Title: How musical lines interact
1Musical Texture (Harmony), Form, and Style
- How musical lines interact
2What is Musical Texture (Harmony)?
- Musical Texture refers to a number of different
characteristics of music - Texture is the number of ________ __________
- It refers to whether each line is a ______ or
________ part - _________ refers to how each part relates to each
other - Can be described as _____, _____, _____, _____
- Variations in texture can create _______and drama
- We will look at three basic textures (harmonies)
- Monophonic
- Polyphonic
- Homophonic
3Monophonic Texture- One Sound
- __________ means that there is one melodic line
with no harmony or accompaniment - If multiple voices or instruments are playing in
________, it is still Monophonic - Examples of monophonic music
- Singing a solo a capella (Whitney Houston, I
Will Always Love You - Gregorian chant
- ____________ instrumental sonatas (Baroque)
4Polyphonic Music- Many Sounds
- Polyphonic means that there are ____ or _____
melodic lines of _______ importance - Technique of writing several melodic lines that
interact is called _____________ - Often uses _________, which is when one voice or
instrument presents a melodic idea, then another
voice repeats it - Not always exact imitation
- Examples of polyphonic music
- _______, fugues, (Little Fugue in G minor ) and
canons (Pachelbels Canon in D) - __________ ________
5Homophonic Music- Same Sounds
- Homophonic means there is one main _____ with a
less important accompaniment - Accompaniment could be as simple as ______, or it
could be more complex - If a line in the accompaniment starts to stand
out and become more important, then the texture
changes to __________ - Examples of ___________ music
- Melody and accompaniment (Alan Jackson The Old
Rugged Cross) - Traditional hymn arrangements (Traditional The
Old Rugged Cross)
- Homophonic writing using chords
6Farandole by Georges Bizet
- Has two themes a _____ theme and a ____ theme
- Starts with the march theme in a ____________
texture, then then violins and violas play a
_____________ section (fugue like) - The high woodwinds then play the dance theme in a
_______________ texture - After the full orchestra plays the dance theme,
the strings play a ____________ version of the
march theme - Listen for other changes in texture
7Hallelujah by Georg Frideric Handel
- Switches rapidly between all three textures
- Word Hallelujah is usually homophonic, with
some imitative polyphony - For the Lord God omnipotent reigneth is usually
monophonic - And he shall reign is always polyphonic
- Changes in texture create _______ for each
section of the piece
8MUSICAL FORM
- Three techniques that create Form
- Repetition
- Allows the listener to become familiar with a
______ or ______ - Often used with another technique
- Contrast
- Can be a change in an _______________, i.e.
melody, rhythm, harmony, dynamics, tempo, timbre
mood can be changed as well - Variation
- ________ of a musical idea so its different but
still recognizable - Entire pieces can be composed using this
technique - Example Variation on America by Charles Ives
- Listen and Illustrate the Theme and Variation
sections in the Variations on America (next
page)
9Illustrate (Variations on America)
- Listen and Illustrate the Theme and Variation
sections in the Variations on America
10Two Major types of Form
- _________Form
- Two sections A B
- Can be looked at as a ____________ of a _______
and then a counterstatement with a different
theme. - Any section can be repeated
- Example Gavotte from French Suite NO. 5 in G
Major By Johanne Sebastian Bach - See next page for Listening Outline
11Listening Outline (to be read while music is
heard)
- Listen and Illustrate the two sections in
Gavotte by Bach
12Illustrate Dance of the Reeds (from the
Nutcracker)
- Show the form through your illustration
incorporating repetition and contrast
13Two Major types of Form
- _________ Form
- Three sections A B A
- Can be looked at as a ________ of a ______, a
_________ ___________, and a return to the
______________ - Each section can also be subdivided, as well
- Example Dance of the Reed Pipes from The
Nutcracker Suite- By Peter Tchaikovsky - A section introduces the melody
- B section uses the trumpets and strings to vary
the melody - Return to the A section with the flutes
- Listen and Illustrate the three sections in the
Dance of the Reed Pipes (on next page)
14Two Part Songs Verse/Chorus
- Two part songs are _____. _______ music,
_________ music, ____________ _________, and
______ _______are a few examples that follow the
pattern of two parts utilizing a Verse/Chorus
(Refrain) pattern. - Selena Gomez Bang a Drum
- Tim McGraw Live Like You Were Dying
- Michael W. Smith Friends
15Rondo
- Rondo is a __ or __ part song that alternates
between the beginning A section with other
__________ sections B and/or C. The A
section is the unifying _______ that holds the
piece together. - 5 part Rondo pattern ABACA
- 7 Part Rondo pattern ABACABA
- Which pattern does the following selection
follow? - Mozart Turkish March
16Theme and Variations
- ___________ of the same melodic theme through out
a musical composition. - Composition begins with a statement of the _____
idea - Each new part will use one or more _____ ______
to ____ or change this melodic idea without
losing the theme - Listen to American Salute by Morton Gould
- based on a ____ ____ tune When Johnny Comes
Marching Home - Determine how many variations you year and
complete one of the following for each variation - Draw pictures to show the change in the
variations as you hear them - Label and describe each new variation as you hear
it
17Theme and Variations
- Use this page to illustrate or label and describe
the variations heard in American Salute by
Morton gould
18Musical Style
- ____- a characteristic way of using melody,
rhythm, harmony, dynamics, timbre, texture, and
form. - Particular combinations create a _________ sound
- _________ from the same area, time, or country
often use similar styles - Musical styles change _______ ______ , but it is
often gradual
19Eras of Western Art Music
- Middle Ages (450-1450)
- Renaissance (1450-1600)
- Baroque (1600-1750)
- Classical (1750-1820)
- Romantic (1820-1900)
- Twentieth Century to 1945
- 1945 to the Present