Phil Latimer Dike - PowerPoint PPT Presentation

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Phil Latimer Dike

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1906 - Born in Redlands, California April 6th His grandmother , Eliza Sophia Twigg was a painter Attended Redlands High School in California 1924 - Won a scholarship ... – PowerPoint PPT presentation

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Title: Phil Latimer Dike


1
Phil Latimer Dike
1906-1990
2
Life of Phil Dike
  • 1906 - Born in Redlands, California April 6th
  • His grandmother , Eliza Sophia Twigg was a
    painter
  • Attended Redlands High School in California
  • 1924 - Won a scholarship to Los Angeless
    Chouinard Art Institute
  • 1928 - Attended Art Students League in New York
  • 1930 - Attended American Academy of Art at
    Fountainbleau near Paris
  • Traveled through Europe and North Africa
  • 1931 - Traveled to Arizona during the Depression
  • Taught at Chouinard Art Institute
  • 1934-1944 - Worked at Walt Disney Studios (1st
    artist to put color)
  • 1938-1939 - President of California Water Color
    Society
  • 1940 - Returned to Chouinard to teach (taught
    for 20 years)
  • 1950-1971 - Member of the art faculty at Scripps
    Claremont Colleges

3
Work at Walt Disney Studios
Story Development Toccata and Fugue in D
Minor Night on Bald Mountain/Ave Maria
Background Artist Snow White and the Seven
Dwarfs
Color Consultant The Three Caballeros
4
COPPER, 1936
5
About the Work
  • In the early 1930s, Dike traveled to Arizona,
    which like the rest of the country, was feeling
    the effects of the Great Depression. As the
    demand for consumer goods decreased, so did the
    need for copper. After seeing the effect of the
    Depression on the Arizona mining industry, Dike
    was inspired to create Copper, an oil-on-canvas
    painting.
  • The artist combined elements of two townsJerome,
    north of Phoenix, and Miami, east of the cityto
    make reference to the two types of mining in
    Arizona. Underground mines are found in rocky,
    mountainous areas like Jerome, where the desired
    material lies deep under the surface. Open-pit
    mines, like the one in Miami, are more common if
    the material is closer to the surface.

6
About the Work
  • In Copper, Dike uses lines formed by roads,
    buildings and natural formations to lead our eyes
    to the copper plant. The light-colored pit and
    factory, an ominous sky surrounded by darkened
    houses, and dramatically lit rocky cliffs further
    indicate the importance of this central area of
    the painting.
  • Of Copper and its sister painting, Inspiration
    Copper, Dike said These pictures represent a
    culmination of feelings and experiences in the
    copper mining towns of Arizona prior to and
    during the Depression, of that period which
    influenced me greatly.

7
Discussion
  • Encourage students to describe the work of art
    (What do you see in this painting?).
  • Use and/or explain the keywords perspective,
    color, and light in your discussion.

8
Perspective
  • Dike uses lines and overlapping shapes to make
    you feel distance as if you are seeing into the
    painting
  • The vantage point that the artist chose is
    slightly above the town. Where might the artist
    have worked ? on another mountain, in a hot-air
    balloon or an airplane, in a house further up the
    hill?

9
Color
  • What colors do you see? How do the colors make
    you feel?
  • Think of the colors of some objects that contain
    copper pennies, the Statue of Liberty, the dome
    of the old Arizona state capital, or brass
    instruments. Which of these colors did Dike use
    in Copper? (all).
  • What mood do the colors create? How does that
    help us understand what life was like in the
    Depression in an Arizona mining town?

10
Light
  • Is there light in the painting?
  • Which direction is it coming from? How can you
    tell?
  • What kind of day or weather does the light
    suggest?
  • Describe the weather conditions in Copper. What
    kind of feeling does this weather give to the
    painting? If the weather progresses, how might
    the town look 10 minutes in the future?

11
Arizona Mine
12
Perspective
Perspective (from Latin perspicere, to see
through) in the graphic arts, such as drawing, is
an approximate representation, on a flat surface
(such as paper), of an image as it is seen by the
eye. The two most characteristic features of
perspective are that objects are drawn Smaller
as their distance from the observer increases
13
Emboss vs. Deboss
  • Embossing
  • Debossing
  • pushing the image up above the paper
  • pushing the image below the level of the paper

14
COPPER
  • Copper is the oldest metal used by man. It was
    used for farming tools and weapons more than
    10,000 years ago. Today, copper and its alloys
    (for example, brass and bronze) are used in
    electrical systems and electronics, computers,
    home appliances and fixtures, plumbing, keys,
    coins, and many other products.
  • The early formation of Planet Earth left copper
    deposits deep below what is now Arizona. In the
    1800s, mining companies were established in
    areas where copper-rich ore (metal-bearing rock)
    appeared on or close to the grounds surface.
    Copper mining soon became one of Arizonas most
    important industries.

15
Example of Copper Art
16
Activity
  • Materials Needed
  • 5 Copper Foil squares/1 per child,
  • stylus sticks or heavy toothpicks,
  • 5 squares of white paper for rough drafts.
  • 6 square piece of black paper to mount completed
    tooled artwork.

17
Process
  • Brainstorm different types of Arizona landscape
    scenes with students. (The desert with cactus and
    a coyote. Desert hills with a lake and
    sailboat, ranches, citrus groves, old west town
    etc.)
  • Pass out 5 squares of white paper.
  • Students should plan their scene on paper. Each
    scene should include a background and a couple
    detailed images in the foreground. Remind
    students to keep it simple.

18
Process
  • Pass out one copper foil square and stylus to
    each student. Also, handout 6 square black
    paper.
  • Students will use the stylus stick to impress the
    planned scene onto the copper foil sheet.
  • For Best Results Have student place black paper
    under foil sheet as they work. This will allow a
    softer surface and allow the impressions to be
    deeper into the foil.
  • Remind students to carve their names in the
    bottom corner of the copper square.
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