The Enjoyment of Music 10th Shorter Edition - PowerPoint PPT Presentation

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The Enjoyment of Music 10th Shorter Edition

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Title: Part 1 The Materials of Music Author: WW Norton Last modified by: Robert Kern Created Date: 4/16/2003 4:06:17 PM Document presentation format – PowerPoint PPT presentation

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Title: The Enjoyment of Music 10th Shorter Edition


1
The Enjoyment of Music 10th Shorter Edition
2
Part 8 The Twentieth Century and Beyond
3
Transition IVThe Post-Romantic Era
  • Post-Romanticism
  • -Germany
  • -Austria
  • Impressionism
  • France

4
Unit XXI The Impressionist and
Post-Impressionist Eras
For we desire above allnuance, Not color but
half-shades! Ah! Nuance alone unites Dream with
dream and flute with horn. Paul Verlaine
5
63. Debussy and Impressionism
  • The Impressionist Painters
  • French
  • Monet
  • Manet
  • Degas
  • Pisarro
  • Renoir
  • Light and color
  • Reaction to Romanticism

Claude Debussy
6
The Symbolist Poets
Symbolism. The secret of this movement is
nothing other than this. We were nourished on
music, and our literary minds only dreamt of
extracting from language virtually the same
effects that music caused on our nervous
system. Paul Valéry
  • Literary response
  • Charles Baudelaire
  • Stéphane Mallarmé
  • Paul Verlaine
  • Arthur Rimbaud
  • Sound of a word as well as its meaning

7
Impressionism in Music
  • Impressionistic music characterized by
  • ancient scales (church modes of the Middle
    Ages)
  • exotic scales (chromatic, whole tone)
  • unresolved dissonances
  • parallel chords, ninth chords
  • orchestral color
  • free rhythm
  • Short lyric forms (preludes, nocturnes,
    arabesques)

Machaut modally based
Debussy. Voiles (whole tone scales)
Debussy. La cathédrale engloutie (parallel
scales)
Faure. Pelleas et Mélisande, Sicilienne
8
Claude Debussy (18621918)
  • French composer
  • Impressionist
  • Paris Conservatory
  • Prix de Rome
  • Opera Pelléas and Mélisande (1902)
  • Died in 1918

I am more and more convinced that music is not,
in essence, a thing which can be cast into a
traditional and fixed form. It is made up of
color and rhythms.
Debussy Pélleas et Mélisande, Act I, Scene 3
9
Debussys output
  • Orchestral works
  • La mer, three nocturnes
  • Prelude to The Afternoon of a Faun
  • Piano works
  • Clair de lune
  • Evening in Granada
  • Reflections in the Water
  • The Sunken Cathedral
  • French songs
  • Chamber music

10
Debussy Prelude to The Afternoon of a Faun
(Listening Guide)
  • Mallarmé pastoral poem
  • Mythological faun
  • Free ternary form
  • Chromatic melody

Listening Guide PDF
11
www.wwnorton.com/enjoy
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