Title: Poetry for a New World
1Poetry for a New World
2Poetry For a New World
- Walt Whitman
- Emily Dickinson
- Edgar Allan Poe
3Walt Whitman(1819-1892)
4Leaves of Grass
5Brief Introduction to Whitman
- Working as a printer, editor, journalist, and
publisher during the years of the publishing
industry's phenomenal growth, Whitman became
keenly aware that the tools necessary for his
emergence as the new, democratic poet were at his
disposal. He believed he could bring poetry to
the common people, and with the publication of
his 1855 Leaves of Grass, he assumed for himself
the role of the American Poet, referring to
himself as "one of the roughs," a common man.
6- Whitman carefully continued to cultivate his
literary personality throughout his career.As he
revised and enlarged Leaves of Grass (8 editions
and numerous printings would appear between 1855
and 1891), Whitman's goal as the self-styled
national poet became more clearly defined. Leaves
of Grass is essentially a poem in process, with
each succeeding edition representing a unique
period in the poet's life as well as the
nation's.
7The Major Themes of his Poem
- The absolute intransigent individualism
- The combination of a proud individualism with
perfect equality
8The Rhythm of Whitmans poetry
- Free Verse
- The differences between
- Free verse and Blank verse
9The Difference between Blank verse and Free Verse
- The wonderful thing about free verse, is that it
has very few distinct rules. It is similar to
blank verse in that it does not rhyme, but unlike
blank verse, it is not written in iambic
pentameter. - The rhythm or cadence of free verse varies
throughout the poem. Though the words don't
rhyme, they flow along their own uneven pattern.
10Free Verse
- Poetry that is based on the irregular rhythmic
CADENCE or the recurrence, with variations, of
phrases, images, and syntactical patterns rather
than the conventional use of METER. RHYME may or
may not be present in free verse, but when it is,
it is used with great freedom. In conventional
VERSE the unit is the FOOT, or the line in free
verse the units are larger, sometimes being
paragraphs . If the free verse unit is the line,
as it is in Whitman, the line is determined by
qualities of RHYTHM and thought rather than FEET.
11Free Verse
-
- In the twentieth century free verse has had
widespread usage by most poets, of whom T. S.
Eliot, Ezra Pound, Carl Sandburg, and William
Carlos Williams are representative. Such a list
indicates the great variety of subject matter,
effect and tone that is possible in free verse,
and shows that it is much less a rebellion
against traditional English METRICS than a
modification and extension of the resources of
our language.
12Whitmans Poetic Techniques
- Parallelism
- Phonetic Recurrence
- Vignettes
13(No Transcript)
14Song of Myself
- I Celebrate myself, and sing myself, And what I
assume you shall assume, For every atom
belonging to me as good belongs to you. I loafe
and invite my soul, I lean and loafe at my ease
observing a spear of summer grass.
15- My tongue, every atom of my blood, form'd from
this soil, this air, Born here of parents born
here from parents the same, and their parents the
same, I, now thirty-seven years old in perfect
health begin, Hoping to cease not till death.
Creeds and schools in abeyance, Retiring back
a while sufficed at what they are, but never
forgotten, I harbor for good or bad, I permit to
speak at every hazard, Nature without check with
original energy.
16(No Transcript)
17The Symbol of Grass
- The answer to the question is in many ways the
entire poem (As we have already seen the entire
poem is formally structured around the grass).
Whitman sees the grass as the recapitulation of
the whole cycle of life, death and rebirth it
the symbol of the individual ("the flag of my
disposition"), of Deity ("the handkerchief of the
Lord"), of reproduction ("the produced babe of
the vegetation"), of the new social order of
American democracy ("a uniform hieroglyphic"), of
death ("the beautiful uncut hair of graves").
18When Lilacs Last in the Dooryard Bloomd
- Background Information
-
- Of all the many poems written about the
assassination of Abraham Lincoln, this one by
Walt Whitman may well be the most well known.
Although somewhat more abstract than his shorter
"O, Captain! My Captain!", it nevertheless
carries an emotional punch that the more
accessible verses lack.
19(No Transcript)
20Theme
- The poem unites two broad themes that absorbed
the poet - 1 America, "my land" (typified by its great
President) - 2 Death, "the dark mother" of all of us.
21Symbols
- In the text we find three symbols largely
developed - 1 the star (Lincoln)
- 2 the lilac (in Eastern symbolism a connection
with manly love) - 3 the hermit thrush (the poet singing of death).
22The symbol of Lilacs
- The lilacs symbolize the poet's love and homage.
As a true romantic symbol, they draw fully on the
natural characteristics of the flower to create
meaning that meaning develops with repetition
throughout the poem, which can be traced by
following the links from the first reference. The
flower is extremely aromatic, with a scent that
carries a distance. Lilac bushes can live for
hundreds of years,It symbolizes the love for the
great president will last for ever.
23The Symbol of Star
- Venus, which often appears as the "evening star,"
brightest at twilight in the Western sky before
it drops into the west, is earth's planetary
"twin." April is also the month of Venus. Note
that when the planet is lowest on the horizon,
like the rising moon, it appears larger and
orange because of the earth's atmosphere.
President Lincoln was assassinated and died on
April 15, 1865, at a time when Venus appeared as
the "evening star," and for Whitman, this
statesman from the west is represented by Venus.
24The Symbol of Thrush
- As you trace this symbol, note that the bird is
closely paralleled with the poet, "tallying" his
soul with his song. Its song, is an elegy which
confronts and accepts death. This is a lyric
within a lyric and is a structure that resembles
music as an emotional experience rather than
music for its own sake.
25Emily Dickinson(1830-1886)
- Dickinson's poetic accomplishment was recognized
from the moment her first volume appeared in
1890, but never has she enjoyed more acclaim than
she does today. Once Thomas H. Johnson made her
complete body of 1,775 poems available in his
1955 variorum edition, The Poems of Emily
Dickinson, interest from all quarters soared.
Readers immediately discovered a poet of immense
depth and stylistic complexity whose work eludes
categorization.
26Emily Dickinson
27(No Transcript)
28Dickinsons bedroom
29The Theme in Dickinsons poetry
- Poetry of Nature
- Poetry of Ecstasy and Despair
- Poetry of Death and immortality
- Poetry of Art and Word
- Poetry of love
30Poetry of Nature
- A Bird came down the Walk
- He did not know I saw
- He bit an Angleworm in halves
- And ate the fellow, raw,
- And then he drank a Dew
- From a convenient Grass
- And then hopped sidewise to the Wall To let a
Beetle pass - He glanced with rapid eyes That hurried all
around - They looked like frightened Beads, I thought
- He stirred his Velvet Head
- Like one in danger, Cautious,
- I offered him a Crumb
- And he unrolled his feathers And rowed him softer
home -- Than Oars divide the Ocean, Too silver
for a seam - Or Butterflies, off Banks of Noon
- Leap, plashless as they swim.
31(No Transcript)
32The Theme of A Bird
- The relationship between man and
nature---alienation exists between man and nature.
33Rhyme and Meter
- "A Bird Came Down the Walk." is an excellent
example of how poets use varying styles of rhyme
and meter to bring a poem to life. Dickinson
expertly uses meter to show how the bird acts on
the ground and in the air. The poem is five
quatrains long. In each stanza, except for the
fourth, uses iambic trimeter in every line but
the fourth line which uses iambic tetrameter. The
fourth stanza uses iambic trimeter in all four
lines.
34Poetry of Ecstasy and Despair
- The Soul selects her own Society -- Then -- shuts
the Door - To her divine Majority
- Present no more
- Unmoved -- she notes the Chariots -- pausing
- At her low Gate
- Unmoved -- an Emperor be kneeling
- Upon her Mat
- I've known her
- from an ample nation
- Choose One
- Then -- close the Valves of her attention -- Like
Stone --
35Analysis
- Soul- a woman of high rank
- Society-companion ,either her lover ,Wadsworth or
her poetry
36Poetry of Death and immortality
- I died for Beauty -- but was scarce
- Adjusted in the Tomb
- When One who died for Truth, was lain
- In an adjoining room
- He questioned softly "Why I failed"?
- "For Beauty", I replied
- "And I -- for Truth -- Themself are One
- We Brethren, are", He said
- And so, as Kinsmen, met a Night
- We talked between the Rooms
- Until the Moss had reached our lips
- And covered up -- our names --
37- I heard a Fly buzz -- when I died
- The Stillness in the Room
- Was like the Stillness in the Air
- Between the Heaves of Storm
- The Eyes around -- had wrung them dry -- And
Breaths were gathering firm - For that last Onset
- when the King Be witnessed
- in the Room -- I willed my Keepsakes -- Signed
away What portion of me be Assignable - and then it was There interposed a Fly
- With Blue -- uncertain stumbling Buzz -- Between
the light - and me -- And then the Windows failed
- and then I could not see to see --
38Analysis
- The image of fly is used successfully
- By combining the color and voicethe poet
creates the state of mind in chaos when one is
dying. - The poem describes the process of dying.
- The poem shows the poets suspicion towards
immortality.
39Because I Could Not Stop for Death
40Ring
41Gazing Grain
42Setting Sun
43Because I Could Not Stop for Death
- The poem is a dramatic representation of the
passage from this world of the living to
afterlife. The school,the fields of gazing
grains, setting sun summarize the process and
passage of a lifetime. - Death courtly suitor
- fraudulent seducer
- The poem reflects a basic ambiguity about death
and immortality. -
44Poetry of Art and Word
- I taste a liquor never brewed
- From Tankards scooped in Pearl
- Not all the Vats upon the Rhine Yield such an
Alcohol! Inebriate of Air -- am I - And Debauchee of Dew -- Reeling
- thro endless summer days
- From inns of Molten Blue
- When "Landlords" turn the drunken Bee Out of the
Foxglove's door - When Butterflies -- renounce their "drams"
- I shall but drink the more!
- Till Seraphs swing their snowy Hats
- And Saints -- to windows run
- To see the little Tippler Leaning
- against the -- Sun --
45Analysis
- Dickinson believes that the inspiration comes
from nature, and only if a poet had inspiration
can he write a perfect poem.
46Rhine River
47Debauchee of Dew
48Foxglove
49Seraphs
50Poetry of Love
- Wile Nights-Wild Nights!
- Were I with thee
- Wild Nights should be
- Our luxury!
- Futile-the Wilds-
- To a Heart in port-
- Done with the Compass-
- Done with the Chart!
- Rowing in Eden-
- Ah, the Sea!
- Might I but moor- Tonight-
- in Thee!
51Eden
52Analysis
- The speaker reveals all her innermost feeling to
her lover. - Love is expressed in an unabashed manner.
- The boat and sea are used as symbols of the
lovers.
53Features of her Style
- Full of images- the precursor of Imagist
Movement. - Deviation-
- Graphological Deviation-dash and
capitalization were frequently used. - Syntactic Deviation-departure from normal
grammar. - Economy of expression
54Differences between Whitman andDickinson
- Whitman world at largeDickinson-inner life
- Whitman- nationalDickinson-regional
- Whitman-endless and all-inclusiveDickinson-concis
e ,direct and simple