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Title: Dance Theory


1
Dance Theory
  • An Introduction to the Fundamentals

2
A Little To Think About Dance
  • Dance, or movement, is a natural activity that
    becomes an artistic expression when structured
    and formed by the elements of dance design using
    compositional forms.

3
Dance as a Form of Communication
  • 1. How movement/ mime can be used to portray
    various characters who tell a story, without
    speaking.
  • 2. Dance is a language that you must understand.
    Once learned students will be able to speak a
    dance sentence.

4
The Elements of Dance
5
1. Space
  • A) Dance must move, the dancer cannot stay in
    one spot (direction)
  • B) Big verses small, how the dancer can contort
    the body to make lines (shape)
  • C)Movement levels low (on the ground), medium
    (standing), high (up on toes or jumping)

6
Space, Contd.
  • Direction forward, backward, sideways, up,
    down, diagonal, in a circle
  • Size large and small movements
  • Pathways patterns we make as we move through
    the air and on the floor.

7
Even More About Space
  • Level the vertical distance from the floor
    low(on the ground), medium (standing up), high
    (up on tiptoes or jumping)
  • Shape the design of the body as it exists in
    space

8
General VS. Kinesphere
  • General Space The space shared by all reaches
    beyond personal space.
  • Kinesphere Personal space The space reached
    while stationary.

9
More About Kinesphere
  • Personal space is important when dealing with
    WHAT type of movements an individual can do in
    their own personal space (your movement reached
    while stationary).

10
2. Time
  • The dancer cannot dance everything at once, the
    movement must be sequenced.
  • Time is the relationship of one movement or part
    of a movement to another.

11
Time, Contd.
  • Dancers can move at different speeds fast and
    slow (tempo)
  • Dancers count to keep in time with the music. It
    is important for the dancer to stay with the
    pulse of the music (beat).

12
More About Time - Terms
  • Pulse The ongoing underlying beat.
  • Speed How fast or slow the movement is.
  • Duration The length of time the movement lasts
    long, medium, or short.

13
Even More About Time???
  • Rhythm Patterns made by arranging long and
    short sounds or strong and light sounds.
  • Phrases Longer sequences of movement.
  • Beat - Steady

14
3. Force
  • A. Heavy or light
  • B. Sharp or smooth
  • Different moves require different amounts of
    energy!!!

15
Force, Contd.
  • Tension/relaxation Tension feels hard and
    tight relaxation feels soft, loose and floppy.
  • Flow bound or free flow has to do with the
    ongoing movement when energy is released freely,
    we describe the movement as free flow when the
    energy is release in a controlled, restrained
    manner, we describe the movement as bound.

16
Even More About Force
  • Weight Strength(force) or lightness.

17
Locomotor VS. Non-locomotor
  • Locomotor movements are movements that usually
    travel through space.
  • Non-locomotor movements are movements that stay
    in one place.

18
Locomotor Movements
  • Walk
  • Run
  • Hop
  • Jump
  • Leap
  • Skip
  • Gallop
  • Slide

19
Non Locomotor Movements
  • Bend
  • Stretch
  • Push/Pull
  • Rise/Sink
  • Shake
  • Swing/Sway
  • Twist/Turn

20
Dance Vocabulary
21
Dance Vocabulary
  • In order for one to make a good, detailed
    analysis of a performance, one must understand a
    dance vocabulary basic terminology that
    describes the make up of dance and performances.
    This is also known as a movement vocabulary.

22
Dance Terminology
  • Alignment Body placement or posture proper
    alignment lessons body strain and promotes dance
    skills.
  • Actions What the body is doing this includes
    locomotor and non-locomotor skills.

23
Terminology, Contd.
  • Dance phrase A logical sequence of movements
    with an observable beginning, middle, and end.
  • Dynamics The dance element which relates to how
    a movement is made.
  • For example, time and space are two elements
    related to a performance.

24
Even More Terminology
  • Qualities Characteristics of a movement.
  • For example, are the movements small or large?
    Are they bound or free? Does the dancer perform
    at low, medium, or high levels?

25
More Terminology???
  • In dealing with dance performances, one must
    understand the relationships of dance the
    bodys position relative to something or someone.

26
Form
  • Form is the structure of dance compositions.
  • For example, how is the dance composed (locomotor
    vs. non-locomotor movements? General vs.
    Kinespheric space)?

27
Dance Composition
28
Principles of Composition
  • Dance consists of sequences with a beginning,
    middle, and an end.
  • Dance uses different movement phrases (brief
    sequences of related movements) to show
    variations. The following will be addressed

29
Principles, Contd.
  • A is a one part movement phrase in a specific
    tempo.
  • AB(Binary Form) is a two-part movement phrase
    with B having a different tempo.
  • ABA(Ternary Form) is a 3 part movement phrase
    with A being repeated.

30
Principles, Contd.
  • Call Response A dance in which one person or
    group moves first, then another person or group
    moves in response to what the first group has
    done.
  • When doing call and response, it is important to
    pay attention to the leader.

31
Direction and Choreography
  • Direction is the coaching/instructing from an
    expert in the field. Most ballet and other
    modern dance corps direction comes from
    choreographers (veteran dancers), as well as
    dancers.

32
Choreographer
  • A choreographer is a person who makes up the
    moves, positions, arrangements for a dance
    performance.

33
Learning to Choreograph
  • To be a choreographer you need to know the
    various dance steps, why these were invented and
    what effects they can achieve on the stage.

34
Learning, Contd.
  • Choreographers must also know how to use the
    stage space and must understand the basic
    principles of lighting and design.

35
Even More Learning
  • Other important qualities are a good
    understanding of music, and plenty of imagination
    and original ideas. Choreographers also need to
    be able to work well with lots of different
    people and to be patient. It may take weeks to
    create a dance.

36
Origin of Choreography
  • The term comes from two Greek words, khoreia
    meaning choral dancing to music, and graphia
    meaning writing.
  • Choreography is one of the most important aspects
    of dance.

37
How Choreography Developed
  • Although people have been creating dances for
    thousands of years, choreography was only
    developed as a separate skill in the early 1900s.

38
Development, Contd.
  • As modern dance developed, traditions were
    overturned and the process involved in creating a
    dance was analyzed much more.
  • People realized that choreography required
    special skills and was recognized as an art form.

39
Steps To Choreography
  • Although choreographers have an individual way of
    working, there is an exact method to creating a
    performance

40
Steps to Choreographing a Performance Step 1
  • 1. The choreographer decides on a subject for a
    dance. This may be inspired by anything, from a
    piece of music to a painting or book, or even a
    beautiful building.
  • Cats was inspired by one of T.S. Eliots poems.

41
Step 2
  • 2. The choreographer then chooses dancers to
    perform the work by holding auditions. Sometimes
    dance is specially made for a particular dancer.

42
Step 3
  • 3. The choreographer and dancers explore the
    subject for the dance by having discussions and
    sometimes an improvisation session where they try
    out ideas.
  • Sometimes, they have to go through training to
    portray a certain person or animal.

43
Step 4
  • 4. The choreographer rehearses the dancers, all
    the time working out how the dance should develop
    and if it works as a whole (with the whole dance
    company).

44
Step 4, Contd.
  • As each sequence in the dance is decided, it is
    written down in dance notation, or motif symbols,
    by a professional notator, or choreologist.
  • Understudies, or 2nd strings, are decided in case
    someone cannot perform or an emergency arises.

45
Even More on Step 4
  • The choreographer works with the lighting, set
    and costume designers, to produce the stage
    effects for the dance.
  • For example, the set of Cats was designed to
    resemble a junkyard, where cars and other items
    are enlarged to make the dancers (or cats) appear
    small and lifelike.

46
FinallyThe Performance
  • Eventually all the different elements are put
    together on stage, and last-minute changes are
    made (dress rehearsals).
  • The dance is now ready to be performed to an
    audience.

47
Performance, Contd.
  • This is the big moment if anything goes wrong
    in the dance, the choreographer will probably get
    the blame!!!!

48
Other Dance Company Jobs
  • Artistic Director
  • Lighting Tech
  • Musician
  • Wardrobe Manager Assistant
  • Dancer
  • Stage Manager

49
MORE ABOUT DANCE
50
Purposes For Dance
  • Recreational/Social
  • Ceremonial/Ritual
  • Artistic Performance
  • Dance Therapy

51
Historical and Cultural Awareness
  • There are similarities and differences in
    elements and principles of composition among
    forms of dance such as folk, square and line
    dancing.
  • Dances of various cultures and historical periods
    differ in steps and movement styles, as well as
    costumes.

52
Different Types of Dance
53
Alvin Ailey
  • African American Choreographer whose work is
    noted for its intense emotional power. Uses big
    gestures like wide-open arm movements. Founded
    American Dance Theater. Dances female solo
    called Cry and Revelations danced to black
    spiritual songs.

54
Some Different Dance Styles
  • Jazz
  • Tap
  • Ballet
  • Contemporary
  • Rock n Roll
  • Ballroom
  • Salsa

55
Contemporary Dance
  • Contemporary dance began at the start of this
    century when Isadora Duncan broke away from
    ballet and invented a very individual style of
    dancing.
  • She developed a very free dance style, making
    sweeping movements with her body.

56
Contemporary and Loie Fuller
  • Loie Fuller used dramatic lighting and costumes
    to create fantasy effects.
  • A number of people felt that classical ballet put
    too many restrictions on how the body could move
    and limited the way dancers could express their
    feelings.

57
More About Contemporary Dance
  • Another American dancer, Martha Graham, developed
    a contemporary dance technique which is now
    taught in many classes.

58
Differences Between Ballet and Contemporary Dance
59
Ballet
  • 1. The shapes and patterns the dancers make
    nearly always look graceful and beautiful.
  • 2. The body must be a particular size and shape,
    and is trained from a young age to achieve this.

60
Ballet, Contd.
  • 3. Dancers look light and leap through the air
    as if they are defying gravity.
  • 4. The basic steps are strictly defined. Every
    dancer learns these movements.

61
Ballet, Contd.
  • 5. Dances usually follow a story line and
    include different characters.
  • 6. Dancers wear special clothes, such as tutus,
    which show their movements clearly. Women wear
    special shoes for dancing on pointes (tiptoe).

62
Contemporary
  • 1.Dance can show the ugly as well as the
    beautiful things that exist in life.
  • 2. The body can be any weight and height
    provided it is strong and supple.

63
Contemporary, Contd.
  • 3. Many movements are based on the floor.
    Dancers use the pull of gravity to tilt and fall.
  • 4. There are many different styles of dancing
    which require various sorts of training.

64
Contemporary, Contd.
  • 5. Dances are often about ideas or moods,
    instead of telling a definite story.
  • 6. Dancers wear all sorts of different clothes.
    They may wear very casual or very elaborate
    costumes. They often dance barefoot, or with a
    specialized sandal.

65
Jazz Dance
  • Jazz dance first developed with jazz music in the
    1920s. In the 1950s, as popular music changed,
    so did jazz dance.

66
More About Jazz Dance
  • Today, there are many different styles of jazz,
    danced to various kinds of music.
  • They all feature energetic and rhythmical
    movement. To do jazz you need to be fit and
    supple.

67
Tap Dancing
  • The movements of tap are concentrated in your
    feet.
  • Wearing shoes with metal toecaps, you tap out the
    rhythm of the music you are dancing to.

68
Tap Dancing, Contd.
  • To tap dance, you do not have to be as fit as you
    do for some other kinds of dance, but you need to
    move in a flowing, graceful way.
  • You also need to have a good sense of rhythm,
    since you will be dancing tapping the beats of
    the music.

69
Recorded VS. Live Performance
  • 1. Do not get caught up in the emotion and
    moment of the performance.
  • 2. You get a more total (overall) view of the
    performance rather than close-captioned shots.
  • 3. More special effects can be utilized with
    live performance.
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