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1
???????????????????????????????????????????????
  • ?????6???
  • 2009?9?27? ??????
  • ?????(??????)

2
?1 Gioya Steinke, Viva (1993).?????????DAM(1993),
3(2), p.43?????
3
?2 Marc Quinn, Alison Lapper(8 months)
(2000).??? 83.54065cm. London White Cube
4
?? Disability Art in London(DAIL)???????????????
????????????(LDAF)??????????????????????????????
????????????David Watson??????LDAF????????????????
????????????????????????????????????Full Body
and the Voice???????????Vanessa
Brooks???????????????????????????????????????????
??????????????????????????????????????????????????
?????????????????????????????
  • ????Disability Arts in London, 1986-2008, issue
    3-203.Disability Arts Magazine, DAM, 1991-1995,
    1(1)-5(1).

5
  • ????
  • Arts Council England (2004) Action for Access A
    Practical Resource for Arts Organisation (second
    edition), London Arts Council England.
  • Barnes, C. and Mercer, G. (2001) Disability
    Culture Assimilation or Inclusion? in Albrecht,
    G. L. et al. (eds.) The Handbook of Disability
    Studies, Thousand Oaks Sage Publications, pp.
    515-534.
  • Barnes, C., Mercer, G. and Shakespeare, T. (1999)
    Exploring Disability A Sociological
    Introduction, Cambridge Polity.
    (2004)?????????????????????????????????????????
    ??????.
  • Collison, C. (1993) Carolyn James and Gioya
    Steinke, DAM, 3(2), pp. 41-43.
  • Crow, L. (1992) On Our Terms, Womens Art
    Magazine, (47), pp. 4-6.
  • Davies, C. (1992) The DAM Interview Sian
    Vasey, DAM, 2(4), pp. 29-35.
  • Hambrook, C. (2000) Pale Outline, Disability
    Arts in London, 152, pp. 24-25.
  • Hunter, J. (2002) Elitism and the Ghetto,
    Disability Arts in London, 172, pp. 9-11.
  • Kelly, F. (1993) Searching for Disability Arts,
    Disability Arts in London, 85, pp. 4-5.
  • Lucas, V. (2002) An Interview with Alison
    Lapper, Disability Arts in London, 171, pp.
    24-25.
  • Pick, J. (1992) Why Have There Been to Great
    Disabled Artists?, DAM, 3(3), pp. 18-20.

6
  • Shakespeare, T. and Watson, N. (2002) The Social
    Model of Disability an Outdated Ideology?,
    Research in Social Science and Disability, Vol.
    2, pp. 9-28.
  • Shamash, M. (2002) Roll Over Rodin Mike Shamash
    Talks to Mark Quinn and Assesses the Artists
    Work, Disability Arts in London, 169, pp. 10-13.
  • Silverwood, A. (1994) Searching for Disability
    Arts, DAM, 4(3), pp. 2-5.
  • Sutherland, A. (2003) untitled in Arts Council
    England, Celebrating Disability Arts. London
    Arts Council England, pp. 0-27.
  • Sutherland, A. (2006) The Other Tradition From
    Personal Politics to Disability Arts paper based
    on personal recollections and interviews with
    Keith Armstrong et al. presented at the
    Disability Studies Association Conference at
    Lancaster University, England on Tuesday 19th
    September 2006, pp. 1-9. (http//www.leeds.ac.uk/d
    isability-studies/archiveuk) accessed on
    2009/01/07.
  • Swain, J. and French, S. (2000) Towards an
    Affirmation Model of Disability, Disability
    Society, 15(4), pp. 569-582.
  • Swain, J. and French, S. (2008) Affirming
    Identity in Swain, J. and French, S. (eds.)
    Disability on Equal Terms, London SAGE
    Publications, pp. 65-78.
  • Swain, J., French, S. and Cameron, C. (2003)
    Controversial Issues in a Disabling Society,
    Buckingham Open University Press.
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