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Harvard Extension School Expo E-25; Section 8 (7:45PM-9:45PM)

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Title: Harvard Extension School Expo E-25; Section 8 (7:45PM-9:45PM)


1
Harvard Extension SchoolExpo E-25 Section 8
(745PM-945PM)
  • Instructor Julie Anne McNary
  • Please check your Elluminate Audio Wizard
  • We will begin at 745PM.

2
Expository Writing E25 Introduction to Academic
Writing and Critical ReadingAnalyzing the Short
Story
  • Online WebConference Via Elluminate
    SoftwareWebsite http//isites.harvard.edu/icb/ic
    b.do?keywordk64023Elluminate Room
    https//sas.elluminate.com/m.jnlp?sid2007009pass
    wordM.3163A85F45E3980D9A1F3875B7EED6

3
Overview
  • FINAL Draft due Wednesday night at Midnight, or
    Friday at Midnight, your choice Last issues.
  • Essay 2 Comparison and Contrast Essay
  • Introduction to the Assignment
  • In-class writing assignment clustering
  • Assignment of Exercises 2.1 and 2.2 (due Friday
    night, October 30) 2.1 Brainstorming and 2.2
    Outline
  • Early Release so you can go work yourselves to
    the boneor whatever.

4
Our Book and Chapters
  • ISBN 0-321-47583-6
  • Chapters weve read so far
  • 1 Reading a Story
  • 2. Point of View
  • 3. Character
  • 4. Setting
  • 5. Tone and Style
  • 6. Theme
  • 13. Writing about A Story
  • 7. Symbol
  • 8. Evaluating a Story

5
Questions about your Final Draft
  • Technical Issues
  • Proof-reading on two levels
  • YOUR OWN INVESTMENT
  • MLA documentation
  • http//www.dianahacker.com/resdoc/p04_c08_s1.html

6
The Stories for Essay 2
  • A P
  • Teenage Wasteland
  • How to Talk to a Hunter
  • Sonnys Blues
  • Roman Fever
  • The Girl on the Plane
  • Where Are You Going, Where Have You Been?
  • The Jilting of Granny Weatherall
  • Until Gwen (new)
  • Hills like White Elephants
  • The Lottery
  • The Open Boat
  • Miss Brill
  • Cathedral
  • Rich Brother
  • The Storm
  • To Build A Fire
  • The Greasy Lake
  • A Pair of Tickets
  • Lost in the Funhouse
  • The Things They Carried
  • Winter Dreams
  • Everything That Rises Must Converge (new)
  • Bigfoot Stole My Wife

7
Graphic 1
8
Graphic 2
9
In Class Exercise 2.01
  • Twenty-five minutes
  • First please consider one of the topic areas of
    study we have concentrated on in our text book
    plot, character, setting, theme, point of view,
    etc.
  • Then, choose two stories that you feel are
    uniquely compelling examples of an authors use
    of the above.
  • Examples
  • Fear in The Things They Carried and Greasy Lake
    or Where Are You Going, Where Have You Been?
  • Setting in Roman Fever and The Storm
  • Body Language in Teenage Wasteland and AP
  • The use of the second person point of view in How
    to Talk to a Hunter and Until Gwen
  • Music in Sonnys Blues and Where are You Going,
    Where Have You Been?
  • Prepare a list of three compelling examples of
    your topic from Story 1 and three from Story 2.
  • Answer the following questions How do these
    examples relate to one another? How are they
    similar? how are they different? Does one
    authors use of setting shed light on anothers?
    And if so how?

10
Overview of Essay 2
  • Websharing of Harvards Comparison and Contrast
    paper

11
Exercise 2.1 Brainstorming, 10/30
  • Expand on your in-class exercise, or choose
    another one
  • Include a list of several examples to compare and
    contrast COLLECT YOUR DATA FIRST ANALYZE THAT
    DATA, AND THEN CONSIDER YOUR ARGUMENT.
  • Consider if your examples are leading you toward
    a traditional comparison and contrast paper, or a
    keyhole (dominant lens) paper
  • Construct a loose introductory paragraph and
    thesis statement.

12
Exercise 2.2 Outline, 10/30
  • In the manner in which you constructed Exercise
    1.3, write a detailed outline of your Essay 2
  • Construct an introductory paragraph(s) in which
    you outline the source stories, and state your
    thesis
  • Outline each body paragraph in the manner we have
    laboriously discussed topic sentence that states
    an analytical claim, evidence from the text,
    analysis thereof, transition to the next
    paragraph
  • YOU MAY FOLLOW text by text format, or point by
    point see How to Write a Comparative Analysis
    document on our website.
  • Construct a loose conclusion in which you open
    new vistas of analysis
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