Title: The Matrix
1 The Matrix Leanne Webb, Sean Hawthorne, Mike
Fowler development process the matrix and senior
English programmes embracing the new curriculum
2Whats been happening over the last year
- A significant programme has been conducted by
the Ministry and NZQA to re-write the standards
so that they align with the revised New Zealand
Curriculum (2007), address parity issues credit
values / work required and remove duplication
between existing standards. - The Ministry has contracted NZATE to provide a
new matrix for the standards in each subject,
along with a rationale for the changes proposed,
and information on the changes proposed.
3Why?
- Weve got a new curriculum. Assessment is based
on the curriculum. The standards must align
standards with the NZC. - Its also been to
- improve the design of all standards and coherence
between standards esp unit and achievement
standards - Help improve assessment practice and improve the
credibility of the NCEA and the National
Qualifications Framework (NQF).
4What has changed for English?
- All NZC-derived standards have become achievement
standards. - That means that existing Level 1 3 English unit
and achievement standards have been replaced by
standards in the new matrix. - All standards are assessed at achieved, merit and
excellence. - The new Level 1 standards are based on level 6 of
the curriculum. - There are sufficient achievement standards at
each level to offer a choice of assessment
possibilities for a range of learning programmes
for curriculum levels 6 to 8.
5 6 7 A quick tour of selected standards AS
1.1/2.1/3.1 studied written texts and AS
1.2/2.2/3.2 oral / visual
Earlier versions of standards AS 1.1/2.1/3.1 and
AS 1.2/2.2/3.2 were not divided by written and
visual / oral modes, but based on world texts and
New Zealand texts classifications. In response to
strong feedback from the first consultation
round, written and visual / oral text divisions
were then included which is in keeping with
current achievement standards assessment foci.
To recognise how literature contributes to
students developing sense of identity, their
awareness of New Zealands bicultural heritage
p18, English Statement, NZC, teachers are
encouraged to include both world and New Zealand
texts when preparing students for assessment.
8 Range statements AS 1.1/2.1/3.1 written and
AS 1.2/2.2/3.2 oral / visual
- novel
- non-fiction
- Non Shakespearean drama script
- Shakespearean drama script NB no prescribed
plays - short story
- poetry / song lyric
- print media
- film
- television production
- drama production
- radio production
- multi-media text
- graphic novel
9Writing AS 1.4 / 1.5 / 2.4 / 3.4 - Criteria
The four assessment criteria currently used in
writing achievement and unit standards assessing
ideas, structure, style and the use of writing
conventions have been conflated to two criteria
Develop and structure ideas Use language
features in order to make assessment more
straightforward. This conflation more closely
aligns the second criterion with the language
features substrand in the English Achievement
Objectives. Language features include stylistic
features, vocabulary selection and syntax, as
well as the use of written text conventions
including spelling, punctuation, grammar and
paragraphing appropriate to audience and purpose
for a selected text type. The separate ideas and
structure criteria from writing achievement and
unit standards also suit conflation to a single
criterion, as ideas together with their
structuring and development should clearly be
treated as integrated concepts both in how they
are taught and assessed. same two criteria
principle applies for oral and visual texts
standards
10Writing 2.4 / 3.4 - Levels 2 and 3
At levels 2 and 3, students present two pieces
for assessment to encourage the flexible
selection of writing genre to suit students and
programmes and to align closely with the English
Achievement Objectives. Not specifying genre in
the level 2 and 3 standards recognises that the
creative and formal distinctions are often
arbitrary divisions particularly at senior
levels, based on the 1994 curriculum poetic and
transactional writing functions. Students
should have the opportunity to draft, develop and
craft a number of pieces. Writing should not be
treated as one or two short assessment events.
Programme design should ensure that a students
best writing is developed then recognised for
assessment. Spreading the writing programme over
an extended period is essential. Writing
activities can be integrated with work towards
other standards such as written reports developed
to present connections across texts.
11Making connections AS 1.8 / 2.7 / 3.7 - beyond
thematic connections new at Level 1
These standards recognise that making
connections across texts is a dominant aspect
within several English Achievement Objectives and
a significant component within senior English
programmes. While these standards are likely to
be used by many teachers to explore thematic
connections as currently assessed by the popular
level 2 and 3 theme study unit standards, a range
of other aspects could be examined including
connections between purposes and audiences,
language features, or structures used across
texts. There are also new opportunities to make
connections across texts through the inclusion of
this standard at Level 1.
12Making connections AS 1.8 / 2.7 / 3.7 -
presentation mode text level
Connections can be presented in any combination
of appropriate written, visual and/or oral modes
to encourage integration with assessment for
other standards. At all three levels, four texts
are set as a sufficient range for assessment
purposes. It is important that written, visual or
oral texts selected should be appropriate to the
curriculum level assessed or have characteristics
that enable students to meet the expected level
of discussion when exploring and commenting on
connections. However, a text below the
appropriate curriculum level could sometimes be
included in order to develop a broad and
interesting range of texts relevant to the focus
of the study.
13Information literacy AS 1.9 / 2.8 / 3.8 -
purpose curriculum links
The purpose of these standards is to assess the
use of a range of appropriate information
literacy skills to gather and process
information, and then create and express relevant
conclusions. These standards assess information
literacy skills centred within the major
processes and strategies substrand that
underpins the other four substrands within the
English Achievement Objectives. Key indicators
on which assessment criteria are based include
integrating sources of information and prior
knowledge selecting and using appropriate
processing strategies evaluating the reliability
and usefulness of information as steps to
developing and communicating new
understandings.
14Information literacy AS 1.9 / 2.8 / 3.8 - areas
for enquiry the process
Areas for enquiry should be broad in nature,
undertaken within the context of the English
curriculum and justifiable in terms of their
value and relevance. They should be chosen
individually to encourage independent enquiry and
to build engagement so students take ownership of
the enquiry process. The assessment criterion
focuses on key stages of the process of
demonstrating information literacy skills and
presenting understandings. Students formulate
areas for enquiry into authentic relevant
contexts based on gaps in their own knowledge. In
the process of locating information, they show an
awareness of a range of available sources and are
able to then use available sources. As they
select information, students know how to evaluate
sources, to identify main ideas, to select
relevant information and to record it
effectively. They can then use this information
gathered to create conclusions based on relevant
information collected. Conclusions could show
various viewpoints, perspectives, or ideas and
reflect students own thinking about the area for
enquiry.
15Personal reading AS 1.10 / 2.9 written, oral
and visual numbers of texts
At Level 1, it was not possible to keep the unit
standards 8808, 8809, 8810 separate as oral,
written and visual texts presented in earlier
iterations of the matrix, as eight credits would
have been available just for personal reading.
Within the single independent reading standards,
visual and/or oral texts can also be included in
addition to written texts, in addition to the
option of including visual and oral texts at
Level 2 in an independent reading programme. The
responses to independent reading must be written
and/or oral. At both levels, six texts are set
as a sufficient number for students to be deemed
as reading widely for assessment purposes. The
texts selected must include at least four written
texts, (two of these must be extended texts) the
remaining two texts can be written and/or visual
and/or oral texts.
16Not currently included Level 3 personal
reading NZATE view
- The inclusion of the personal reading standard is
as important at Level 3 as at other levels.
English teachers are able to make accurate
distinctions between texts at all three levels.
In guiding students in their personal reading
text selections, teachers are aware of the
expectations associated with the curriculum level
in terms of the appropriateness of the texts
selected. In determining whether each text
selected is at curriculum level 6, 7 or 8 they
consider the following aspects - o Decisions on text selection are primarily based
on text style. Style becomes increasingly
developed and relatively complex in language
and/or narrative perspective. - o Themes/issues become increasingly
sophisticated, exploring adolescent, to young
adult, to adult themes. - Assessment activities and exemplars should be
developed that include a range of examples of
texts with characteristics indicative of the
types of texts acceptable for personal reading at
Levels 1, 2 and 3, supported by consistent
professional advice via NZATE and English
advisers and moderators.
17- NZATE view personal reading responses assessed
at A, M or E - Personal responses to reading should be assessed
at achievement, merit and excellence levels.
Presenting personal responses means demonstrating
personal understandings of, engagement with
and/or viewpoints on texts. It can also include
responding to links between the text and self,
such as personal contexts and prior knowledge as
well as connections between the text and the
world, such as connections with knowledge,
experience, and ideas from social, cultural,
literary, political or historical contexts. At
merit or excellence, personal responses become
increasingly convincing, perceptive and
insightful.
18Not currently included Collaborative Text
Production
Outcomes focus on the participating and
contributing and relating to others
competencies, as students must listen actively,
recognise other points of view, share ideas, as
well as take on different roles appropriate to
the nature and scope of the production task.
These standards demands a high degree of self
efficacy as well as a significant degree of
ownership in order to see the collaborative text
production through to its successful
completion. Teacher observation of the
collaborative process should be on-going and
sufficient to determine that each student has
made a significant, appropriate and productive
contribution throughout the process. Care should
be taken in the setting up of collaborative tasks
so that each student has ample and equal
opportunity to participate and contribute. The
size of the groups should also carefully
considered. The collaborative process must result
in the successful completed production of a text.
A wide range of collaborative text production
tasks is possible.
19Collaborative Text Production AS 1.12 Criteria
This achievement standard involves the
collaborative production of a text.
Achievement Achievement with Merit Achievement with Excellence
Contribute to the production of a collaborative text which uses text conventions appropriate to audience and purpose. Contribute confidently to the production of a collaborative text which uses text conventions with control and is appropriate to audience and purpose. Contribute confidently and effectively to the production of a collaborative text which uses text conventions to command attention and is appropriate to audience and purpose.
20- NZATE view Levels 1 - 3 collaborative text
production - The collaborative text production standards
should be included in the English matrix at all
three levels and are very much part of The New
Zealand Curriculum. They are designed to reflect
changes in society, where people work
collaboratively in both face-to-face and online
situations. It is appropriate that the
collaborative standards appear within the matrix
of a major subject such as English so that as
large a number of students as possible have the
opportunity to develop and to be assessed against
these essential skills. - The standards require the development of three
key competencies that are not developed
intrinsically in the other standards that are
retained in the matrix Managing Self, Relating
to Others, and Participating and Contributing. - The standards offer a significant opportunity to
develop oracy skills in an authentic context. The
collaborative process is part of the listening
and speaking outcomes of English programmes, and
the listening and interpersonal speaking are not
represented elsewhere in the matrix. - The standards cater for diverse learning styles
in a way that the individualised requirements of
other standards do not. In particular we need to
be cognisant of the learning contexts of Pasifika
and Maori students.
21Literacy and numeracy ?
- Developing new purpose built literacy and
numeracy standards (worth up a total of 20
credits) - These standards would be
- internally assessed
- be at "notional" curriculum level 4/5
- provide a bridge to curriculum subjects at NCEA
Level 1. - These standards would be written as Unit
Standards as they would be assessing functional
literacy and numeracy skills rather than the
curriculum-derived skills associated with
English, Te Reo Maori and mathematics. They
would not necessarily be designed for English or
mathematics programmes. Rather, they would be
generic and outcomes based enabling schools to
use relevant cross-disciplinary contexts with
them.
22Literacy and numeracy ?
An alternative pathway to gain literacy/numeracy
requirements for NCEA Level 1 would include the
identification of specific Achievement Standards
at curriculum level 6 which could be regarded as
providing evidence of functional literacy and
numeracy. These would be drawn from curriculum
derived subjects such as English, history,
mathematics, geography, technology, science and
others.
23Assessment and exemplar development
- Assessment materials will be developed for
standards which have had substantial change.
These will assist teachers and students in
understanding the changes, how the revised
standards might be assessed, and what the
standard looks like at each level of performance.
The intention is to provide two assessment
activities per standard. - Exemplars are crucial. It is intended that
annotated examples of students work will be
provided for every standard that has had
substantial change. The focus will be on
exemplifying student work at grade boundaries. - BUT
- Fresh new curriculum based materials are
required! - New materials reflecting NZC based activities and
exemplars are required to cover possible
assessment contexts. Its not appropriate to just
make do with whats there. Several tki based
resources are supported by materials and
exemplars that are approaching 10 years old and
showing their age.
24The new curriculum and the new matrix provide a
major opportunity to take a fresh approach.
- You could swap a few headings in your department
scheme, or
25Embracing the new curriculum - Part 1 the
second half of the doc / the English Achievement
Objectives
- Looking at how particular standards might be
incorporated into teaching programmes that
embrace the new curriculum - how the matrix could be used to build English
programmes. - the matrix and lower achieving students.
- When planning programmes, teachers should
consider the range of standards on the English
matrix and plan programmes that address the New
Zealand Curriculum. The matrix needs to be
considered in its entirety, and appropriate
decisions made based around the learning needs
and interests of students.
26Key Messages regarding Senior Programmes and the
Draft Matrix
- 1. Start with the NZ Curriculum NOT the matrix
- 2. Your programmes should reflect the key
principles of the NZC - the centrality of the individual learner as a
connected, confident, actively involved,
life-long learners - flexibility
- a focus on pedagogy/key competencies
- valid, fair assessment when the student is
cognitively ready it benefits students, involves
students, is suited to the purpose - 3. Balance in programmes is essential not
everything needs to be taught each year, not
everything that you teach in a given year needs
to be assessed. Plan holistically over a three
year period, so that students are not exposed to
a narrow range of genre or skills.
27Concerns
- 4. My students will not engage in learning that
is not directly assessed. - This is a student response that comes from an
overly assessment driven programme, particularly
one in which assessment forms the basis of
curriculum design. A thematic approach integrates
all texts and modes within a learning context and
assessment opportunities fall out of the
teaching and learning. How the teacher constructs
the programme for the year, and where the teacher
places the emphasis is critical. Engagement of
students with the learning in a programme is the
key place to start and choice within programmes
for students is an opportunity for teachers to
engage reluctant learners.
28Concerns
- 5. I am worried that literature will disappear
from English programmes. - Consider teaching thematically so that the range
of literature offered is rich and varied and
there are more opportunities for a range of texts
to be offered. In particular, thematic teaching
favours the integration of poetry and short
stories, which have become the poor relations
of English programmes. There are many internal
standards that can be used within a literature
context.
29Concerns
- 6. Shakespeare will disappear from English
programmes if it is not directly assessed. - Shakespeare is not compulsory at the moment.
Currently, many teachers are offering Shakespeare
at level 3 but far fewer students answer the
Shakespeare question than answer on film or
extended texts. Shakespeare is also currently
part of many English programmes at year 12, and
students can respond to this text as an extended
text if they wish. Consider incorporating
Shakespeare into programmes where it can be
assessed in a myriad of ways internally e.g
seminars, research, thematic study, dramatic
performance, visual presentation, or a
collaborative project. Writing an essay about
Shakespeare is not the only way to assess
knowledge of, and response to Shakespeare. The
NZC enables schools to reflect their values
within their programmes for their students.
Prescribing texts would deny schools the
opportunity to construct their own curricula.
30Concerns
- 7. I am worried that my workload will increase.
- If schools offer the three externally assessed
standards, this will amount to 12 credits. The
MoE/NZQA recommend a course of 18-20 credits as
appropriate for the average student. Two to three
internals would be the optimum number. This is
fewer than many schools are offering now. A
course of 30 credits is total overload for
teachers and for students and leads to minimal
teaching opportunities. Students should be
offered assessment opportunities when the teacher
is confident that the student is ready to be
assessed
31Planning a programme for lower achieving students
- Will the new matrix allow for success for lower
achieving students? - Quick answer is yes but perhaps in a more
limited way. - Alternative pathways for literacy skills will
still be available even if actual English Level 1
standards are beyond the students i.e. - New Literacy standards
- Communication skills standards
32Elements of good programmes designed for lower
achieving students
- Enable teachers students to know each other
well as people as well as knowing strengths
gaps in skills and knowledge. - Promote positive relationships and learning
dispositions. - Allow for flexible learning outcomes.
- Provide multiple opportunities to assess and
develop skills. - Have success not failure as their outcome.
- Enhance students strengths.
- Address skill/knowledge gaps in supportive way.
33Elements continued
- Spend the time necessary on developing skills or
knowledge i.e. not time bound. - May focus on fewer skills or areas of the
curriculum but provide learning opportunities in
several different contexts and/or modes. - Provide challenge and enable students to gain the
best credits that they can. - Links to students own goals where possible
i.e. relevance of learning to students lives is
encouraged in these courses.
34General Approach I use
- Thematic Approach
- Overarching Big Question that drives the
content and that will be developed and revisited
in multiple ways and contexts during semester. - Concrete vs Abstract themes
- e.g. Relationships, Childhood, Growing Up,
Survival, Heroes, Friendship - vs Power, Identity, Difference, Isolation,
Dystopia - Multiple Varied Texts
- Use several different texts and text types to
develop content knowledge e.g. novel, play,
prose, non-fiction, film, oral - Student choice of text where possible
- Assessment Opportunities
- Plan two or three assessment opportunities (times
to collect evidence) during the year. Assess
when ready (as much as possible ) rather than
pushing through an assessment when majority still
not ready to do it. - Cover all aspects of the curriculum
- Plan a course that covers reading of written
visual/oral texts writing viewing speaking and
presenting of some sort.
35Approach Continued
- Collection of evidence
- I would give students several opportunities to
work towards achieving different standards and
collect the evidence towards achievement.
Particularly for writing standards. - Sometimes evidence may be collected over more
than one year. - Formative assessment
- Use formative assessment to decide whether or not
individuals are ready to be assessed for a
standard. - If it is clear students are not ready then dont
assess them. - Allow for assessment using student strengths
where possible - For example many of the new internal standards do
not require assessment through written tests
they allow for oral or visual modes of
assessment. Encourage use of these other modes
if it may enhance success.
36New Matrix Standards to consider using
- Writing Standard(s)
- 1.5 /or 1273 and/or new literacy writing
standard. Would insist on student doing writing
of some sort in any programme even if this was a
two-year plan. - Reading Standard(s)
- 1.1 and/or 1.2 - external essay standard(s) on
written and/or visual texts. Possibility for
some students. - 1.8 Explain significant connections between
texts. Definite standard - 1.9 independent reading with 4 texts only two
of which must be extended written texts this may
be a possibility. Level 6 of curriculum may be a
barrier to students. - 25060 new version of 2977 communication skills
standard a strong possibility - Speaking Standard(s)
- 1.6 /or new literacy speaking standard if there
is one. Most students can succeed in
constructing an oral presentation. - Viewing Standards(s)
- Use film/oral texts in 1.8 theme study. Also
look at 1.2 or 1.11 close viewing - unlikely to
be a literacy standard for viewing. - Presenting Standard(s)
- 1.7 presenting visual/verbal standard- no unit
standard that covers this skill and unlikely to
be a new literacy standard that did so either.
37New Matrix standards continued
- Collaboration standard?
- Good opportunity to get students to work together
on production of a text if it is allowed through.
This may be a good standard for lower achieving
students who often work better if they are able
to work with someone else. - Communication Skills standards
- These have just been reviewed and the new
versions of these standards are now available.
Many of the changes are positive and may make
these more useable and/or interesting. At the
moment they still count for NCEA Level 1
literacy. No exemplars for new standards yet
we may need to generate these within our English
teaching community. - NB old versions still valid until the end of
2010.
38Embracing the new curriculum - Part 2 the
front half of the doc / the pedagogies
- At Years 11 - 13, we shouldnt see working with
the curriculum as somehow separate or different
from how we work with assessment. - At senior level implementing the curriculum
effectively working effectively with the new
standards. - It means
- designing programmes which treat learning and
assessment in an integrated way - Keeping a focus on the front half of the
curriculum and in particular on pedagogy.
39Some NZC characteristics of learning and
assessment practices schools may move towards
over the next few years
- New Zealand Curriculum aligned approaches with an
emphasis on personalised and differentiated
learning - for example by building in assessment
opportunities when students are ready, rather
than a one size fits all approach where
everyone must jump through the same assessment
hoops at the same time. Student learning and
readiness for assessment and not an assessment
calendar driving things. - students making decisions in collaboration with
their teachers about their learning. - assessment practices and school systems being
responsive to these approaches
40Whats important / 1Knowing about the Conditions
for Assessment Guidelines CAGS
- The CAGs describe
- Assessment opportunities
- Good assessment practice
- Authenticity of student work
- for each standard in the matrix
41Whats important / 2Knowing about the Further
Opportunities for Assessment Guidelines generic
guidelines across all subjects
- For example "In some standards, it may be
appropriate for the teacher to gather achievement
evidence over time. In this case there is no
specific assessment event. Collecting evidence
over time may be appropriate when the standard
assesses skills, processes or understandings that
students could demonstrate - in their normal class work over the course of
the programme such as in a folio or other work
developed and produced over an extended period - or outside the classroom in controlled contexts
such as safe practice in a workshop, public
speaking, performing arts, or appropriate use of
technical equipment
42And how those guidelines could work in an English
programme
- The writing standards are one critical area where
skills are developed over an extended period and
therefore its appropriate that evidence is
collected over time. That's the way learning and
assessment works best for writing. Students
should have the opportunity to revisit work with
fresh eyes, then to edit and revise - that's when
significant improvements occur. Students'
strongest work can then be recognised for
assessment. - Watch out for the NZATE Good Practice in
Writing DVD and resources
43Whats important / 3knowing the students you
teach
- With an understanding of the CAGs and the
assessment guidelines, what approaches and
programme designs will suit the range of students
in my school?
44Whats important /4Taking a hard look at the
how
- Best practice is about how.
- Much department focus can be on the what and
when - What will we teach in our programmes?
- Which part of the year will we teach it?
45The old curriculum didnt explicitly focus on
pedagogy. This one does.
- The old curriculum didnt advocate a focus on
pedagogy - the art of teaching - as an integral
part of the document. This new curriculum does. - Effective pedagogy is central to implementing the
new curriculum. How students learn determines
what they learn. The curriculum calls for a
participatory view of learning. - How we teach not just what and when
46Doing the right thing
- The art of teaching is - to a large extent -
intuitive. It relies on making spur of the moment
decisions about the appropriate strategy for that
moment in your classroom. - The more you can do to understand effective
pedagogy and to build your teaching repertoire,
the better. This applies equally in your second
or thirty second year of teaching. Im talking
about professional intuition here and what we can
do to enhance it.
47Doing the right thing
- is being a creative teacher. Creative teachers
adapt and adjust all the time. Theyre creative
in their use of this pedagogical repertoire, in
conjunction with a sensitivity that enables them
to do the right thing for the students in front
of them. - means split screen thinking being aware of
your purpose in using selected strategies as
youre teaching and being sensitive to their
effectiveness with your students. in other
words, the teaching as inquiry process
operating continually as you teach - NZC Effective Pedagogies, P34 - 35
48Building the repertoire
- Taking key pedagogies into your work with the
matrix in Years 11 - 13 - Encouraging reflective thought and action
- Enhancing the relevance of new learning
- Facilitating shared learning
- Providing sufficient opportunities to learn
- But this is for another time
-
49the real world - recognising that
- Doing the right thing is difficult and fraught
with failure. Teaching is an inherently messy
business. Put another way, the strategy you used
brilliantly yesterday will be a total flop in
another setting tomorrow. - But its the creative teacher who will survive
and prosper in this chaotic world and who will
engage a few more of the disengaged.
50Why pedagogy is central
- How will we work with the Achievement Objectives
and at Years 11 - 13, the standards based on
these AOs that suit your students in order to
- Develop competencies
- Embody principles
- Encourage the development of values
- Work to implement a vision
gt ? gt
51Youre focusing on the single area over which you
have major influence and control and is central
to implementing the NZC.
- Developing competencies
- Embodying principles
- Encouraging the development of values
- Working to implement a vision
- Working with the Achievement Objectives
Effective gt gt Pedagogy