be at odds with visuals
  • IE horses galloping, swords clashing to simulate
    battle in history while visual shows battlefield
    today
  • Helicopter sound when actual helicopter was too
    far away to record sound
  • Remember the sound of horses hooves
    clip-clopping at the beginning of The Devils
    Playground?

46
Sound Elements
  • Silence
  • In the world of film, where everything is
    deliberate, silence means the filmmaker has
    chosen to put it there.
  • Lack of sound forces the audience to focus on the
    visual
  • Can be used to make audience hone in on a visual
    to the extent that it takes them to suspended or
    unnatural reality
  • Use this effect VERY sparingly, if at all.
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