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The Art and Craft of Analysis

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Close Reading The Art and Craft of Analysis Close Reading: Annotation Read with a pen or pencil in hand. Use Post-it notes if writing in the book is not possible. – PowerPoint PPT presentation

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Title: The Art and Craft of Analysis


1
Close Reading
  • The Art and Craft of Analysis

2
(No Transcript)
3
  • Close reading asks you to do the opposite of what
    you
    spend most of your time doing
    in other classes boiling down large amounts of
    information to thoroughly understandable/memorable
    chunks that are possible to reproduce on exams.
  • I, on the other hand, am asking you to begin with
    a very small amount of information and infer from
    it, meditate on it, weave back and forth between
    it and the rest of the text.
  • This makes it a totally foreign, and often
    frustrating process, especially for good students
    who have learned to read quickly, looking for
    only the most important information.
  • Sothe NUMBER ONE thing to remember
  • is to SLOW DOWN!!!!!

4
Close Reading
  • But it is also a conversation.which you are all
    VERY good at.

5
Teaser.
  • What do Kim Kardashian and Channing Tatum have to
    do with close reading???
  • Stay tuned.

6
Close Reading
  • Understanding and interpreting the text based on
    the words
  • Start with the small details firstthey will
    affect the texts larger meaning
  • Once you have discovered the larger meaning, go
    back to those small details you started with and
    use thesethe language itselfto support your
    interpretation

7
Close Reading
  • close reading becomes easier with practice and we
    use it unconsciouslyand instantaneously every
    day as we respond to people and situations.

8
For example.
  • What do you see?

9
For example
  • You probably noticed her hair, maybe her facial
    expression, first. THEN you started making
    interpretations of who you thought she might be.
  • Same idea with reading.you notice smaller
    details, like certain words the author might use,
    and then you start to make interpretations based
    on all of those small details you found.
  • You can then go back and SUPPORT what you think
    this woman might do for a living, based on those
    small details.
  • Yes, it takes a little longerbut you understand
    the text in a different and deeper way!

10
Close Reading
  • We are aware of the interaction between subject,
    speaker, and audience
  • We also consider style body language, gestures,
    facial expressions, tone of voice, volume,
    sentence structure, colloquialisms, vocabulary
    and more

11
Close Reading Textual Example
  • Read alone Ground Zero
  • Identify the passages context and purpose (and
    speaker)
  • Context- the circumstances around a certain event
    or situation. For example, if I see a person
    yelling Shut up! to another person on the side
    of a street, I might think, Hey, that person is
    rude! But perhaps what I did not see was the
    other person call them a poopy head. That is the
    context- the calling of names before the incident
    I saw.
  • Purpose- Why would the author write this piece?
    What motives? What inspiration?
  • After reading alone and finding these out, when
    you think you have it- turn to your partner and
    see what they think. Decide together.

12
Close Reading
  • Context and Purpose
  • Speaker The writer, female, and not a New Yorker
  • Context Visit to ground zero and is awed by the
    emptiness that was once the World Trade Center
  • Purpose to describe the experience to readers
    who seven months later still feel the immediacy
    of that September morning.

13
Close Reading
Audience
  • Analyze the passage through the Rhetorical
    Triangle
  • Consider the interaction between subject,
    speaker, and audience.
  • Consider how she appeals to ethos, pathos, and
    logos

Writer/author /speaker
Subject/ text
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Close Reading
  • Ethos ethical appeal to convince an audience of
    the authors credibility or character
  • Pathos emotional appeal to persuade an audience
    by appealing to their emotions
  • Logos logical appeal to convince an audience
    using logic or reason
  • Now for some fun with pictures.

15
Examples
  • If he tells you to buy a certain brand of cereal,
    are you more likely to buy it? SO, what appeal is
    this company using?

16
Examples
  • This cigarette company is trying to let everyone
    think that their brand is natural and therefore
    safe. What appeal is this company using?

17
Examples
  • Mrs. Sellors cries every time these commercials
    come on TV (and then gives her Chihuahuas big
    hugs). This company has achieved their purpose
    which is to appeal to my ________.

18
Close Reading
  • So, who is the audience?
  • Where can you find ethos, pathos or logos?
  • Read again (alone) and once youve got it, check
    with a partner and come up with your answer!

19
Close Reading
  • Bernes audience, readers of the travel section
    of a national newspaper, may be planning their
    own visit and thus interested in her personal
    experience.
  • Ethos established by actually going to Ground
    Zero
  • Pathos established by the emotionally charged
    subject.
  • Logos to show that visitors to the site are
    repopulating the area that was decimated on Sept.
    11th.

20
Close Reading Style
  • Examining Bernes style provides information
    about the choices she makes at the word and
    sentence levels.

21
Close Reading Style
  • Just as we pay attention to more than the spoken
    words during a conversation, when we read
    closely, we look beyond the words on the page.
    And just as we notice body language, gestures,
    facial expressions, and volume in our
    conversations, we examine text in the same manner.

22
Close Reading Style
  • We can understand a text better by examining its
    tone, sentence structure, and vocabulary.
  • These elements make up the style of the written
    piece and help us to discover layers of meaning.
  • Style contributes to the meaning, purpose, and
    effect of a text, whether it is visual or written.

23
Style
sunglasses
Hair up
Oversized baglooks like she is in an airport
garage
Smiling- on the phone
Sowhat is the tone you get from her style? The
structure of her look? This same method applies
to WORDS.
24
Close Reading Style
  • Why is the first paragraph one sentence?
  • In that paragraph, why does Berne call the empty
    space the disaster?
  • Why does the third sentence begin with Gathered
    rather than Firefighters?
  • What examples of figurative language appear in
    the fourth paragraph?
  • Does the word huddled in the fourth paragraph
    remind you of anything else youve read?
  • What is the effect of the dashes in the final
    sentence?

25
Close Reading Style
  • These questions fall into two categories
  • the choice of words and
  • how the words are arranged.
  • We call the choice of words DICTION and the
    arrangement of words SYNTAX.

26
Close Reading Style
  • Tropes is essentially artful diction.
  • Metaphor
  • Simile
  • Personification
  • Hyperbole

27
Close Reading Style
  • Scheme is artful syntax.
  • Parallelism
  • Juxtapositions
  • antitheses

28
Close Reading Analyze Diction
  • Which of the important words in the passage
    (verbs, nouns, adjectives, and adverbs) are
    general and abstract. Which are specific and
    concrete?
  • Are the important words formal, and informal,
    colloquial, or slang?
  • Are some words non-literal or figurative,
    creating figures of speech such as metaphors?

29
Close Reading Analyze Syntax
  • What is the order of the parts of the sentence?
    Is it the usual (subject-verb-object, or is it
    inverted?
  • Which part of speech is more prominentnouns or
    verbs?
  • What parts of speech is more prominentnouns or
    verbs?

30
Close Reading Analyze Syntax
  • What are the sentences like? Are they periodic
    (moving toward something important at the end) or
    cumulative (adding details that support an
    important idea in the beginning of the sentence?
  • How does the sentence connect its words, phrases,
    and clauses?

31
Close Reading Talking with the Text
  • Pay close attention to the choices a writer makes
    in the way he or she connects subject, speaker,
    and audience as well as the choices the writer
    makes about style.
  • Style is a subsetit is a means of persuasion.

32
Close Reading Talking with the Text
  • As you interact with the text, keep in mind that
    youre not only identifying techniques and
    strategies, but you are also analyzing their
    effect.

33
Close Reading Talking with the Text
  • Essential Question
  • How do Didions choices in diction and syntax
    help her achieve a particular purpose?
  • Read Didion essay Los Angeles Notebook

34
Close Reading Annotation
  • Read with a pen or pencil in hand.
  • Use Post-it notes if writing in the book is not
    possible.
  • Circle words you dont know, or write them on
    Post-it notes.

35
  • Circle words you dont know, or write them on
    Post-it notes.
  • Identify main ideasthesis statement, topic
    sentences words, phrases, or sentences that you
    dont understand.

36
Close Reading Annotation
  • Identify main ideasthesis statement, topic
    sentences words, phrases, or sentences that you
    dont understand.
  • Look for figures of speech, or tropes, such as
    metaphors, similes, and personificationas well
    as imagery and detail.

37
Close Reading Annotation
  • If you dont know the technical term for
    something, just describe it.
  • Use the margins or Post-it notes to ask questions
    or to comment on what you have read.

38
Close Reading Graphic Organizer
  • Divide the text to begin your analysis by using
    the paragraph divisions in the text as natural
    breaking points, or perhaps consider smaller
    sections that reveal interesting stylistic
    choices.
  • This should not be used during a timed writing
    because if the amount of time it takes to
    complete.
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