Foundations of Art and Design

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Foundations of Art and Design

• Chapter 7 Space

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Sculpture

• Sculpture is an example of what type of space?
• Fig. 7.3 Development of a Bottle in Space by
  Umberto Boccioni

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Sculpture
Sculpture is an example of what type of
space? Fig. 7.3 Development of a Bottle in
Space by Umberto Boccioni

1. Actual space
2. Implied space

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Sculpture

• Sculpture in which the form projects from the
  background in varying degrees is referred to as .
  . .

Fig. 7.5 Gates of Paradise by Lorenzo
Ghiberti (Historic master of relief sculpture.)
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Sculpture in which the form projects from the
background in varying degrees is referred to as
Sculpture

1. Sculpture
2. Relief Sculpture
3. Intaglio

Fig. 7.5 Gates of Paradise by Lorenzo
Ghiberti (Historic master of relief sculpture.)
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Architecture

• Gothic architecture used tall vaulted ceilings to
  symbolize what?

Fig. 7.8 Beauvais Cathedral
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Architecture
Gothic architecture used tall vaulted ceilings to
symbolize what?

1. The vast reaches of the heavens
2. Spirituality
3. Both the vast reaches of the heavens and
   spirituality
4. Neither the vast reaches of the heavens nor
   spirituality

Fig. 7.8 Beauvais Cathedral
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Pictorial Space

• Implied Space or the illusion of space in a 2D
  composition is also referred to as

Insert Fig. 7.10 The Oath of Horatii by
Jacques-Louis (Example of modern art and the
flattening of space.)
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Implied Space or the illusion of space in a 2D
composition is also referred to as

1. Pictorial Space
2. Actual space
3. Outer space
4. None of these

Insert Fig. 7.10 The Oath of Horatii by
Jacques-Louis (Example of modern art and the
flattening of space.)
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• The method of using different sized figures or
  objects to create depth is called

Fig. 7.12 Heirs Come to Pass, 3 by Marina López
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The method of using different sized figures or
objects to create depth is called

1. Relative size
2. Overlapping
3. Transparency

Fig. 7.12 Heirs Come to Pass, 3 by Marina López
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• The 3 Principle areas of a composition are. . .

Fig. 7.12 Heirs Come to Pass, 3 by Marina López
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The 3 Principle areas of a composition are

1. Foreground, Middle ground, Background
2. Front-ground, Middle ground, and Aft ground
3. None of these

Fig. 7.12 Heirs Come to Pass, 3 by Marina López
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• A key device used to suggest depth or distance in
  which the artist emphasizes the relationship
  between objects and space by placing one object
  in front of, or behind a second is called

Fig. 7.16 Tailgating by Tom Birkner
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A key device used to suggest depth or distance in
which the artist emphasizes the relationship
between objects and space by placing one object
in front of, or behind a second is called

1. Relative size
2. Overlapping
3. Transparency

Fig. 7.16 Tailgating by Tom Birkner
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Transparency

• When objects or shapes farther in the background
  can be seen through those positioned in front of
  them it is called

Fig. 7.18 Fruit Dish and Cards by Georges Braque
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When objects or shapes farther in the background
can be seen through those positioned in front of
them it is called

1. Relative size
2. Overlapping
3. Transparency

Fig. 7.18 Fruit Dish and Cards by Georges Braque
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• A technique used to signify 3D space through
  the placement of figures higher up on the
  compositional space, but which does not create
  the illusion of space is called

Fig. 7.21 Moors and Christians, Alcoy by Pilar de
Aristegui
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A technique used to signify 3D space through
the placement of figures higher up on the
compositional space, but which does not create
the illusion of space is called

1. Atmospheric Perspective
2. Vertical Positioning
3. One-Point Perspective
4. Linear Perspective

Fig. 7.21 Moors and Christians, Alcoy by Pilar de
Aristegui
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Fig. 7.24 The Andes of Ecuador by Edwin Church

• A technique for illustrating depth that
  incorporates such devices as texture gradient,
  brightness gradient, color saturation, and the
  interplay of warm and cool colors is called

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A technique for illustrating depth that
incorporates such devices as texture gradient,
brightness gradient, color saturation, and the
interplay of warm and cool colors is called

1. Atmospheric Perspective
2. Vertical Positioning
3. One-Point Perspective
4. Linear Perspective

Fig. 7.24 The Andes of Ecuador by Edwin Church
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Atmospheric Perspective

• Atmospheric Perspective is also referred to as

Fig. 7.25 Pine Wood by Hasegawa Tohaku
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Atmospheric Perspective is also referred to as

1. Aerial Perspective
2. Vertical Positioning
3. One-Point Perspective
4. Linear Perspective

Fig. 7.25 Pine Wood by Hasegawa Tohaku
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Linear Perspective
Which of the following terms is not used in
relationship to Linear perspective?

1. Vantage point - or point from which the objects
   are viewed.
2. Vanishing Point - the point at which the objects
   vanish.
3. Horizon - the line at which sky meets ground and
   on which the vanish point often sits.
4. Converge - The act of two lines coming together
   at the vanishing point.
5. None of these

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When lines converge at a single vanishing point
on the horizon, as demonstrated in this famous
painting, this technique for creating depth is
called
Fig. 7.32 The School of Athens by Raphael
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When lines converge at a single vanishing point
on the horizon, as demonstrated in this famous
painting, this technique for creating depth is
called

1. One-Point Perspective
2. Two-Point Perspective
3. Three-Point Perspective

Fig. 7.32 The School of Athens by Raphael
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What type of perspective shows the recession of
an object from an angle as illustrated by Paris
Street Rainy Day?
Fig. 7.35 Paris Street Rainy Day by Gustave
Caillebotte
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What type of perspective shows the recession of
an object from an angle as illustrated by Paris
Street Rainy Day?

1. One-Point Perspective
2. Two-Point Perspective
3. Three-Point Perspective

Fig. 7.35 Paris Street Rainy Day by Gustave
Caillebotte
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What type of Perspective is illustrated in this
work?
Fig. 7.42 Ascending and Descending by Maurits
Escher
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What type of Perspective is illustrated in this
work?

1. One-Point Perspective
2. Two-Point Perspective
3. Three-Point Perspective

Fig. 7.42 Ascending and Descending by Maurits
Escher
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When a work of art depicts objects from more than
one vantage point and suggests the fourth
dimension of time and motion, this is referred to
as
Fig. 7.43 Tar Beach by Faith Ringgold
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When a work of art depicts objects from more than
one vantage point and suggests the fourth
dimension of time and motion, this is referred to
as

1. Conceptual representation
2. Optical Representation
3. Multiple Perspective

Fig. 7.43 Tar Beach by Faith Ringgold
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Another term for perspective which can be used in
regards to artwork that demonstrates
Foreshortening is
Fig. 7.46 Conversion of St. Paul by Caravaggio
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Another term for perspective which can be used in
regards to artwork that demonstrates
Foreshortening is

1. Multiple Perspective
2. Amplified Perspective
3. Isometric Projection
4. Parallel Perspective
5. Oblique Projection

Fig. 7.46 Conversion of St. Paul by Caravaggio
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A specific type of axonometric projection in
which the top and bottom edges of the receding
planes are usually drawn at an angle of 30
degrees from the horizon and means equal in
measure is called
Fig. 7.49 Diary December 12, 1941 by Roger
Shimomura
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A specific type of axonometric projection in
which the top and bottom edges of the receding
planes are usually drawn at an angle of 30
degrees from the horizon and means equal in
measure is called

1. Multiple Perspective
2. Amplified Perspective
3. Isometric Projection
4. Parallel Perspective
5. Oblique Projection

Fig. 7.49 Diary December 12, 1941 by Roger
Shimomura
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Another type of parallel projection in which a
kind of perspective without a vanishing point is
used, and which is common in Asian scroll
paintings is called
Fig. 7.50 Kumano Mandala
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Another type of parallel projection in which a
kind of perspective without a vanishing point is
used, and which is common in Asian scroll
paintings is called

1. Multiple Perspective
2. Amplified Perspective
3. Isometric Projection
4. Parallel Perspective
5. Oblique Projection

Fig. 7.50 Kumano Mandala