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Write Well. Right Now.

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Title: Write Well. Right Now.


1
Write Well. Right Now.
  • How To Strengthen Personal Narratives

Adapted by Lisa C. Landis for middle school
students from Lucy Calkins Units of Study
2
Writing A Personal Narrative
  • Your life is not what happens to you, but your
    responses to what happens.
  • For this reason, each one of us is ultimately the
    author of our own lives. We do not always
    control what happens to us, but we control our
    responses to what happens.

3
Telling Your Story
  • Objectives
  • Provide strategies for writing a personal
    narrative
  • Provide specific tools for deconstructing the
    prompt
  • Strategies for internal story to further your
    personal narrative and make it come alive.

4
Internal Story
  • Connection
  • Focusing your stories--keep your eyes on what is
    important.
  • Focus, focus, focus in order to show me, instead
    of just tell me.

5
Attack the Prompt
  • Narrow the prompt and make it manageable.
  • Put a box around the words (verbs/action words)
    that tell you to DO something (explain, describe,
    tell, etc)
  • Circle any numbers that follow the actions.
  • Underline the key words

6
Attack the Prompt--Make it Small!
  • Here is an example
  • A persons life is filled with many good
    memories and experiences.
  • Describe a time in your life in which you were
    happy, and explain why you were happy at this
    particular time.

7
  • "Amusing things happen to everyone. Sometimes we
    do things that are funny or something funny
    happens to us. Many times we see a comical thing
    happen to someone else. Describe an incident
    that happened to you or to someone else that you
    found very humorous."

8
Attack the Question
  • "You have been given the opportunity to go back
    in time to change one thing. What would it be
    and why?
  • "Do you ever daydream about a place you have
    visited that you would like to see again? Try to
    imagine the details of the place clearly in your
    mind and then write a paper in which you describe
    that perfect place to your reader."

9
Tell Your Story!
  • Ready to write your story!
  • First, think of a time with a person, a place, or
    an idea that could relate to this prompt.
  • List moments about this person, place, idea.
  • Think of just one moment--one story that
    illustrates your point--not a big story.

10
Tell Your Story
  • Weekend at Disneyland
  • Think of specific moments
  • If you tell the story of the whole weekend, you
    will be telling a watermelon" story.
  • Tell me a small seed story instead-- tell me one
    moment, not the whole weekend.

11
Tell Your Story
  • Disneyland
  • Canoe ride with the family
  • Sister got lost, but we found her
  • Indiana Jones with my son
  • Swimming at the Disney hotel
  • Exploring on Tom Sawyers Island
  • Sister got stuck in rock on Tom Sawyers Island
  • Choose one of these moments to write about as
    a reason why the time you spent in Disneyland was
    fun. Make this a small seed story--just describe
    the moment.

12
How to Tell Your Story
  • Choose your moment
  • sketch what happened first, second, next, and
    last in your moment.

13
Strategy for Narrative
  • A persons life is filled with many good memories
    and experiences.
  • Describe a time in your life that was exciting,
    and explain why this particular experience was
    more exciting than any other.
  • Moments
  • Going to Oklahoma football game--our seats
  • Parasailing in St. John
  • Riding the plunge at Silver Dollar City
  • Traveling to Orient Beach on St. Martin
  • Getting lost on the metro in Paris
  • Skin diving in St. John, U.S.V.I.

14
Parasailing on St. John
  • Small Seed Story--Quick Rough draft telling what
    happened first, second, and last.
  • Body Paragraph One
  • We boarded the small ship anticipating the
    parasailing adventure. The guides gave us
    instructions on how they would hook us up in the
    equipment, and because the machine was automated,
    there were some very precise instructions. I
    just hoped I could remember everything I was
    suppose to do so that I did not get injured like
    the guide mentioned. We were the second couple
    to ride tandem, and so we eagerly watched every
    move that the other couple made. Finally, it was
    our turn to fly.

15
Jump into the narrative
Notice that the narrative started right in the
action!
Body Paragraph 2
  • We boarded the small ship anticipating the
    parasailing adventure. The guides gave us
    instructions on how they would hook us up in the
    equipment, and because the machine was automated,
    there were some very precise instructions. I
    just hoped I could remember everything I was
    suppose to do so that I did not get injured like
    the guide mentioned. We were the second couple
    to ride tandem, and so we eagerly watched every
    move that the other couple made. Finally, it was
    our turn to fly.

16
Paragraph Two
  • Body Paragraph Two
  • We helped each other get hooked in the harness,
    sat down on the back of the boat, and suddenly we
    were lifting into the air. Being in the air,
    soaring through the sky, was incredibly fun. As I
    looked down, I saw giant sea turtles swimming
    through the crisp, bright blue water with a pod
    of dolphins playing nearby. It was almost
    soundless except the fluttering noise of the wind
    blowing past my ears and the parachute above. I
    wondered, Is this how birds feel as they fly
    through the air? Flying like a bird, feeling more
    than human, was a truly incredible moment.

17
Your finished essay will eventually have four
parts
Para. 1 Lead--your introduction using setting, action, dialogue. Para. 2 Body Paragraph 1--Part of your small seed story.
Para. 3 Body Paragraph 2--Part of your small seed story. Para. 4 Ending--your conclusion using setting, action, dialogue.
18
Add Setting, Action, Dialogue
  • Write the lead (intro) and ending (conclusion)
    for your essay.
  • A lead and ending should have setting, action,
    and dialogue.
  • Having setting, action, and dialogue will hook
    your reader.

19
You Try
  • A persons life is filled with many good
    memories and experiences. Describe a time in your
    life that was exciting, and explain why this
    particular experience was more exciting than any
    other.
  • Deconstruct--take apart--the prompt and use the
    strategies for writing the narrative. List
    moments that could be considered exciting, choose
    one to write about, sketch what happened first,
    second, and last. Follow the sketches to write
    two body paragraphs that follow the movie in your
    mind.

20
Next Step
  • Once you have written what happened first,
    second, and last, and made a movie in your mind
    of the action in the narrative, it is time to
    construct the lead (introduction) and ending
    (conclusion).
  • Add your lead and ending to the small seed story
    that you have written. Then revise it all to
    create a the perfect personal narrative. Easy,
    right?

21
The Lead
  • How do you begin the lead of a personal
    narrative?
  • Authors often begin by adding setting, action,
    and dialogue. You can do this in any order, but
    try and include all of these things in the lead
    to make it exciting and capture your readers
    attention. Lets try

22
The Lead
What if I deleted this part?
  • I have had many experiences that I can describe
    as exciting and fun. On a warm summer day, on the
    Virgin Island of St. John, when I yelled Sure
    lets go parasailing! who would have known I was
    going to experience the most excitement of my
    life.
  • In this lead (introduction), I address the
    question, provide setting, action, and brief
    dialogue.

23
The Conclusion
  • Again, like the lead, include setting, action,
    dialogue and wrap up my narrative about an
    exciting time of my life.
  • Ending
  • As I flew through the air, I stated to my
    husband Is this just one of the best times in
    your life? He agreed happily, as we slowly
    descended towards the ship, back to reality, with
    a new appreciation for adventure and excitement.

24
Put It All Together
  • On a warm summer day, on the Virgin Island of
    St. John, when I yelled Sure lets go
    parasailing! who would have known I was going to
    experience the most excitement of my life.
  • We boarded the small ship anticipating the
    parasailing adventure. The guides gave us
    instructions on how they would hook us up in the
    equipment, and because the machine was automated,
    there were some very precise instructions. I
    just hoped I could remember everything I was
    suppose to do so that I did not get injured like
    the guide mentioned. We were the second couple
    to ride tandem, and so we eagerly watched every
    move that the other couple made. Finally, it was
    our turn to fly.
  • We helped each other get hooked in the
    harness, sat down on the back of the boat, and
    suddenly we were lifting into the air. Being in
    the air, soaring through the sky, was incredibly
    fun. As I looked down, I saw giant sea turtles
    swimming through the crisp, bright blue water
    with a pod of dolphins playing nearby. It was
    almost soundless except the fluttering noise of
    the wind blowing past my ears and the parachute
    above. I wondered, Is this how birds feel as they
    fly through the air? Flying like a bird, feeling
    more than human, was a truly incredible moment.
  • As I flew through the air, I stated to my
    husband Is this just one of the best times in
    your life? He agreed happily, as we slowly
    descended towards the ship, back to reality, with
    a new appreciation for adventure and excitement

25
Lets Practice
  • Deconstruct the prompt.
  • Think of moments from your life that illustrate
    what is being asked--make a list of these
    moments.
  • Choose one moment and sketch what happened first,
    second, last.
  • Then write your story of what happened first,
    second, and last by making a movie in your mind.
  • Write your lead (introduction) and ending
    (conclusion) by including setting, action, and
    dialogue.

26
Internal Story
  • You have learned
  • How to deconstruct the prompt
  • How to write the small seed
  • How to write the lead and ending using setting,
    action, dialogue

27
Internal Story
  • The next strategy is to learn how to write the
    internal story
  • Internal story
  • develops voice
  • shows instead of just tells the story
  • depicts your feelings and develops ideas
  • It is the commentary in your narrative writing!

28
Internal Story
Internal story happens when you say I wonder
this reminds meI thought about It happens when
you include narrative aspects in your writing.
In the past, a teacher might have told you to get
to the point when you tell your story. Now, we
want you to use these ideas and thoughts to
develop and tell your story. You can add
internal story to your rough draft as a way of
revising it.
29
Internal Story
  • In a story, I can run, spin, climb, yell, dig,
    clamor, but I can also yearn, fantasize,
    remember, regret, worry, and imagine
  • When I pause in the middle of a draft to re-read
    my writing, I sometimes say to myself, Let me
    re-read and pay attention to whether Ive told
    the internal as well as the external story. The
    internal story is how I feel.

30
Internal Story
  • I have had many experiences that I can
    describe as exciting and fun. On a warm summer
    day, on the Virgin Island of St. John, when I
    yelled Sure lets go parasailing! who would
    have known I was going to experience the most
    excitement of my life.
  • We boarded the small ship anticipating the
    parasailing adventure. The guides gave us
    instructions on how they would hook us up in the
    equipment, and because the machine was automated,
    there were some very precise instructions. I
    just hoped I could remember everything I was
    suppose to do so that I did not get injured like
    the guide mentioned. We were the second couple
    to ride tandem, and so we eagerly watched every
    move that the other couple made. Finally, it was
    our turn to fly.
  • We helped each other get hooked in the
    harness, sat down on the back of the boat, and
    suddenly we were lifting into the air. Being in
    the air, soaring through the sky, was incredibly
    fun. As I looked down, I saw giant sea turtles
    swimming through the crisp, bright blue water
    with a pod of dolphins playing nearby. It was
    almost soundless except the fluttering noise of
    the wind blowing past my ears and the parachute
    above. I wondered, Is this how birds feel as they
    fly through the air? Flying like a bird, feeling
    more than human, was a truly incredible moment.
  • As I flew through the air, I stated to my
    husband Is this just one of the best times in
    your life? He agreed happily, as we slowly
    descended towards the ship, back to reality, with
    a new appreciation for adventure and excitement.

31
Our Lives Are Not Just What Happens To Us
  • A great writer named Theodore Roethke said to
    me (actually, he wrote this but I pretend he said
    it to me), Lisa, he said, It is an illusion
    that writers live more significant lives than
    non-writers. Writers are just more in the habit
    of finding the significance that is there in
    their lives.

32
Internal Story
  • These are hugely important words to me because it
    means that I can write about any moment in my
    life--a climb to the top of The Eiffel Tower, the
    day my little sister got into an elevator and it
    took off without us, or a time when our dog,
    Itsy, was really bad--and I can make that moment
    carry the biggest truths of my life. You can do
    the same!

33
Bringing Forth The Internal Story
  • Specifically, I want to teach you that if Im
    going to write not only what happens but my
    response to what happens, then much of story will
    be the internal story, and not just the external
    one.

34
Internal Story
  • At the start of the lesson, I suggested that our
    lives are made up of not only what happens to us
    but also our responses to what happens to us.
  • As writers, this means that we pause in our
    actions and ask What was I thinking? We offer
    our readers clues to reveal our thoughts and
    feelings. This is especially true in the heart
    of our stories.

35
Follow-up
  • Tonight for homework, your job is to re-read your
    draft and find the heart of your story, Re-read
    each part of the narrative and ask What was I
    thinking/feeling? Check that you give clues
    that reveal your thoughts and feelings. If you
    havent included clues that reveal your thoughts
    and feelings, you will need to add some tonight.

36
Qualities of Good Personal Narratives
  • Write a little seed story dont write all about
    a giant watermelon story.
  • Zoom in so you tell the most important parts of
    the story.
  • Include true, exact details from the movie you
    have in your mind.
  • Stay inside your own point of view. This will
    help you write with true and exact details.
  • Make sure stories tell not just what happens, but
    also the response to what happens.
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