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Post-structuralism

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Title: Post-structuralism


1
Post-structuralism
  • Literature in English ASL

2
Structuralism VS Post-structuralism
  • Post-structuralism is a response to structuralism
  • Structuralism was an intellectual movement in
    France in the 1950s and 1960s that studied the
    underlying structures in cultural products (such
    as texts) and used analytical concepts from
    linguistics, psychology, anthropology, and other
    fields to interpret those structures. It
    emphasized the logical and scientific nature of
    its results.

3
  • Post-structuralism offers a way of studying how
    knowledge is produced and critiques structuralist
    premises. It argues that because history and
    culture condition the study of underlying
    structures, both are subject to biases and
    misinterpretations. A post-structuralist approach
    argues that to understand an object (e.g., a
    text), it is necessary to study both the object
    itself and the systems of knowledge that produced
    the object.

4
Introduction
  • A major theme of poststructuralism is instability
    in the human sciences, due to the complexity of
    humans themselves and the impossibility of fully
    escaping structures in order to study them
  • A broad historical description of intellectual
    developments in continental philosophy and
    critical theory
  • An outcome of Twentieth-century French philosophy
  • The prefix "post critical of structuralism
  • Structuralism culturally independent meaning
  • Post-structuralists culture as integral to
    meaning

5
Introduction
  • A rebellion against structuralism
  • A critical and comprehensive response to the
    basic assumptions of structuralism
  • Studies the underlying structures inherent in
    cultural products (such as texts)
  • Utilizes analytical concepts from linguistics,
    psychology, anthropology and other fields

6
  • The author's intended meaning is secondary to the
    meaning that the reader perceives. Also the
    author's identity as a stable "self" with a
    single, discernible "intent" is a fictional
    construct. Post-structuralism rejects the idea of
    a literary text having a single purpose, a single
    meaning, or one singular existence.

7
  • Instead, every individual reader creates a new
    and individual purpose, meaning, and existence
    for a given text. To step outside of literary
    theory, this position is generalizable to any
    situation where a subject perceives a sign.
    Meaning (or the signified, in Saussure's scheme,
    which is as heavily presumed upon in
    post-structuralism as in structuralism) is
    constructed by an individual from a signifier

8
  • . This is why the signified is said to 'slide'
    under the signifier, and explains the talk about
    the "primacy of the signifier."
  • A post-structuralist critic must be able to use a
    variety of perspectives to create a multifaceted
    interpretation of a text, even if these
    interpretations conflict with one another. It is
    particularly important to analyze how the
    meanings of a text shift in relation to certain
    variables, usually involving the identity of the
    reader (for example class, racial, or sexual
    identity)

9
Introduction
  • To understand an object (e.g. one of the many
    meanings of a text), we need to study
  • the object itself
  • the systems of knowledge which were coordinated
    to produce the object

10
Introduction
  • Post-structuralism a study of how knowledge is
    produced
  • Reader's culture readers society (in the
    interpretation of a piece)

11
Basic Assumptions
  • Concept of "self" as a singular and coherent
    entity a fictional construct
  • An individual Conflicting tensions Knowledge
    claims (e.g. gender, class, profession, etc.)
  • To properly study a text, the reader must
    understand how the work is related to his own
    personal concept of self
  • Self-perceptioncritical in one's interpretation
    of meaning

12
Basic Assumptions
  • The meaning the author intended secondary to
    the meaning that the reader perceives
  • Rejects the idea of a literary text having one
    purpose, one meaning or one singular existence
  • To utilize a variety of perspectives to create a
    multifaceted (or conflicting) interpretation of a
    text
  • To analyze how the meanings of a text shift in
    relation to certain variables (usually the
    identity of the reader)

13
Concepts (1) Destabilized Meaning
  • Reader as the primary subject of inquiry (instead
    of author / writer)
  • Such displacement the "destabilizing" or
    "decentering" of the author
  • Disregarding an essentialist reading of the
    content
  • Other sources are examined for meaning (e.g.
    readers, cultural norms, other literature, etc.)
  • Such alternative sources promise no consistency

14
Concepts (1) Destabilized Meaning
  • ...language refers to the position of the
    listener and the speaker, that is, to the
    contingency of their story. To seize by inventory
    all the contexts of language and all possible
    positions of interlocutors is a senseless task.
    Every verbal signification lies at the confluence
    of countless semantic rivers. Experience, like
    language, no longer seems to be made of isolated
    elements lodged somehow in a Euclidean space...
    Words signify from the "world" and from the
    position of one who is looking.
  • Lévinas, Signification and Sense, Humanism
    of the Other, tr. Nidra Poller

15
Concepts (2) Deconstruction
  • Rejects that there is a consistent structure to
    texts, specifically the theory of binary
    opposition
  • Post-structuralists advocate deconstruction
  • Meanings of texts and concepts constantly shift
    in relation to myriad variables
  • The only way to properly understand these
    meanings deconstruct the assumptions and
    knowledge systems which produce the illusion of
    singular meaning

16
Post-structuralist Writers
  • Jean Baudrillard
  • Judith Butler
  • Félix Guattari
  • Fredric Jameson
  • Sarah Kofman
  • Philippe Lacoue-Labarthe
  • Jean-François Lyotard
  • Jean-Luc Nancy
  • Bernard Stiegler

17
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