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Context for J.R.R. Tolkien

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Title: The Hero with a Thousand Faces Context for J.R.R. Tolkien s The Hobbit Author: Hilari Anderson Last modified by: supervisor Created Date – PowerPoint PPT presentation

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Title: Context for J.R.R. Tolkien


1
Context for J.R.R. Tolkiens The Hobbit 
  • The Heroic Journey

2
The Big Idea
  • Humans need heroes to show pathways to success
  • Brainstorm a list of heroes (either real or
    fictional).
  • In what ways have these heroes helped people
    find success?

3
Joseph Campbell (1904 1987)
  • Title of major study on heros journey The Hero
    with a Thousand Faces
  • Speculate on the meaning of the title.
  • Why must a title have multiple faces?

4
The Hero with a Thousand faces
  • Traces the story of the heros journey through
    virtually all the mythologies in the world,
    revealing one archetypal hero in them all the
    monomyth
  • Think about the following Jesus, Moses,
    Siddhartha Gautama, Odysseus, Beowulf, Theseus,
    Luke Skywalker, What do these heroes have in
    common?

5
Campbells conclusion
  • Human beings all want and need the same things,
    and our heroic stories reflect this need.
  • Do you agree or disagree with Campbells
    conclusion?

6
Unit Focus
  • Analyze Bilbo Baggins from The Hobbit, using
    Joseph Campbells model of the heros journey

7
The Heros Journey Three stages
  • Departure (Chapters 1 9)
  • Initiation (Chapters 10 16)
  • Return (Chapters 17 19)

8
Departure 5 parts
  1. The call to adventure (Chapters 1 - 2)
  2. The refusal of the call (Chapters 1 - 2)
  3. Supernatural Aid (Chapters 3 7)
  4. The Crossing of the first threshold (Chapter 8)
  5. The belly of the whale (Chapter 9)

9
Initiation 4 Parts
  1. The road of trials (Chapters 10 16)
  2. The ultimate boon (Chapter 17)
  3. Atonement with the father (Chapter 18)
  4. Apotheosis (Chapter 19)

10
Return (May include one or more)
  1. The magic flight
  2. Rescue from without
  3. The crossing of the return threshold (Chapter 19)
  4. Master of the two worlds
  5. Freedom to live

11
Departure The call to adventure 
  • An unexpected world is revealed, drawing the hero
    in.
  • The world may be revealed accidentally, through
    mistake, or even through something eye-catching.
  • A messenger appears, calling the hero to
    adventure
  • Adventurous destination of both treasure and
    danger is always a place of changing beings,
    unimaginable torments, superhuman deeds, and
    impossible delight -- its exciting
  • The force to attend becomes so strong that the
    summons cannot be denied.
  • The hero seems to outgrow the old life the time
    for moving on is at hand

12
Departure The Refusal of the Call
  • The hero tries to ignore the call and pursues
    other interests.
  • By refusing the call, the hero makes the
    adventure seem negative.
  • Life begins to feel meaningless.
  • The hero digs deep to find secret reserves of
    courage, often in response to a predicament
    following the initial refusal.
  • Ultimately, the hero goes forth willingly on the
    adventure.

13
Application to The hobbit
  • Read Chapters 1 2.
  • Using either your blue Post-its or a blue
    highlighter, identify places in the chapters that
    are clear examples of The Call to Adventure.
  • Using either your yellow Post-its or a yellow
    highlighter, identify places in the chapters that
    are clear examples of The Refusal of the Call.

14
Departure Supernatural Aid
  • The hero encounters a figure who provides the
    adventurer with protective amulets against evil
  • fairy lore a little fellow of the wood, an old
    crone, some wizard, hermit, shepherd, or smith
    who appears to supply the amulets and advice the
    hero will require
  • higher mythologies great figure, a teacher, a
    ferryman, a conductor of souls to the underworld
  • Each supernatural event represents the protecting
    power of destiny reassurance that all will be
    OK in the end.

15
Application to The hobbit
  • Read Chapters 3 - 7.
  • Using either your green Post-its or a green
    highlighter, identify places in the chapters that
    are clear examples of Supernatural Aid.

16
Departure The crossing of the first threshold
  • The hero crosses a threshold (figurative doorway)
    into the unknown, darkness, and danger.
  • The hero becomes like an infant beyond parental
    watch, crossing the boundary beyond the
    protection of society.
  • The regions of the unknown (woods, desert,
    jungle, deep sea, alien land, etc.) are filled
    with deceitful and dangerous presences not
    experienced in the normal world.
  • The crossing of the threshold is the first step
    toward self-understanding, yet the action is
    tremendously risky often life or death.

17
Application to The hobbit
  • Read Chapter 8.
  • Using either your pink Post-its or a pink
    highlighter, identify places in the chapters that
    are clear examples of The Crossing of the First
    Threshold.

18
Departure The belly of the whale
  • Some time after crossing the threshold, the hero,
    instead of conquering of giving in, is swallowed,
    unknown, and would appear to have died.
  • The passing of the threshold is a possible life
    sacrifice, making the hero a new person.
  • After shedding fear of sacrifice, the hero is
    free to pass back and forth across the horizons
    of the world, traveling in and out of space
    and/or time.

19
Application to The hobbit
  • Read Chapter 9.
  • Using either your orange Post-its or an orange
    highlighter, identify places in the chapters that
    are clear examples of The Belly of the Whale.

20
Stage 2 Initiation, The Road of trials
  • The hero moves through a landscape in which
    places and life forms are strange and unknown.
  • The hero must survive a series of increasingly
    difficult tasks.
  • The hero is assisted by the advice, amulets (good
    luck tokens), and secret agents of the
    supernatural helper.
  • A chance is provided for the hero to purify the
    self and think about salvation. The hero must be
    willing to put aside pride, virtue, beauty,
    and/or life.

21
Application to The hobbit
  • Read Chapter 10 - 16.
  • Using either your blue Post-its or a blue
    highlighter, identify places in the chapters that
    are clear examples of The Road of Trials.

22
Initiation The ultimate boon
  • The final heroic task is usually accomplished
    with great ease, signifying the hero as a
    superior man a born king.
  • The ultimate boon is the ultimate treasure won by
    the hero.
  • The boon can only be received by the hero after
    all personal limitations are gone.

23
Application to The hobbit
  • Read Chapter 17.
  • Using either your yellow Post-its or a yellow
    highlighter, identify places in the chapters that
    are clear examples of The Ultimate Boon.

24
Initiation Atonement with the father
  • The hero must reconcile with a father figure
    who has been an opposing figure.
  • The father can be a figure whom the hero has
    loved or even hated.  
  • This coming together after complete
    self-sacrifice is called atonement at onement.

25
Application to The hobbit
  • Read Chapter 17.
  • Using either your yellow Post-its or a yellow
    highlighter, identify places in the chapters that
    are clear examples of Atonement with the Father.

26
Initiation apotheosis
  • The hero transcends to a place of bliss.
  • In a more ordinary sense, it is a period of rest
    and fulfillment before the hero begins the return.

27
Stage three The Return (may include one or
more)
  • The Return The adventurer must return with the
    life-changing trophy (boon).
  • Refusal of the Return The hero might not want
    to share the boon.
  • The Magic Flight Sometimes the hero must escape
    with the boon, if it is something that the gods
    have been jealously guarding.
  • Rescue from Without The hero is aided on the
    journey home by supernatural forces.
  • The Crossing of the Return Threshold The hero
    brings the prize and stories of wisdom from the
    journey back home.
  • Master of Two Worlds The hero is able to live
    in the material and spiritual worlds.
  • Freedom to Live The hero does not fear death,
    but lives in the moment.

28
Application to The hobbit
  • Read Chapter 19.
  • Using either your pink Post-its or a pink
    highlighter, identify places in the chapters that
    are clear examples of Apotheosis and/or The
    Return.

29
Ideas for assessment
  • Students can be regularly quizzed on elements of
    the Heroic Journey. Let them use their books,
    writing word-for-word examples of each stage.
    Students who have not done the note-taking work
    may not take the quiz.
  • Students can construct a board game for The
    Hobbit, using each stage in the heroic journey as
    part of their games. Require quotes and
    explanation from the book as part of the game
    construction.
  • Students can analyze Bilbos heroic journey in an
    expository essay, explaining how he fits, or does
    not quite fit, all elements of the journey.
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