Title: Shakespeare
1(No Transcript)
2Shakespeares Effect on the English Language
- 12,000 words entered the language between 1500
and 1650 (about ½ of them still in use today) - Shakespeare coined 2,035 words (Hamlet alone has
600 new words). A small sampling - Bloody, hurry, generous, impartial, road,
critical, frugal, dwindle, extract, horrid, vast,
excellent, eventful, assassination, lonely,
suspicious, indistinguishable, well-read, zany,
countless
3Language
- Shakespeares phrases are now our clichés
- into thin air, in a pickle, budge an inch, cold
comfort, flesh and blood, foul play, cruel to be
kind, pomp and circumstance, catch a cold, heart
of gold, method in his madness, too much of a
good thing, break the ice, dead as a doornail,
good riddance, love is blind, wear my heart upon
my sleeve, wild-goose chase, the world's my
oyster, for goodness' sake
4Shakespeares Writing Style
- Poetry vs. Prose
- Prose -form of language which applies ordinary
grammatical structure and natural flow of speech
rather than rhythmic structure - See letter to Lady Macbeth (I.v)
- Shakespeare uses prose for 2 reasons
- Lower status
- Familiar relationship
5Iambic Pentameter
- The poetic form used by Shakespeare is
- Iambic Pentameter rhythmical pattern of
syllables - Iambic rhythm goes from unstressed syllable to a
stressed one. Rhythmic examples divine
caress bizarre - Like a heartbeat daDUM daDUM
- Each iamb is called a foot
- There are other rhythms. I.e., trochaic DUMda
- Pentameter the rhythm is repeated 5 times
each line is 10 syllables - daDUM daDUM daDUM daDUM daDUM
- The Prince of Cumberland! That is a step
- On which I must fall down, or else oer-leap,
- For in my way it lies. Stars, hide your fires!
- Let not light see my black and deep desires.
- Shakespeare, will sometimes end iambic pentameter
on an unstressed syllable, so that the last foot
sounds like this daDUMda. - To be, or not to be, that is the question.
- Is this a dagger which I see before me
6Blank Verse
- Blank Verse unrhymed iambic pentameter
- Used with noble characters
- Macbeths soliloquy
- Exceptions
- Rhyming couplets often at the end of
monologues/scenes, used for emphasis
7Verse/Prose
- Averaging out all of Shakespeares plays, they
were made up of about 70 blank verse, 5 rhymed
verse, and 25 prose. - Try this THE WEIRD SISters, HAND in HAND,
- POSters OF the SEA and LAND,
- THUS do GO, aBOUT, aBOUT,
- THRICE to THINE, and THRICE to MINE,
- And THRICE aGAIN, to MAKE up NINE.
- PEACE! the CHARM'S WOUND UP (Act 1 Scene 3)
- Why would Shakespeare used a different meter for
supernatural characters. Is the rhythm more
chant-like? More spooky?
8Elizabethan Age Jacobean Age
- Shakespeare gains his notoriety during a time
when theatre is flourishing the Elizabethan
Age. - Named after Queen Elizabeth I, who reigns until
1603. - King James I reigns during the rest of
Shakespeares life. Shakespeare writes Macbeth in
1606 to honor the King.
9Elizabethan Age Jacobean Age
- Queen Elizabeth (1558-1603) Daughter of Henry
VIII and Anne Boleyn. Protestant. The Virgin
Queen. - Takes throne from Mary I (aka Bloody Mary), a
Catholic who executed Protestants in large
numbers. - Elizabeth I firmly establishes the Church of
England (begun by her father)-Protestant - England emerges as the leading naval and
commercial power of the Western world. Elizabeth
I's England consolidates its position with the
defeat of the Spanish Armada in 1588. - Elizabeth names James VI of Scotland to take the
throne. - Takes the crown as James I, and rules from
1603-1625.
10Elizabethan Age
- At this time, London was the heart of England,
reflecting all the vibrant qualities of the
Elizabethan Age. London became a leading center
of culture as well as commerce. Its dramatists
and poets were among the leading literary artists
of the day. - London in the 16th century underwent a
transformation. Its population grew 400 from
1500 to 1600, swelling to nearly two hundred
thousand people in the city proper and outlying
region by the time an immigrant from Stratford
came to town. A rising merchant middle class was
carving out a productive livelihood, and the
economy was booming.
11Elizabethan Theatres
- Flowering of theatre. The Renaissance (rebirth)
grew from Englands medieval theatre of mystery
and morality plays with some stylistic infusion
from educated mens common reading of the Roman
playwrights - City authorities would often ban theatrical
productions gatherings encouraged crime. - Theatres The Theatre and The Curtain in North
London The Rose, the Swan, and The Globe (1599)
in South London. - Shakespeare (1564-1616)
12Elizabethan Theatres
- Actors
- Only men- crude atmosphere in the theatre(lots of
drunks) - Young kids played women roles
- They travelled around to perform
- In 6 Month, one company might give 150
performances with 25-30 different plays/ one week
to learn their text (about 800 Lines a day for
leading roles!) - The Building
- There was a dressing room, full of funny
costumes. - props werent used until the 1600s
- round, (Wooden O)
- There were hardly any toilettes
- no or less roof, it could rain into the theatre
- 3000 people could fit
- The Stage
- trapdoor, they used it as a grave
- The stage consisted of 3 tears, Heaven
(Balcony), Earth (Stage) and Hell (The place
where the crowd was standing). - When the play started there was a flag above the
theatre Black Tragedy White- Comedy. Red
History.
13The Globe Theatre
The Globe Theatre was a theatre in London
associated with William Shakespeare. It was built
in 1599 by Shakespeare's playing company, the
Lord Chamberlain's Men, and was destroyed by fire
on June 29th 1613
14Shakespeares Life
- Baptized on April 26, 1564.
- Died April 23, 1616
- Married at the age of 18 to Anne Hathaway.
- A daughter, named Susanna, was baptized on May
26, 1583. - On February 2, 1585, twins were baptized, Hamnet
and Judith. (The boy Hamnet, Shakespeare's only
son, died 11 years later.) - Shakespeare leaves (around 1590?)
- family in Stratford to pursue acting in
- London.
15Origins of Theatrical Career
- Between 1585 and 1593not much known
- It is not clear how his career in the theatre
began but from about 1594 onward he was an
important member of the company of players known
as the Lord Chamberlains Men(called the King's
Men after the accession of James I in 1603). They
had the best actor, Richard Burbage they had the
best theatre, the Glode they had the best
dramatist, Shakespeare.
1637playsComedies Tragedies Histories Romances
- 1589-92 Henry VI, Part 1 Henry VI, Part 2
Henry VI, Part 3 - 1592-93 Richard III, The Comedy of Errors
- 1593-94 Titus Andronicus, The Taming of the
Shrew - 1594-95 The Two Gentlemen of Verona, Love's
Labour's Lost, Romeo and Juliet - 1595-96 Richard II, A Midsummer Night's Dream
- 1596-97 King John, The Merchant of Venice
- 1597-98 Henry IV, Part 1 Henry IV, Part 2
- 1598-99 Much Ado About Nothing
- c. 1599 Henry V
- 1599-1600 Julius Caesar, As You Like It
- 1600-01 Hamlet, The Merry Wives of Windsor
- 1601-02 Twelfth Night, Troilus and Cressida
- 1602-03 All's Well That Ends Well
- 1604-05 Measure For Measure, Othello
- 1605-06 King Lear, Macbeth
- 1606-07 Antony and Cleopatra
- 1607-08 Coriolanus, Timon of Athens
- 1608-09 Pericles
- 1609-10 Cymbeline
17Origins of the Play
- Witches
- In 1591, 3 women from Forres were on trial in
Scotland for using witchcraft in order to
assassinate the King of Scotland James. Court
records show that James actually presided over
the case. - James wrote a book about witches in 1597 entitled
Daemonologie, which discusses how witches operate
and the extent of their power. - The Gunpowder Plot
- An attempt to assassinate King James in 1605
officials found a large amount of gunpowder in a
basement below Parliament the day before he was
to be there. - Arrested for treason, Henry Garnet, a Jesuit,
wrote A Treatise of Equivocation, which provided
a justification for lying (a statement is not a
lie if it could possibly be true from another
perspective).
18Motifs any aspect of literature which recurs
frequently(theme, image, character etc)
- Paradox
- fair is foul, lost/won happy/not happy not
great/greater father/fatherless - Clothing metaphors
- borrowed robes, strange garments, lest our
old robes sit easier than our new - Hiding true thoughts (deceit)
- Traitors, Theres no art in finding the minds
construction in the face. False face must hide
what the false heart doth know. Look like the
innocent flower but be the serpent underneath. - Nocturnal/dark animals
- Ravens, owls, snakes, wolf, scorpions, crickets,
- Child-bearing
- Blood
- Weather
- Sleeplessness
- Masculinity what it means to be a man.
19The Curse of Macbeth
- The story goes that the spells Shakespeare
included in Macbeth were lifted from an authentic
black-magic ritual and that their public display
did not please the folks for whom these
incantations were sacred. Therefore, they
retaliated with a curse on the show and all its
productions. - ill luck set in with its very first performance.
John Aubrey, left us with the report that a boy
was to play Lady Macbeth at the play's opening on
August 7, 1606 but died of a fever. - In 1672, the actor in the title role used a real
dagger for the scene in which he murders Duncan
and done the deed for real. - In 1942, three deaths in the cast -- the actor
playing Duncan and two of the actresses playing
the Weird Sisters -- and the suicide of the
costume and set designer. - In 1947, actor stabbed in the swordfight that
ends the play and died as a result of his wounds.
His ghost is said to haunt the Colliseum Theatre
in Oldham, where the fatal blow was struck.
Supposedly, his spirit appears on Thursdays, the
day he was killed. - In a production in St. Paul, Minnesota, the actor
playing Macbeth dropped dead of heart failure
during the first scene of Act III. - In 1988, the Broadway production went through
three directors, five Macduffs, six cast changes,
six stage managers, two set designers, two
lighting designers, 26 bouts of flu, torn
ligaments, and groin injuries. - In 1998, in the Off-Broadway production starring
Alec Baldwin and Angela Bassett, Baldwin somehow
sliced open the hand of his Macduff.
20The Curse of Macbeth
- To many theatre people, the curse extends beyond
productions of the play itself. Simply saying the
name of the play in a theatre invites disaster.
(You're free to say it all you want outside
theatres the curse doesn't apply.) The
traditional way around this is to refer to the
play by its nickname "the Scottish Play. - To dispel the curse, the person who spoke the
offending word must leave the room, turn around
three times to the right, spit on the ground,
then knock on the door of the room and ask for
permission to re-enter it.