Gina long

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Gina long Breanna Butler

• Jim Zuckerman

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• ABOUT Jim
• Jim Zuckerman left his medical studies in 1970 to
  pursue his love of photography and turn it into a
  career.
• Jim has had photo exhibitions in art galleries in
  Palm Springs, Delray Beach, Detroit, and Los
  Angeles
• He has taught creative photography at many
  universities and private schools, including UCLA,
  the Hallmark School of Photography, the Palm
  Beach Photographic Center, and Kent State
  University

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Jim facts

• Jim is from Chicago Illinois.
• After high school he joined the air force.
• his main love is the landscape, although all
  avenues of the art interest him. All of his 35mm
  work is done with Canon F1's or T90's and the
  large format work is done with a Cambo 45SR
  monorail camera..

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• Surrealism-
• Surreal photography the atmosphere or qualities
  evoked by surrealism. (dreamlike)

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Tips by Jim

• A surprising weather condition that most people
  avoid yet can create stunning photographs of fall
  colors. The top places to go when
  photographing in autumn, and the optimum time of
  day to shoot. The best lenses, gear, and
  equipment for photographs of vibrant fall colors.
  Tips for dealing with windy conditions and
  protecting your gear in bad weather.
  Exercises that will help you improve your fall
  color photography composition and skills.

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Jim Zuckerman
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Inspiration-

• I have noticed on my photo tours that too often
  when a photographer misses a special moment, he
  or she will take their eyes away from the
  viewfinder and express their frustration and
  disappointment to others nearby.
• When photographing subjects like wildlife, birds,
  children, dancers, horses, and other fast moving
  subjects, you must constantly watch them through
  the finder. As soon as you take your eyes away to
  look at something else, or to talk to a friend,
  you can lose the chance to get the best shot of
  the day

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thoughts-

• When photographing subjects like wildlife,
  birds, children, dancers, horses, and other fast
  moving subjects, you must constantly watch them
  through the finder. As soon as you take your eyes
  away to look at something else, or to talk to a
  friend, you can lose the chance to get the best
  shot of the day.

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Credits

• http//www.jimzuckerman.com/
• http//corporatefineart.com/-/corporatefineart/abo
  ut.asp
• http//insights.betterphoto.com/weblogs_by_jim_zuc
  kerman/page/2/
• http//www.pixiport.com/Gallery-M01.htm