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Introduction%20to%20Film%20Studies

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Title: Introduction%20to%20Film%20Studies


1
Introduction to Film Studies
  • Montage

2
Editing Devices
  • Cheat Cut - in the continuity editing systyem, a
    cut which presents continuous time from shot to
    shot but which mismatches the position of figures
    or objects
  • The lady on the phone, the wall and the people at
    dinner table, Meet me in St. Louis

3
Editing Devices
  • Establishing shots are for identifying the
    context for a scene by showing the relationship
    between important figures and their surrounding.
    Generally they are filmed in long or
    extreme-long shot at the beginning of a scene.
    Vertigo

4
Editing Devices
  • Establishing shot not only introduces the viewer
    a location, but also determines the spatial
    relationship in it, very importantly, the axis of
    action for the 180 rule (system) Vertigo

5
Editing Devices
  • Cross-cutting editing that alternates the shots
    of two or more lines of action taking place in
    different places but simultaneously. Multiple
    actions are linked and multiple characters from
    different shots are associated. Godfather

6
Editing Devices
  • Cut-in The change of framing from distant to
    closer view. In Dancer in the Dark Selma and
    Bill are having a conversation in his car. An
    extreme long shot of Bills car cut in to the
    medium long shot of Bill and Selma.

7
Editing Devices
  • Cut-away the interruption of a continuous
    action by inserting a view of something else.
    The cut-away shot is followed, though not always,
    by a cut back to the previous action.
  • The Odessa Steps montage Sergei Eisensteins
    Battleship Potemkin

8
Editing Devices
  • Jump Cut editing in which two sequential shots
    of the same subject are taken from different
    camera positions. Through this editing, an
    action jumps forwards in time. It manipulates
    the duration of the action.

9
Duration of Time in Editing
  • Temporal ellipsis jumping forward in story time
    by not showing what may have happened between the
    last action and the next.
  • In Yasujiro Ozus Tokyo Story, events over a
    night is eliminated by the shot of the old
    parents waiting for a train cut to the shot of a
    railway station in the morning and their son in
    his office.

10
Duration of Time in Editing
  • The passage of days is eliminated by using a
    series of unmatched shots of holiday-makers
    arriving at the beach town and indicating a
    holiday season is approaching.
  • Stephen Spielbergs Jaws

11
Duration of Time in Editing
  • One of the boldest graphic matches in cinema
    history and one of the largest temporal ellipsis.
    Between the shot of a bone spinning in the air
    and that of a space station orbiting the earth,
    two million years has passed in Stanley Kubricks
    2001 Space Odyssey

12
Duration of Time in Editing
  • Story time (the length of time passes in the
    story) can be prolonged as discourse time (the
    length of time spent to tell the story) by adding
    extra shots in the process of editing.
  • In Martin Scorseses Raging Bull, a fight is
    greatly extended by including extra shots.

13
Order in Editing
  • Hiroshima, Mon Amour
  • Continuity editing typically presents the story
    events chronologically. The most common
    (acceptable) violation of this order is
    flashback.
  • A mans hand reminds a woman of her German
    soldier lover who was shot dead during the war.
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