Title: ????????????????
1???????????????????????????????????????????????
- ?????6???
- 2009?9?27? ??????
- ?????(??????)
2?1 Gioya Steinke, Viva (1993).?????????DAM(1993),
3(2), p.43?????
3?2 Marc Quinn, Alison Lapper(8 months)
(2000).??? 83.54065cm. London White Cube
4?? Disability Art in London(DAIL)???????????????
????????????(LDAF)??????????????????????????????
????????????David Watson??????LDAF????????????????
????????????????????????????????????Full Body
and the Voice???????????Vanessa
Brooks???????????????????????????????????????????
??????????????????????????????????????????????????
?????????????????????????????
- ????Disability Arts in London, 1986-2008, issue
3-203.Disability Arts Magazine, DAM, 1991-1995,
1(1)-5(1).
5- ????
- Arts Council England (2004) Action for Access A
Practical Resource for Arts Organisation (second
edition), London Arts Council England. - Barnes, C. and Mercer, G. (2001) Disability
Culture Assimilation or Inclusion? in Albrecht,
G. L. et al. (eds.) The Handbook of Disability
Studies, Thousand Oaks Sage Publications, pp.
515-534. - Barnes, C., Mercer, G. and Shakespeare, T. (1999)
Exploring Disability A Sociological
Introduction, Cambridge Polity.
(2004)?????????????????????????????????????????
??????. - Collison, C. (1993) Carolyn James and Gioya
Steinke, DAM, 3(2), pp. 41-43. - Crow, L. (1992) On Our Terms, Womens Art
Magazine, (47), pp. 4-6. - Davies, C. (1992) The DAM Interview Sian
Vasey, DAM, 2(4), pp. 29-35. - Hambrook, C. (2000) Pale Outline, Disability
Arts in London, 152, pp. 24-25. - Hunter, J. (2002) Elitism and the Ghetto,
Disability Arts in London, 172, pp. 9-11. - Kelly, F. (1993) Searching for Disability Arts,
Disability Arts in London, 85, pp. 4-5. - Lucas, V. (2002) An Interview with Alison
Lapper, Disability Arts in London, 171, pp.
24-25. - Pick, J. (1992) Why Have There Been to Great
Disabled Artists?, DAM, 3(3), pp. 18-20.
6- Shakespeare, T. and Watson, N. (2002) The Social
Model of Disability an Outdated Ideology?,
Research in Social Science and Disability, Vol.
2, pp. 9-28. - Shamash, M. (2002) Roll Over Rodin Mike Shamash
Talks to Mark Quinn and Assesses the Artists
Work, Disability Arts in London, 169, pp. 10-13. - Silverwood, A. (1994) Searching for Disability
Arts, DAM, 4(3), pp. 2-5. - Sutherland, A. (2003) untitled in Arts Council
England, Celebrating Disability Arts. London
Arts Council England, pp. 0-27. - Sutherland, A. (2006) The Other Tradition From
Personal Politics to Disability Arts paper based
on personal recollections and interviews with
Keith Armstrong et al. presented at the
Disability Studies Association Conference at
Lancaster University, England on Tuesday 19th
September 2006, pp. 1-9. (http//www.leeds.ac.uk/d
isability-studies/archiveuk) accessed on
2009/01/07. - Swain, J. and French, S. (2000) Towards an
Affirmation Model of Disability, Disability
Society, 15(4), pp. 569-582. - Swain, J. and French, S. (2008) Affirming
Identity in Swain, J. and French, S. (eds.)
Disability on Equal Terms, London SAGE
Publications, pp. 65-78. - Swain, J., French, S. and Cameron, C. (2003)
Controversial Issues in a Disabling Society,
Buckingham Open University Press.