Title: Dance Theory
1Dance Theory
- An Introduction to the Fundamentals
2A Little To Think About Dance
- Dance, or movement, is a natural activity that
becomes an artistic expression when structured
and formed by the elements of dance design using
compositional forms.
3Dance as a Form of Communication
- 1. How movement/ mime can be used to portray
various characters who tell a story, without
speaking.
- 2. Dance is a language that you must understand.
Once learned students will be able to speak a
dance sentence.
4The Elements of Dance
51. Space
- A) Dance must move, the dancer cannot stay in
one spot (direction) - B) Big verses small, how the dancer can contort
the body to make lines (shape) - C)Movement levels low (on the ground), medium
(standing), high (up on toes or jumping)
6Space, Contd.
- Direction forward, backward, sideways, up,
down, diagonal, in a circle - Size large and small movements
- Pathways patterns we make as we move through
the air and on the floor.
7Even More About Space
- Level the vertical distance from the floor
low(on the ground), medium (standing up), high
(up on tiptoes or jumping) - Shape the design of the body as it exists in
space
8General VS. Kinesphere
- General Space The space shared by all reaches
beyond personal space. - Kinesphere Personal space The space reached
while stationary.
9More About Kinesphere
- Personal space is important when dealing with
WHAT type of movements an individual can do in
their own personal space (your movement reached
while stationary).
102. Time
- The dancer cannot dance everything at once, the
movement must be sequenced. - Time is the relationship of one movement or part
of a movement to another.
11Time, Contd.
- Dancers can move at different speeds fast and
slow (tempo) - Dancers count to keep in time with the music. It
is important for the dancer to stay with the
pulse of the music (beat).
12More About Time - Terms
- Pulse The ongoing underlying beat.
- Speed How fast or slow the movement is.
- Duration The length of time the movement lasts
long, medium, or short.
13Even More About Time???
- Rhythm Patterns made by arranging long and
short sounds or strong and light sounds. - Phrases Longer sequences of movement.
- Beat - Steady
143. Force
- A. Heavy or light
- B. Sharp or smooth
- Different moves require different amounts of
energy!!!
15Force, Contd.
- Tension/relaxation Tension feels hard and
tight relaxation feels soft, loose and floppy. - Flow bound or free flow has to do with the
ongoing movement when energy is released freely,
we describe the movement as free flow when the
energy is release in a controlled, restrained
manner, we describe the movement as bound.
16Even More About Force
- Weight Strength(force) or lightness.
17Locomotor VS. Non-locomotor
- Locomotor movements are movements that usually
travel through space.
- Non-locomotor movements are movements that stay
in one place.
18Locomotor Movements
- Walk
- Run
- Hop
- Jump
- Leap
- Skip
- Gallop
- Slide
19Non Locomotor Movements
- Bend
- Stretch
- Push/Pull
- Rise/Sink
- Shake
- Swing/Sway
- Twist/Turn
20Dance Vocabulary
21Dance Vocabulary
- In order for one to make a good, detailed
analysis of a performance, one must understand a
dance vocabulary basic terminology that
describes the make up of dance and performances.
This is also known as a movement vocabulary.
22Dance Terminology
- Alignment Body placement or posture proper
alignment lessons body strain and promotes dance
skills. - Actions What the body is doing this includes
locomotor and non-locomotor skills.
23Terminology, Contd.
- Dance phrase A logical sequence of movements
with an observable beginning, middle, and end. - Dynamics The dance element which relates to how
a movement is made. - For example, time and space are two elements
related to a performance.
24Even More Terminology
- Qualities Characteristics of a movement.
- For example, are the movements small or large?
Are they bound or free? Does the dancer perform
at low, medium, or high levels?
25More Terminology???
- In dealing with dance performances, one must
understand the relationships of dance the
bodys position relative to something or someone.
26Form
- Form is the structure of dance compositions.
- For example, how is the dance composed (locomotor
vs. non-locomotor movements? General vs.
Kinespheric space)?
27Dance Composition
28Principles of Composition
- Dance consists of sequences with a beginning,
middle, and an end. - Dance uses different movement phrases (brief
sequences of related movements) to show
variations. The following will be addressed
29Principles, Contd.
- A is a one part movement phrase in a specific
tempo. - AB(Binary Form) is a two-part movement phrase
with B having a different tempo. - ABA(Ternary Form) is a 3 part movement phrase
with A being repeated.
30Principles, Contd.
- Call Response A dance in which one person or
group moves first, then another person or group
moves in response to what the first group has
done. - When doing call and response, it is important to
pay attention to the leader.
31Direction and Choreography
- Direction is the coaching/instructing from an
expert in the field. Most ballet and other
modern dance corps direction comes from
choreographers (veteran dancers), as well as
dancers.
32Choreographer
- A choreographer is a person who makes up the
moves, positions, arrangements for a dance
performance.
33Learning to Choreograph
- To be a choreographer you need to know the
various dance steps, why these were invented and
what effects they can achieve on the stage.
34Learning, Contd.
- Choreographers must also know how to use the
stage space and must understand the basic
principles of lighting and design.
35Even More Learning
- Other important qualities are a good
understanding of music, and plenty of imagination
and original ideas. Choreographers also need to
be able to work well with lots of different
people and to be patient. It may take weeks to
create a dance.
36Origin of Choreography
- The term comes from two Greek words, khoreia
meaning choral dancing to music, and graphia
meaning writing. - Choreography is one of the most important aspects
of dance.
37How Choreography Developed
- Although people have been creating dances for
thousands of years, choreography was only
developed as a separate skill in the early 1900s.
38Development, Contd.
- As modern dance developed, traditions were
overturned and the process involved in creating a
dance was analyzed much more. - People realized that choreography required
special skills and was recognized as an art form.
39Steps To Choreography
- Although choreographers have an individual way of
working, there is an exact method to creating a
performance
40Steps to Choreographing a Performance Step 1
- 1. The choreographer decides on a subject for a
dance. This may be inspired by anything, from a
piece of music to a painting or book, or even a
beautiful building. - Cats was inspired by one of T.S. Eliots poems.
41Step 2
- 2. The choreographer then chooses dancers to
perform the work by holding auditions. Sometimes
dance is specially made for a particular dancer.
42Step 3
- 3. The choreographer and dancers explore the
subject for the dance by having discussions and
sometimes an improvisation session where they try
out ideas. - Sometimes, they have to go through training to
portray a certain person or animal.
43Step 4
- 4. The choreographer rehearses the dancers, all
the time working out how the dance should develop
and if it works as a whole (with the whole dance
company).
44Step 4, Contd.
- As each sequence in the dance is decided, it is
written down in dance notation, or motif symbols,
by a professional notator, or choreologist. - Understudies, or 2nd strings, are decided in case
someone cannot perform or an emergency arises.
45Even More on Step 4
- The choreographer works with the lighting, set
and costume designers, to produce the stage
effects for the dance. - For example, the set of Cats was designed to
resemble a junkyard, where cars and other items
are enlarged to make the dancers (or cats) appear
small and lifelike.
46FinallyThe Performance
- Eventually all the different elements are put
together on stage, and last-minute changes are
made (dress rehearsals). - The dance is now ready to be performed to an
audience.
47Performance, Contd.
- This is the big moment if anything goes wrong
in the dance, the choreographer will probably get
the blame!!!!
48Other Dance Company Jobs
- Artistic Director
- Lighting Tech
- Musician
- Wardrobe Manager Assistant
- Dancer
- Stage Manager
49MORE ABOUT DANCE
50Purposes For Dance
- Recreational/Social
- Ceremonial/Ritual
- Artistic Performance
- Dance Therapy
51Historical and Cultural Awareness
- There are similarities and differences in
elements and principles of composition among
forms of dance such as folk, square and line
dancing. - Dances of various cultures and historical periods
differ in steps and movement styles, as well as
costumes.
52Different Types of Dance
53Alvin Ailey
- African American Choreographer whose work is
noted for its intense emotional power. Uses big
gestures like wide-open arm movements. Founded
American Dance Theater. Dances female solo
called Cry and Revelations danced to black
spiritual songs.
54Some Different Dance Styles
- Jazz
- Tap
- Ballet
- Contemporary
- Rock n Roll
- Ballroom
- Salsa
55Contemporary Dance
- Contemporary dance began at the start of this
century when Isadora Duncan broke away from
ballet and invented a very individual style of
dancing. - She developed a very free dance style, making
sweeping movements with her body.
56Contemporary and Loie Fuller
- Loie Fuller used dramatic lighting and costumes
to create fantasy effects. - A number of people felt that classical ballet put
too many restrictions on how the body could move
and limited the way dancers could express their
feelings.
57More About Contemporary Dance
- Another American dancer, Martha Graham, developed
a contemporary dance technique which is now
taught in many classes.
58Differences Between Ballet and Contemporary Dance
59Ballet
- 1. The shapes and patterns the dancers make
nearly always look graceful and beautiful. - 2. The body must be a particular size and shape,
and is trained from a young age to achieve this.
60Ballet, Contd.
- 3. Dancers look light and leap through the air
as if they are defying gravity. - 4. The basic steps are strictly defined. Every
dancer learns these movements.
61Ballet, Contd.
- 5. Dances usually follow a story line and
include different characters. - 6. Dancers wear special clothes, such as tutus,
which show their movements clearly. Women wear
special shoes for dancing on pointes (tiptoe).
62Contemporary
- 1.Dance can show the ugly as well as the
beautiful things that exist in life. - 2. The body can be any weight and height
provided it is strong and supple.
63Contemporary, Contd.
- 3. Many movements are based on the floor.
Dancers use the pull of gravity to tilt and fall. - 4. There are many different styles of dancing
which require various sorts of training.
64Contemporary, Contd.
- 5. Dances are often about ideas or moods,
instead of telling a definite story. - 6. Dancers wear all sorts of different clothes.
They may wear very casual or very elaborate
costumes. They often dance barefoot, or with a
specialized sandal.
65Jazz Dance
- Jazz dance first developed with jazz music in the
1920s. In the 1950s, as popular music changed,
so did jazz dance.
66More About Jazz Dance
- Today, there are many different styles of jazz,
danced to various kinds of music. - They all feature energetic and rhythmical
movement. To do jazz you need to be fit and
supple.
67Tap Dancing
- The movements of tap are concentrated in your
feet. - Wearing shoes with metal toecaps, you tap out the
rhythm of the music you are dancing to.
68Tap Dancing, Contd.
- To tap dance, you do not have to be as fit as you
do for some other kinds of dance, but you need to
move in a flowing, graceful way. - You also need to have a good sense of rhythm,
since you will be dancing tapping the beats of
the music.
69Recorded VS. Live Performance
- 1. Do not get caught up in the emotion and
moment of the performance. - 2. You get a more total (overall) view of the
performance rather than close-captioned shots. - 3. More special effects can be utilized with
live performance.