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QUALITIES OF ROMANTICISM

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Title: QUALITIES OF ROMANTICISM


1
Prompt 3
Listen to Vivaldis Spring Concerto. Based on
the music, what do you imagine, see, and feel.
Why? Explain and analyze the piece.
2
Vivaldis Spring Concerto in E Major
Springtime is upon us. The birds celebrate her
return with festive song, and murmuring streams
are softly caressed by the breezes. Thunderstorms,
those heralds of Spring, roar, casting their
dark mantle over heaven, Then they die away to
silence, and the birds take up their charming
songs once more.
On the flower-strewn meadow, with leafy branches
rustling overhead, the goat-herd sleeps, his
faithful dog beside him. Led by the festive
sound of rustic bagpipes, nymphs and shepherds
lightly dance beneath the brilliant canopy of
spring.
3
The Age of Romanticism
  • An Age of Passion, Rebellion, Individuality,
    Imagination, Intuition, Idealism, and Creativity

4
The Age of Romanticism
  • Several centuries B.C., Plato described humans as
    a careful balance of reason, passions, and
    appetites, with reason as the guide.
  • The Age of Reason elevated reason, but perhaps
    suppressed passions too much.
  • For some, the emphasis on reason had gotten out
    of balance with the rest of human nature.

5
Age of Reason v. Age of Romanticism
  • Descartes Cogito, ergo sum (I think, therefore
    I exist.)
  • Rousseau Exister, pour nous, cest sentir
    (For us, to exist is to feel.)

6
Neo-Classicism vs Romanticism
  • Medieval/Eastern
  • influence
  • Emphasis on Individual
  • Age of Passion
  • Emotion
  • Imagination
  • Spirituality
  • Interest in the Exotic
  • Nature pastoral and wild
  • Revolution
  • Social Justice
  • Greek/Roman influence
  • Emphasis on Society
  • Age of Reason
  • Rationality
  • Philosophy
  • Deism
  • Euro-centric
  • Cities
  • Enlightenment
  • Science

7
NATURENeo-Classical
Romantic
  • Subject to human control
  • Gardens
  • Source of peace and tranquillity
  • Untamed nature dangerous/evil
  • Beyond human control
  • Mountains, oceans, forests
  • Source of inspiration and spirituality
  • Untamed nature exhilarating/sublime

8
Gainsborough, St James Park
9
Friedrich, Solitary Tree
10
LOVENeo-Classical
Romantic
  • Subject to human control
  • Marriage
  • Social Contract
  • Economic Contract
  • Attraction between social and intellectual equals
  • Source of peace and tranquillity
  • Beyond human control
  • Passion
  • Individual choice
  • Search for soul-mate
  • Forbidden attractions social, exotic
  • Source of inspiration, exhilaration and despair

11
Gaspar Netscher A Musical Evening
12
Rationalism vs. Romanticism in the Visual Arts
Neo-classicism or Rationalism
Romanticism
13
Neo-Classical Artist
  • Social
  • Arbiter of Taste
  • Elitist
  • Moral
  • Intellectual
  • Critic

Louis Michel van Loo Portrait of Diderot
14
Romantic Artist
  • Loner
  • Unconventional
  • Interested in the noble savage
  • Amoral
  • Genius
  • Prophet

George Gordon Lord Byron
15
Rationalism vs. Romanticism
  • Neoclassical art was rigid, severe, and
    unemotional it hearkened back to ancient Greece
    and Rome
  • Romantic art was emotional, deeply-felt,
    individualistic, and exotic. It has been
    described as a reaction to Neoclassicism, or
    anti-Classicism.

16
Romantic beliefs
  • Romantics preferred
  • Intellectual intuition to reason
  • Unspoiled nature to the artificiality of
    civilization
  • Youthful innocence to educated sophistication
  • Individual freedom and the worth of the
    individual to societal concerns
  • Poetry (the spontaneous overflow of powerful
    feelings) to prose
  • The past to the future

17
Romantic beliefs
  • To summarize, Romantics believed in the 5 Is
  • Imagination
  • Intuition
  • Idealism
  • Inspiration
  • Individuality
  • Romanticism occurred across all of the
    arts--literature, music, art--and across the
    Western world, beginning in Germany and England.

18
Qualities of Romanticism
  • Love of Nature
  • Idealization of Rural Living
  • Faith in Common People
  • Emphasis on Freedom and Individualism
  • Spontaneity, intuition, feeling, imagination,
    wonder
  • Passionate individual religiosity

19
QUALITIES OF ROMANTICISM
  • Love of Nature
  • Are not the mountains, waves, and skies, a
    part / Of me and my soul, as I of them?
    --Byron
  • A mountain is the type of a majestic
    intellect, . . . There I beheld the emblem of a
    giant mind that feeds upon infinity.
  • --Wordsworth

20
Wanderer Above the Sea of Fog by Caspar David
Friedrich
21
QUALITIES OF ROMANTICISM
  • Idealization of rural living
  • I met a little Cottage Girl / She was eight
    years old, she said / Her hair was thick with
    many a curl / That clustered round her head. /
    She had a rustic, woodland air, / And she was
    wildly clad / Her eyes were fair, and very fair
    / --Her beauty made me glad. Wordsworth

22

Idealization of rural living
23
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24
The Exotic
25
QUALITIES OF ROMANTICISM
  • Faith in Common People
  • For theres not a man that lives who hath not
    known his god-like hours
  • --Wordsworth

26
QUALITIES OF ROMANTICISM
  • Emphasis on Freedom and Individualism
  • Political freedom--American and French Revolution
    (liberty, equality, fraternity) antislavery and
    womens suffrage movements
  • Men of England, wherefore plough / For the lords
    who lay ye low? / Wherefore weave with toil and
    care / The rich robes your tyrants wear? . . .
    Wherefore, Bees of England, forge / Many a
    weapon, chain, and scourge, / . . . . . . / Sow
    seed,--but let no tyrant reap / Find
    wealth,--let no imposter heap --Shelley
  • If a man does not keep pace with his companions,
    perhaps it is because he hears a different
    drummer. --Thoreau

27
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28
Commoners seeking their rights.
29
Liberty Leading the People
Eugene Delacroix
30
Goya was in Madrid during the tragic events of 2
and 3 May 1808 when the population rose against
the French and the uprising was savagely
repressed.
31
QUALITIES OF ROMANTICISM
  • Spontaneity, intuition, feeling, imagination and
    wonder
  • Poetry is the spontaneous overflow of powerful
    feeling and is put into art from emotion
    recollected in tranquility.
  • --Wordsworth

32
QUALITIES OF ROMANTICISM
  • Passionate individual religiosity
  • Protestant view of each man is his own
    intermediary with Christ
  • Man has no Body distinct from his Soul for that
    calld Body is a portion of Soul discernd by the
    five senses, the chief inlets of Soul in this
    age. William Blake

33
Romanticism A Poetic Age
  • Wordsworth-- Poetry is the spontaneous overflow
    of powerful emotions recollected in tranquility.
  • Hazlitt--poetry is the language of imagination
    and the passions.
  • Shelley--poetry redeems from decay the
    visitations of the divine in man.
  • Keats--If poetry comes not as naturally as the
    Leaves to a tree it had better not come at all.

34
Romanticism A Poetic Age
  • Popular forms blank verse, the ballad, the
    short lyric, Rime Royal stanzas, Spenserian
    stanzas, the sonnet
  • Meter lines were often enjambed, loose, with a
    free use of caesura (a break or pause in a line
    of poetry, for rhetorical effect) and other
    spontaneous breaks in patterns.

35
Wordsworth, from The Tables Turned (1798) One
impulse from a vernal wood May teach you more of
man, Of moral evil and good Than all the sages
can. Sweet is the lore which Nature brings Our
meddling intellect Misshapes the beauteous forms
of things We murder to dissect. Enough of
Science and of Art Close up those barren
leaves Come forth, and bring with you a
heart That watches and receives.
36
Gothicism
Excerpt from Baudelaires Carrion The sun shone
onto the rotting heap,As if to bring it to the
boil,And tender a hundredfold to vast NatureAll
that together she had joinedAnd the sky
watched that superb carcassLike a flower blossom
out.The stench was so strong that on the
grassYou thought you would pass out.Flies
hummed upon the putrid belly,Whence larvae in
black battalions spreadAnd like a heavy liquid
flowedAlong the tatters deliquescing.
http//www.uvm.edu/sgutman/Baudelaire.htm
37
Pope Innocent III, On the Misery of the Human
Condition, c. 1200
  • Man is conceived of blood made rotten by the
    heat of lust and in the end worms, like
    mourners, stand about his corpse.
  • In life he produced lice and tapeworms in
    death he will produce worms and flies.
  • In life he produced dung and vomit in death he
    produces rottenness and stench.
  • In life he fattened one man in death he
    fattens a multitude of worms.

38
Notre Dame Cathedral
39
Chartres Cathedral
V E R T I C A L I T Y
40
Literary Gothicism
  • In the context of British Romanticism, "Literary
    Gothicism" is a type of imitation medievalism.
  • When it was launched in the later eighteenth
    century, Gothicism featured accounts of
    terrifying experiences in ancient castles
    experiences connected with subterranean dungeons,
    secret passageways, flickering lamps, screams,
    moans, bloody hands, ghosts, graveyards, and the
    rest.
  • By extension, it came to designate the gruesome,
    mysterious, fantastic, supernatural, and, again,
    the terrifying, especially the pleasurably
    terrifying, in literature more generally

41
Gothic Novels
  • Novels characterized by magic, mystery and
    horror
  • Exotic settings medieval, Oriental, etc.
  • Originated with Horace Walpoles Castle of
    Otranto (1764)
  • William Beckford Vathek, An Arabian Tale (1786)
  • Anne Radcliffe 5 novels (1789-97) including The
    Mysteries of Udolpho
  • Widely popular genre throughout Europe and
    America Charles Brockden Browns Wieland (1798)
  • Contemporary Gothic novelists include Anne Rice
    and Stephen King

42
Frankenstein by Mary Shelley1797-1851
  • Inspired by a dream in reaction to a challenge
    to write a ghost story
  • Published in 1817 (rev. ed. 1831)
  • A Gothic novel influenced by Promethean myth
  • The first science fiction novel
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