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Kein Folientitel

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Drama in the Age of Enlightenment Definition of periods within the Enlightenment Life of Lessing (brief summary) Drama before/since Lessing (referring back to ... – PowerPoint PPT presentation

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Title: Kein Folientitel


1
Drama in the Age of Enlightenment
  • Definition of periods within the Enlightenment
  • Life of Lessing (brief summary)
  • Drama before/since Lessing (referring back to
    Gottscheds Sterbenden Cato)
  • Plot of Miß Sara Sampson
  • Family structures
  • Introduction into the 1st act

2
Recommended Reading
  • Jochen Schulte-Sasse, Poetik und Ästhetik
    Lessings und seiner Zeitgenossen, in Hansers
    Sozialgeschichte der deutschen Literatur, Vol. 3
    (München / Wien 1980), pp. 304-326.
  • Jochen Schulte-Sasse, Drama, in Hansers
    Sozialgeschichte der deutschen Literatur, Vol. 3
    (München / Wien 1980), pp. 423-499, esp. Lessing
    pp. 450-452, 456-465.
  • CD-ROM, see Lessing, Selected Bibliography

3
The different phases within the Enlightenment
  • 1720-1755 Frühaufklärung rationalism
    (Verstandes-aufklärung), Gottsched
  • 1750-1770 empfindsame Hochaufklärung unity of
    brain and heart (Vernunftsaufklärung), Bodmer und
    Breitinger, Klopstock, Lessing
  • 1770-1790 Spätaufklärung

4
  • Gotthold Ephraim Lessing
  • (1729-1781)
  • born in Saxonia (Kamenz)
  • 1746-48 studied theology, then medicine at
    Leipzig
  • 1748-67 mainly Berlin F. Nicolai and M.
    Mendelssohn
  • 1767-70 dramaturg at Hamburg (Hamburgische
    Dramaturgie)
  • 1770-1781 Librarian at Wolfenbüttel

5
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6
  • Lessings main works
  • till 1755 plays in the Classicist French
    tradition
  • 1755 Miß Sara Sampson - first German
    bürgerliches Trauerspiel
  • 1766 Laokoon oder Über die Grenzen der Malerei
    und Poesie
  • 1767 Minna von Barnhelm oder Das Soldatenglück
  • 1767/69 Hamburgische Dramaturgie
  • 1772 Emilia Galotti
  • 1779 Nathan der Weise - first German blank verse
    drama, model for the later German Classicist
    plays

7
  • German Drama before Lessing
  • tragedy Haupt- und Staatsaktionen - nobility,
    Ständeklausel, necessity of a Fallhöhe
  • comedy Verlachkomödien - lower classes
  • alexandrine based
  • strict keeping to 3 unities time, place,
    action/plot (Zeit, Ort und Handlung)
  • within the Enlightenment
  • teaching morals according to Tugend- and
    Lasterkatalog
  • the means elios and phobos (Aristotle) fear
    and terror (Angst und Schrecken) in tragedies

Gottscheds Der sterbende Cato (1732)
TEXT
8
  • German Drama since Lessing
  • tragedy Bürgerliches Trauer-spiel - touching
    domestic drama, mixed characters, gleiche
    Ranghöhe mit Publikum
  • comedy Ernste Komödie - noble and bourgeois
    characters
  • prose play
  • 3 unities only as a matter of Wirkung (time,
    place,) action/plot (Handlung)
  • Creating Sensibility as the purpose of a
    bourgeois tragedy
  • the means the compassion a tragic action
    should produce in an audience - Furcht und
    Mitleid, Katharsis as Reinigung der
    Leidenschaften, not von den

9
  • Plot of Lessings Miß Sara Sampson and its
    function (1755)
  • quite a simple one, small amount of characters
  • this leaves room for dealing with conversation
    as a means of solving conflicts
  • stress on dialogue instead of stress on action
  • Mitleidsästhetik make the audience becoming
    affected not teaching them a morale, but giving
    them the experience of a social order to be
  • Moralisierungsprogramm to educate all classes
    within society according to the compassionate
    ideal of family life and thus to establish a
    paradigm for social and political change - belief
    in humanity das Allgemeinmenschliche

10
  • Lessings Miß Sara Sampson is an example for a
    whole series of plays in the 1750s and 1760s with
    its basic formula
  • Das Trauerspiel erfüllt seine Bestimmung,
    nämlich unsere Fähigkeit, Mitleid zu fühlen, zu
    erweitern, indem es die Vollkommenheit im
    Unglück, den tugendhaften Menschen im Leiden
    zeigt (Lessing on Nicolai, 13. Nov. 1756, und an
    Mendelssohn, 18. Dez. 1756).
  • Karl S. Guthke, Das deutsche bürgerliche
    Trauerspiel, 4. Aufl. (Stuttgart Metzler, 1984),
    p.52.

11
  • Das ganze Haus
  • all generations, servants under one roof
  • Allianzehe - a political, economic ratio
    behind each and every marriage
  • affection, desire, lust outside the marriage
    intrigues
  • nobility
  • children care by nannies
  • Mätressenwesen
  • liaisons
  • Die bürgerliche Kernfamilie
  • parents and children only under one roof
  • Liebesehe - love and compassion for a once
    chosen lifelong partner
  • idea of Sittlichkeit and Moral, strict moral
    codes
  • bourgeois family
  • father working outside the house mother house
    keeping and children feeding
  • growing importance of children and their
    attitudes
  • idea of education
  • family becomes the raw model for social (and
    political) life

Pic Pic Pic
12
  • Further readings
  • W.A. Bruford, Germany in the Eighteenth Century
    The Social Background of the Literary Revival
    (Cam-bridge University Press, 1965) Lib. 943.05
    BRU
  • Victor Lange, The Classical Age of German
    Literature. 1740-1815 (London Arnold, 1982) Lib.
    830.96 LAN
  • Homework
  • Read Lessings Miß Sara Sampson, focus on the
    Erster Aufzug and Scenes Iii and IIii.We will go
    through the first act in class, scene by scene
    and will highlight the important topics and
    positions. To prepare this, for Act I and Scenes
    IIi and IIii
  • Find out about topics and key terms for each
    scene. How are the topics developed from one
    scene to the other?
  • Define the social position the different
    characters have. Try to find out when characters
    are not acting according to their social roles.
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