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Elements and Principles of Design

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Title: Elements and Principles of Design


1
  • Elements and Principles of Design

Elements Line Shape Form Color Value Texture Spac
e
Principles Balance Emphasis Focal
Point Contrast Movement Variety Pattern
Repetition Unity Harmony/Gestalt
2
  • Line
  • A line is defined as a mark with length and
    direction, created by a point that moves across
    a surface. A line can vary in length, width,
    direction, curvature, and color.

Jasper Johns, 0-9 (continuous line)
Gesture drawing
3
  • line

Jackson Pollock, Autumn Rhythm
4
  • line

Roy Lichtenstein, Brushstroke, 1965
5
  • line

Morris Louis, Beta Kappa 1961
6
  • Shape Form
  • Shape is an enclosed space defined by other
    elements of art. Shape is 2-Dimensional while
    form is 3-dimensional
  • Shape can be
  • Geometric or Organic

Fernana Leger, The City
Matisse, from the series Jazz
7
  • shape

Are these shapes Geometric or Organic?
Edward Steichen, Le Tournesol (Sunflower) 1920
8
  • form

David Smith, Wandering Rocks
9
  • form

Edward Hopper, the Lighthouse at Two Lights
10
  • Color
  •   Is an element of art with three properties
  • 1) Hue, the name of the color, e.g. red, yellow,
    etc. 2) Intensity or the purity and strength of
    the color 3) Value, or the lightness or darkness
    of the color

Jasper Johns, Target (primary colors)
Delauney
11
  • Color

Mark Rothko, Red, Orange, Tan and Purple
Picasso, the Old Guitarist
12
  • Color

Andre Derain, Mountains at Coullioure, 1905
13
  • Color

Kandinsky, Improvisation 31 (Sea Battle), 1913
14
  • Color

Van Gogh, Night Cafe
15
  • Value
  • An element of art that refers to luminance or
    luminosity the lightness or darkness of a
    color.
  • Value is an especially important element in works
    of art
  • when color is absent. This is particularly likely
    with drawings, printmaking, and photographs

Kathe Kollwitz, Self portrait
16
  • Value

Chuck Close (made w/ thumbprints!)
Edward Weston, Pepper (photograph)
17
  • Texture
  • Texture refers to the surface quality or "feel"
    of an object, such as roughness, smoothness, or
    softness. Actual texture can be felt while
    simulated textures are implied by the way the
    artist renders the surface area

Oppenheim Fur-lined cup
18
  • Texture
  • Actual and Implied

Albrecht Durer Rhinocerus
Golsdworthy
19
  • Space
  • Space is the empty or open area between, around,
    above, below, or within objects. Shapes and forms
    are made by the space around and within them.
    Space is often called three-dimensional or two-
    dimensional. Positive space is filled by a shape
    or form. Negative space surrounds a shape or
    form.

20
  • Space
  • Positive/Negative Space

MC Escher
21
  • Space
  • Depth

Perugino, Delivery of the Keys
22
  • Space
  • Depth

De Chirico, Melancholy and Mystery of a Street
23
  • Balance
  • Balance is a sense of stability in the body of
    work.
  • Balance can be symmetrical (formal) or
    assymmetrical (informal)

Wayne Thiebaud, Around the Cake (formal balance)
24
  • Balance

Edgar Degas (informal balance)
25
  • Emphasis Focal Point
  • Emphasis - Any forcefulness that gives importance
    to some feature or features of an artwork
    something singled out, stressed, or drawn
    attention to by means of contrast, anomaly, or
    counterpoint Focal Point portion of an
    artwork's composition on which interest or
    attention centers

David Hockney
26
  • Emphasis Focal Point

Barbara Kruger
Rene Magritte
27
  • Contrast
  • A large difference between two things,
  • such as light and shadow, color and black/white

Andy Warhol
28
  • Contrast

David, the Death of Marat
29
  • Movement
  • Movement adds excitement to your work by showing
    action and directing the viewers eye throughout
    the picture plane.

Edward Munch, the Scream
30
  • Movement

Umberto Boccioni, Unique forms of continuity in
space
Marcel Duchamp, Nude Descending Staircase
31
  • Variety
  • When elements are changed in scale, color, or
    form.

Stuart Davis
Andy Warhol
32
  • Pattern Repetition
  • Involves multiples of the same element. Repeated
    elements can vary in size, color, or axis
    placement. Repeated elements can create a
    pattern. The use of repetition may be applied to
    all Visual Elements. Motion can be created by
    repetition.

William Morris Arts and Crafts Movement
33
  • Pattern Repetition

Chuck Close, Self Portrait, detail
34
  • Unity Harmony
  • The quality of wholeness or oneness (Gestalt)
    that is achieved through the effective use of the
    elements and principles of design.

Claude Monet Haystacks
35
  • Unity

Cezanne
Wayne Theibaud
36
  • Unity

Van Gogh
37
  • Identify the elements principles in the
    following

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  • Your Assignment
  • Work on handout with the book Art Fundamentals
  • Create 12 small artworks (6 elements, 6
    principles) and
  • visually define them. Draw a 3 inch x 3 inch
    square - using a ruler -
  • And create small representations of each of the
    elements and
  • Principles
  • - you may use any media on hand -
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