NARRATOR

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NARRATOR
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Type of clay used for altering the shape of the
nose or chin and/or making warts and wounds
NOSE PUTTY
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QUICKLY or SLOWLY
PACE
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PANTOMIME
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AND THE WINNER OF BIG BROTHER 2008
IS..............................
.. Jennifer!!!
PAUSE
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Presentation of a drama to an audience
PERFORMANCE
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Costume which reflects clothing from a time in
history
PERIOD COSTUME
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An item carried or worn on stage by an
actor
PERSONAL PROP
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Table in the wings on which all props are placed
for actors to collect as they enter and replace
as they exit
PROPS TABLE
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HIGH or LOW
PITCH
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another word for a drama
PLAY
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The person who has written the play
PLAYWRIGHT
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PLOT
The story line of a drama
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POSTURE
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R S O R D R A A
PRESENTING E
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PROFILE SPOTLIGHT
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PROSCENIUM ARCH
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Audience follows the action on foot, moving
from one location to another
PROMENADE THEATRE
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TO BE OR NOT TO BE THAT IS THE QUESTION
To supply forgotten lines to an actor
PROMPT
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Left hand side of the stage where prompter and
stage manager sit during the performance
PROMPT SIDE
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Master copy of the script with all moves and
technical effects included
PROMPT COPY
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PYROTECHNICS
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Slope of stage to allow actors to be seen
RAKE
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Stage which turns in a circle
REVOLVING STAGE
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"Fight and you may die. Run and youwill live at
least awhile. And dying in your bed many years
from now,would you be willing to trade all the
days from this day to that forone chance, just
one chance, to come back here as young men and
tell our enemies that they may take our lives but
they will never take our freedom!"
Appropriate speech for the person being spoken
to, or for the situation
REGISTER
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Practice or preparation of a drama
REHEARSAL
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DRAMA CREATED WITHOUT A SCRIPT WHICH IS
REHEARSED BEFORE PRESENTATION OR EVERY
PERFORMANCE YOUVE EVER DONE IN DRAMA CLASS
REHEARSED IMPROVISATION
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Lowest area of seating not above stage height
STALLS
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Movements which follow a pattern or a beat
RHYTHM
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Part played by an actor/ attitude adopted
ROLE
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a means of exploring attitudes and beliefs
ROLE PLAY
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Blocks or platforms used to create levels
ROSTRA
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SAFETY CHAIN
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SCENE ONE Time 3am. 1852 Place London Bridge
Action Linus and Sebastion are waiting on the
bridge for a signal from the boats below. They
dont get it and are arrested by
police. SCENE TWO Time Morning. Place Jail
Cells Action Linus and Sebastion send word to
their powerful father Lord
Snooodgrass. He bails them out of
jail. Etc. Etc. Etc.
SCENARIO
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WHAT DO YOU CALL THE SECTIONS IN THE DRAMA SET
INTO ONE PLACE AND ONE TIME?
SCENE
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Resources used to create the setting where a
drama takes place, e.g. backcloth, flats,
rostra, furniture.
SCENERY
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JULIET O Romeo, Romeo! wherefore art thou Romeo?Deny thy father and refuse thy nameOr, if thou wilt not, be but sworn my love,And I'll no longer be a Capulet.ROMEO Aside Shall I hear more, or shall I speak at this?JULIET 'Tis but thy name that is my enemyThou art thyself, though not a Montague.What's Montague? it is nor hand, nor foot,Nor arm, nor face, nor any other partBelonging to a man. O, be some other name!What's in a name? that which we call a roseBy any other name would smell as sweetSo Romeo would, were he not Romeo call'd,Retain that dear perfection which he owesWithout that title. Romeo, doff thy name,And for that name which is no part of theeTake all myself. JULIET O Romeo, Romeo! wherefore art thou Romeo?Deny thy father and refuse thy nameOr, if thou wilt not, be but sworn my love,And I'll no longer be a Capulet.ROMEO Aside Shall I hear more, or shall I speak at this?JULIET 'Tis but thy name that is my enemyThou art thyself, though not a Montague.What's Montague? it is nor hand, nor foot,Nor arm, nor face, nor any other partBelonging to a man. O, be some other name!What's in a name? that which we call a roseBy any other name would smell as sweetSo Romeo would, were he not Romeo call'd,Retain that dear perfection which he owesWithout that title. Romeo, doff thy name,And for that name which is no part of theeTake all myself. JULIET O Romeo, Romeo! wherefore art thou Romeo?Deny thy father and refuse thy nameOr, if thou wilt not, be but sworn my love,And I'll no longer be a Capulet.ROMEO Aside Shall I hear more, or shall I speak at this?JULIET 'Tis but thy name that is my enemyThou art thyself, though not a Montague.What's Montague? it is nor hand, nor foot,Nor arm, nor face, nor any other partBelonging to a man. O, be some other name!What's in a name? that which we call a roseBy any other name would smell as sweetSo Romeo would, were he not Romeo call'd,Retain that dear perfection which he owesWithout that title. Romeo, doff thy name,And for that name which is no part of theeTake all myself. JULIET O Romeo, Romeo! wherefore art thou Romeo?Deny thy father and refuse thy nameOr, if thou wilt not, be but sworn my love,And I'll no longer be a Capulet.ROMEO Aside Shall I hear more, or shall I speak at this?JULIET 'Tis but thy name that is my enemyThou art thyself, though not a Montague.What's Montague? it is nor hand, nor foot,Nor arm, nor face, nor any other partBelonging to a man. O, be some other name!What's in a name? that which we call a roseBy any other name would smell as sweetSo Romeo would, were he not Romeo call'd,Retain that dear perfection which he owesWithout that title. Romeo, doff thy name,And for that name which is no part of theeTake all myself. JULIET O Romeo, Romeo! wherefore art thou Romeo?Deny thy father and refuse thy nameOr, if thou wilt not, be but sworn my love,And I'll no longer be a Capulet.ROMEO Aside Shall I hear more, or shall I speak at this?JULIET 'Tis but thy name that is my enemyThou art thyself, though not a Montague.What's Montague? it is nor hand, nor foot,Nor arm, nor face, nor any other partBelonging to a man. O, be some other name!What's in a name? that which we call a roseBy any other name would smell as sweetSo Romeo would, were he not Romeo call'd,Retain that dear perfection which he owesWithout that title. Romeo, doff thy name,And for that name which is no part of theeTake all myself.
SCRIPT
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Scenery used to show where a drama takes place
To place a drama in a certain time or place
SET
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An item placed on the set, usually part of it
e.g. a lamp, clock, picture
SET PROP
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What the audience sees of the stage from where
they are sitting
SIGHT LINES
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SLOW MOTION
Movement performed at a slowed down speed
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ExIt all but Gloucester Was ever woman in this
humor wooed? Was ever woman in this humor
wonI'll have her, but I will not keep her
long.What? I that killed her husband and his to
take her in her heart's extremest hate, with
curses in her mouth, tears in her eyes, the
bleeding witness of my hatred by, having God,
her conscience, and these bars against me, and I
no friends to back my suit at all but the plain
devil and dissembling looks? And yet to win her!
All the world to nothing! Ha!
SOLILOQUY
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Plastic head-shaped covering to give appearance
of baldness
SKULL CAP
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SCARRING
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STIPPLE SPONGE
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Used to create a mood or atmosphere on stage
e.g. strobe light, mirror ball, smoke machine
SPECIAL EFFECTS
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Glue used to attach hair to the face
SPIRIT GUM
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Drama created on the spot without a script or
plan
SPONTANEOUS IMPROVISATION
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A stage picture, held without movement
TABLEAU
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TABS
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A specific group of people at whom a drama is
aimed
TARGET AUDIENCE
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Build up of excitement
TENSION
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THEATRE ARTS
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THEATRE IN THE ROUND
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LETS FREEZE THE ACTION RIGHT HERE. IF MAXIMUS
COULD TALK WHAT WOULD HE SAY? WHAT IS HE
THINKING?
An aid to characterisation the character speaks
their thoughts out loud
THOUGHT TRACKING
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THOUGHT TUNNEL
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THRUST STAGE
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Speaking, moving or pausing at exactly the right
moment
TIMING
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Used to create the look of a missing tooth by
blacking out an existing one
TOOTH VARNISH
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I HATE YOU HOW COULD YOU!?!
I LOVE YOU BUT WE SHOULD BREAK UP
EMOTION
TONE
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A drama about unhappy events and with a sad
ending
TRAGEDY
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TRAPDOOR
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TREADS
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Piece of scenery on wheels for ease of movement
TRUCK
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Place where a drama is presented
VENUE
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COME IN IF YOU DAAAARE
VOICE OVER
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KILL THEM ALL NORMAN. WE CANT HAVE THEM
TREAT US LIKE THIS.
VOICES IN THE HEAD
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Loudness or quietness of the voice
VOLUME
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WINGS
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The whole acting area is evenly lit
WASH
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Dear Anna, I miss you so much since you left me.
I can barely eat, I cant work I cant talk to
anyone at all. Say you love me and come back to
me. Please. I beg you. Yours always. Ricardo
WRITING IN ROLE
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USC
USL
USR
CSL
CS
CSR
DSL
DSR
DSC
AUDIENCE