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Basic Narratology

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Title: Basic Narratology


1
????? Basic Narratology ??????????? ???
2
????
  • ?????????
  • ?????????
  • ?????????
  • ??
  • ???????????
  • ????????????????????????

3
?????(narrative)?
  • The recounting (as product and process, object
    and act, structure and structuration) of one or
    more real or fictitious events communicated by
    one, two, or several (more or less overt)
    narrators to one, two, or several (more or less
    overt) narratees.
  • Someone tells someone else that something happens
    on some occasion and for some purpose. (James
    Phelan)
  • The reader reads someone telling someone else
    that something happens. (Marie- Laure Ryan)
  • The minimal definition of Narrative (Zhao Yiheng
    in the 2nd collection of Chinese edition of
    Narrative)

4
???????
  • ??? New Criticism
  • ?????? Russian Formalism
  • ???? structuralism
  • ???????
  • ????? Anglo-American Rhetorics

5
  • ????????/????
  • story/discourse dichotomy

Story the content plane of narrative as opposed
to its expression plane or discourse the what
of a narrative as opposed to its how the
narrated as opposed to the narrating the fiction
as opposed to the narration the existents and
events represented in a narrative Discourse
6
???? narrative grammar
  • A series of statements and formulas interrelated
    by an ordered set of rules and accounting for
    (structural aspects of) a particular set of
    narratives or the set of all and only possible
    narratives.
  • Story grammar the attempt to specify the basic
    constituents of the narrated and to describe
    their interrelations, and they help to
    investigate the effects of structure and content
    variables on memory and the comprehension of
    texts. (see CANT, p.110-11)
  • ???????????????????????

7
???????????(V. Propp)
The Morphology of Russian Folktales
?????????? ?????????(narrative
elements)????(function)? 1)????????? 2)?????????
3)?????????? ???,?????????,?31????????,???????(se
quence)???
8
???????????(Bremond)
  • ???????31???,?????????????
  • ???????????
  • ?????????????
  • ????????????
  • ???????????,????????(1)??(2)????????,????(1)?
    ????????

9
????????????(Greimas)
  • ???????(actant) ??(subject)???(object)???(sender
    )????(receiver)???(helper)????(opponent)?????????
    ?????,???????????? ???(contractual)????(performat
    ive)????(disjunctive)?

10
????????????(Todorov)
  • ??????????(unit)???(sequencing)???(text)
  • ???????????(proposition),????????????(equilibrium
    )??1??????2?????????????????????????(text)?

11
??????(time)
  • Story time / narrative time
  • ORDER DURATION FREQUENCY
  • Analepsis an anachrony going back to the past
    with respect to the present moment an
    evocation of one or more events that occurred
    before the present moment. FLASHBACK
  • Prolepsis an anachrony going forward to the
    future with respect to the present moment an
    evocation of one ore more events that will occur
    after the present moment. FLASHFORWARD

12
??????(voice)
  • Narrator (who speaks?) The one who narrates, as
    inscribed in the text. There is at least one
    narrator per narrative, located at the same
    diegetic level as the narratee he or she is
    addressing.
  • A narrator may be more or less overt,
    knowledgeable, ubiquitous, self-conscious, and
    reliable, and s/he may be situated at a greater
    or lesser (temporal, discursive, intellectual,
    moral) distance from the situations and events
    narrated, the characters, and/or the narratee.
  • A narrator may be extradiegetic or intradiegetic
    heterodiegetic or homodiegetic (functioning as
    protagonist, an important character or a minor
    one).
  • Note the narrator is not the author she is not
    even the implied author.

13
????????(narrative levels)
  • The level at which an existent, event, or act of
    recounting is situated with regard to a given
    diegesis.
  • Metalepsis the intrusion of one diegesis of a
    being from another diegesis the mingling of two
    distinct diegetic levels. Should an extradiegetic
    narrator suddenly enter the world of the
    situations and events recounted, for instance, a
    metalepsis obtains. (??????)

14
????????????
  • Narrated discourse / indirect discourse / free
    indirect discourse / direct discourse
  • Free indirect discourse A type of discourse
    representing a characters utterances or
    thoughts. It has the grammatical traits of
    normal indirect discourse, but it does not
    involve a tag clause (he said that) introducing
    and qualifying the represented utterances and
    thoughts. It should manifest some of the features
    of the characters ways of speaking. Eg.
  • (1) He became indignant. A man like him was a
    suspect now!
  • (2) She smiled. Mary, bless her soul, would be
    coming to relieve her tomorrow.
  • ?Q???????????,???????,???????????????,????????????
    ????????,????????

15
??????(mood)
  • focalization (who sees?) ??the perspective in
    terms of which the narrated situations and events
    are presented the perceptual or conceptual
    position in terms of which they are rendered.
    ???????,?????????,???????????(vision point of
    view perspective)
  • Zero focalization ???,??????(omniscient
    narration),????
  • Internal focalization ???,???fixed (only one
    perspective is adopted), variable (different
    perspectives are adopted to present different
    situations), multiple (different perspectives are
    adopted to present the same situation)
  • External focalization ???(situated in the
    diegesis but outside any of the characters,
    ????,Hemingways The Killer))
  • ?? ????????????????

16
????????(alteration)
  • Once a perspective is adopted, the narrative is
    expected to follow what can be seen from that
    perspective. Any violation would be considered as
    alteration of perspective.
  • Paralepsis an alteration that consists in giving
    more information thatn should presumably be given
    in terms of the focalization code governing a
    narrative. Should external focalization be
    adopted, for instance, and should the thoughts of
    a character suddenly be reported, a paralepsis is
    said to obtain. (e.g. David Copperfield) ??
  • Paralipsis an alteration that consists in giving
    less information than should presumably be given
    in terms of the focalization code governing a
    narrative. (e.g. Great Expectations) ??

17
???????????????????????????????????
  • They were doing the dishes, his wife washing
    while he dried. Hed washed the night before.
    Unlike most men he knew, he really pitched in on
    the housework. A few months earlier hed
    overheard a friend of his wifes congratulate her
    on having such a considerate husband, and he
    though, I try. Helping out with the dishes was a
    way he had of showing how considerate he was.
  • ---The first paragraph of Say Yes, Tobias Wolff

18
???????????
Narrative voice Narrative focalization Zero/intern
al/external focalization Transgression,
paralipsis paralepsis Speech/thought
representation Narrated/indirect/free
indirect/direct speech
  • Russian Formalism
  • Structuralism
  • Story/discourse
  • Narrative grammar
  • Deep structure
  • Proposition and sequence
  • Binary opposition
  • Story time and narrative time
  • Analepsis, prolepsis, in medias res
  • Narrative levels embedded narrative
  • Metalepsis
  • Narrative reliability

19
?????? Rhetorical Narrative Theory ???
20
???????
  • ???????????.????????????????????????????????????
    ? (??)
  • ???????????????????????(???,?????)
  • ????????????????????????.??????,????????????,?????
    ??????????(??)
  • ???,?????????? (???)

21
????????,?,???????
  • ????,?????????????????????????????????????????(rh
    etorical effect)?
  • James Phelan Narrative is someone telling
    someone else that something happens on some
    occasion for some purpose.
  • Chicago School ?????

22
?????????
  • ?????R. S. Crane, S. Sacks, D. Richter
  • ????1)????????????????2)?????????3)???????
    ?(action) ?? (character) ??(thought),
    ???????????,?????????????,???????,?????????4)????
    ???,??????????????????
  • Sacks, Fiction and the Shape of Belief (1964)
  • Richter, Fables End Completeness and Closure in
    Rhetorical Fiction (19)

23
?????????
  • ?????W. Booth??The Rhetoric of Fiction
    (?????,1961)
  • ????1)???????????2)??????????????????????????
    ????????????3)????????????????????????
  • ??????????????????????????????????.????????
    ??

24
?????????
  • ?????James Phelan (?????????????)
  • ????1)???????????2)??????????????????3)????????
    ?
  • ???????????1)??????????,???????????????2)???????
    ?????

25
???????????

???? ????implied author,the authors second
self, mask, or persona as reconstructed from the
text the implicit image of an author in the
text, taken to be standing behind the scenes and
to be responsible for its design and for the
values and cultural norms it adheres to.
????????????????(p.70) ???narrator ???narratee ?
???implied reader ????actual reader
26
????reading position
  • Peter J. Rabinowitz????????????????1)?????(narr
    ative audience) 2) ?????(authorial audience)
    3)?????(actual audience).
  • ??1)??????????????????????????2)??????????
    ???????????????,???????????
  • ?????????1)???????????,????????????2)???????
    ???,???????,???????????3)?????????,????????

27
????narrative progression
  • ???????????????????????(?????????????????),??
    ??????????????????(??????????????????)
    ??????????????????????????????????????????????????
    ??,??????????(instabilities) ????????????,?????
    ????,???????????????????????????,???????(tensions)
    ??????????????????????????????????????????????
    ?????,???????????????1?(????,????,p.85)
  • ????????????????,??????????????,??????????????
    ??Instability????????tension?????????
  • 1 James Phelan, Narrative as Rhetoric
    Technique, Audiences, Ethics, Ideology (Columbus
    Ohio State University Press, 1996), p.90.

28
??????unreliable narrator
  • A narrator whose norms and behavior are not in
    accordance with the implied authors norms a
    narrator whose values (tastes, judgments, moral
    sense) diverge from those of the implied
    authors a narrator the reliability of whose
    account is undermined by various features of that
    account.
  • ???????????????????????????????,??????????????
  • ???????????(1)reporting / evaluating /
    interpreting (2) mis / under misreporting
    misevaluating misinterpreting underreporting
    underevaluating underinterpreting (James Phelan)
  • ????????bonding / estranging

29
??????
  • ??,??????
  • ??
  • ??!??????????????,?????,?????????????,???????
    ??,?????????????????,????????????????????,????????
    ??????????????,?????,????????????????????
  • ???????????,??????,????????????,?????????????
    ???7?4?,?????15???????---???---???,??????????????,
    ????????????????,???????????,?????,???????,???????
    ?????????????
  • ??,???????????????

30
??????
  • ??????????????,?????????????????????????????,?????
    ???
  • ?,???????????????
  • ???????????,????????????????????????
  • ???????,????,???????,??????,??????????????,?,?????
    ??
  • ????,???????????????????,???????,?????????????????
    ????,???????????????,????????,???,??,?????,???????
    ??,?????,??65??70??,??????

31
??????
  • ????????,????????????????,??????????????????????,
    ??????????,???????????????????????,??,??,?????????
    ??
  • ?????????????,??????????????????,?????????????????
    ?,??????????,??????,??????80?,??????????????,???,?
    ??????????,??,????
  • ????,??????,??????????
  • ??????,???????????????????,?28?,???80?????????????
    ?????

32
??????
  • ????,??,????????????,???????????,??????????,??????
    ?????????,?????,?????????????????????
  • ?????,???????,?????,??,?????????????,???,????,??,?
    ????????????,?????????,???????????????,??????????,
    ?????????????,????????,???????????

33
??????
  • ????????,?????,?????????????????,???????????,?????
    ,???????????,??????????
  • ????????????,???????,????????????????????????????,
    ???????????
  • ???????,????????????????????10?,????,???????,?????
    ????,??????????,???????????????????????????????
  • ??????
  • ??,???????????
  • ??,???????
  • ????
  • ????
  • ??????,???????

34
??????
  • ???????????,??????????????????????????????????,???
    ?????????????????????????,?????????????
  • ??,?????????????
  • ????,?????????????????????
  • ??????
  • ???????,??????????????????????????????????????????
    ,??????,???????????,????,??????,????,?????????????
    ,????,?????????????????
  • ??????,??,????????????????????,???????????

35
??????
  • ???,???????????,??,???????,??????????????????????
    ?????????????????,???????????
  • ??????,??????????,?????????????????,????????,????,
    ?????????,??????????????????????????,????,????,??,
    ?????????????????????,???????,??????,?,???,???,???
    ????,????????????,?????????????????????

36
??????
  • ?????,??????,???????,??????????????,???????,??????
    ????,????????????????????????????,????????
  • ????,?????,????????????,??,???????????????
  • ?????????,???????????????,???????,?????????????,??
    ?????

37
??????
  • ???????,??????????????????,?????????????????(?????
    ????????????!)???????,?????,???????,??????,??????,
    ???????,????????,????,????????????????????????,???
    ????,???????????????,??????????,??????,??????,????
    ?????????????????,???????,????????,?????,????????,
    ????????,?????,??,???,????????,?????????????,????,
    ??,???????,??????,??????,????,?????????????????,??
    ??????????????????,???????????,??????????,???????
  • ?????,??????,??,???????,??????????????,??,?????,??
    ???????

38
??????
  • ?????,????????,??????,???????,??????,???????,?????
    ,????,???????????????,????,???????????????,???????
    ????,????????,????????????
  • ??,??????
  • ??????????,??,????????,????????????
  • ????????,??????,??????????,???,???????????????????
    ?????????,????,?????????,??????????????,????,?????
    ????????,????????

39
??????
  • ??????????,?????,?????????,??????????????????,????
    ?????????????,????????????????,????,?????,???????
  • ???????,??????????,?????????,???????????,???????,?
    ??????????,??????,??????,???????,????????????

40
??????
  • ????????????????????????,?????????
  • ??????????????????????????!
  • ?????,????????????????????????????????????????????
    ????????
  • ????!

41
??????? Feminist Narratology ??????????? ???
42
???????????
  • ???????????,?????????????????????????????????????
    ,?????????????????????????,??????????????????????
    ??????????-???????????????????
  • ?????????????,????????????????????????????,?????
    ???????????????????????????????????,?????????????,
    ??????????????????????,?????????????????,????????,
    ???????????,????????????????
  • ??????????????,??????,???????????????????????,??
    ????????????????,??????????????????,??????????????
    (?? ???? ????)

43
???????????
  • ?????????,??????(1970??)
  • ???????????,???????(1980-1995)
  • ???????(gender study)?????????,?????? (1995-)
  • ??????????????---???????

44
??????????
  • 1986???.??(Susan Lanser), Towards A Feminist
    Narratology, style 20(1986)341-363.
  • ?????????????(1)????????????????(2)??????????
    ?
  • ??????????????(gyno-criticism)
    ????????????????
  • ?????????????????????,???????????????????,?????
    ??????????1
  • 1 Elaine Showalter, ed., The New feminist
    criticism essays on women, literature, and
    theory (New York Pantheon, 1985), p.131.
  • ????,??????????????????,?????????????????????????
    ???????????,????????,????????????????????????
    1 1 Lanser Susan, The Narrative Act Point
    of View in Prose Fiction (Princeton, New Jersey
    Princeton University Press, 1981), p.166.

45
???????????????
  • ??????????????????,???????????????????????????????
    ????,?????????,?????????????????,?????????????????
    ??????????,???????????????????????,?????????????
    ?????,??,?????????????,???????????????????????????
    ????????,?????????,?????????????,???????????????,?
    ??????,??????????????????????????,???????????????,
    ??????????,????,?????????1?
  • ?????????????????????(p.37)
  • 1 Robyn R. Warhol, and Diane Price Herndl
    eds., Feminisms An Anthology of Literary Theory
    and Criticism (New Brunswick, New Jersey Rutgers
    University Press, 1991), p.614.

46
??????????????????
  • ???????????????,???????????????????(close
    reading)?????(1)???????????,??????????,??????????
    ?????????(??)??(2)????(reading in
    detail),???????????????????,???????????????1?
  • 1 Robyn Warhol, Having a Good Cry Effeminate
    Feelings and Pop-Culture Forms (Columbus Ohio
    State University Press, 2003), p.25.

47
????????????
  • Warhol Gendered Interventions Narrative
    Discourse in the Victorian Novel. (p.48)
  • ????????????????????? (?????????)???????????
    ?????????????????????????????????????????
  • Alison Case Plotting Women Gender and Narration
    in the Eighteenth- and Nineteenth-Century British
    Novel. (p.53)
  • ?18?19??????????????,??????????????,????????????
    ?,????????????????????,????????????????
  • ???????(1)?????????????????????(2)???????????????
    ???(3)??????????????????

48
????????????????????????
  • ??????/????????(p.54-55)
  • ????????????????????????????,?????????????????
  • ????
  • 1)Robinson, Engendering the Subject Gender and
    Self-Representation in Contemporary Womens
    Fiction, 1991. ???????????????????????,???????????
    ?Counter-story
  • 2) Warhol, Having a Good Cry Effeminate Feelings
    and Pop-Culture Forms, 2003. ????????7?????,??????
    ???????????????,???????????????/??????????

49
???????????????????
  • ??????/????????/????,????what??????????how??????
    ?
  • ???????????????
  • ?????????????,???????????????????????????????????
    ?????,????????????(????)?

50
??????????
  • ?????????????????????????,??????????,???????????
    ,????????,????????(???)????(????)???????,????????
    (negative plotting) ????,????????????????????????
    ???????????????(???)???(Lanser, The Future of
    Intersectional Feminist Narratology,2009)

51
  • ?????,20??80?????????????????,?????????,???????,??
    ???????,????????????,?????????????????????????,???
    ????????????,?????????????????,???????????????????
    ???,????????????????????????????????
  • ???????????????,????????????,???????????????????
    ????????????????????,?????????????????????????????
    ??????????????????????????,???????????????????????
    ??????????????????????????????????????????,???????
    ???????????????????????,????????????????????????
    ,?????????????????????,?????????????????????????

52
????
  • ??????
  • ????????????????,??????????????,???? ?,??????????
  • ????????????,??????????????????????
    ?????????????????????????????,??????
    ???,??????????????????????????,???????,?????????,
    ??????????????????????
  • ????????????,???????????????????????
    ??????????,??????????????????????,????????????????
    ???

53
????
  • ????????,??????????????????????,????
    ?????,??????????????????
  • ????????????????????????????????????
    ???????????????????????????????????,?
    ?????????????
  • ?????????,?????????????????????????? ??
  • ?????,?????,?????,???????????????,??
    ????,?????????????,???????

54
????
  • ????,??,???????????,???????????????,
    ???????????????????????????????????,??
    ???????????
  • ?????????,????,?????????????????,????
    ??,????????????????,?????????,????????
    ????????????
  • ???,????????????????????????????????
    ,????,?????????????????????????????? ?

55
????
  • ???????,????????????????????????????
    ????????????,??,??!???,????????????
    ???????????????????????????,?????????? ?????????
  • ????????,???????????????????????????
    ???????????????,???????
  • ???,????????????????????,???????????
    ????????????????????????,?????????????
    ???????,??????????????????????????????

56
????
  • ??????????,??????????,??????????????
    ????????????????????????????????????
    ????????????,??????????????,?????????? ??
  • ??,??????????????????????????????!
    ?????????????????????????????!??????
    ,?????????????,???????!
  • ???!?????!???????

57
????
  • ???????????,??????,????????????,???
    !????,????????????????????????,????!
  • ????????????????????????????????? ????
  • ???????????????????,????????????????
    ????????????????,?????????????????,???
    ??????????????,???????????????,???????
    ?,?????????????????,??????????????????
    ?????????,?????????????????????

58
????
  • ?????????????????????????,??????,??
    ??????????????????????????????,???????
    ???????????,?????????????????????????
    ????????????????
  • ??,?????????
  • ????,??????????????????

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