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ADVERTISING

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REPRESENTATION - Kingsbridge Community College ... advertising – PowerPoint PPT presentation

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Title: ADVERTISING


1
REPRESENTATION
  • ADVERTISING

2
Historical Context
  • According to A Hint of Homosexuality? author, Dr.
    Bruce Joffe, gay intimacy and interaction,
    references to the male genitalia, and threats of
    sexual conquest of and between men can be
    documented in adverts as far back as the late
    1800s. In fact, he cited the example of an advert
    for a toy gun from 1917 with the headline, I am
    Big Dick.The history of advertising and
    marketing to Lesbian, Gay Bisexual (LGB) people
    can be divided into five periods underground,
    1900 to 1941 development of an LGB community,
    1941 to 1969 the Stonewall Riots and going
    public, 1969 to 1984 AIDS and retrenchment, 1984
    to 1992 and the "gay '90s" and beyond.

3
Impulse
  • Chance Encounters 1998
  • Men cant help acting on impulse. This perfume
    is so powerful it can turn Gay men Straight.
  • Mise en scene Small leather clad dogs,
  • tight white t-shirts, Village People style
  • dungarees, the well known gay writer
  • Quentin Crisp. All of which are
  • stereotypical associations within
  • gay community.
  • Dyer Stereotypes are how people make sense of
    a
  • society through generalities, patterning's and
    typifications.
  • Important advert - 1st Representation of
  • Homosexuality in British TV Advertising

4
Today
  • Perhaps the most visible example will be seen
    starting tomorrow, when the home-furnishings
    retailer Pier 1 replaces the actress Kirstie
    Alley in its general-market campaign with Thom
    Filicia, the decorating expert from ''Queer
    Eye.'' Pier 1, which spends 60 million a year on
    advertising by Campbell-Ewald, will feature Mr.
    Filicia in television commercials, magazine ads
    and even a training video for store employees.
  • Mr. Filicia's sexuality ''never really
  • entered into our decision,'' said
  • Phil Schneider, executive vice
  • president for marketing at Pier 1
  • Imports in Fort Worth. ''It was not
  • an issue for us.''

5
Social Context
  • The use of celebrities known to be gay and
    lesbian comes as homosexuals grow more visible in
    the popular culture because of shows like ''Queer
    Eye'' and ''Will Grace,'' as well as the
    decisions by stars like Ellen DeGeneres and Rosie
    O'Donnell to openly discuss their sexuality. The
    mainstreaming of gay and lesbian endorsers also
    comes after major advertisers like Ford
  • and Procter Gamble have sponsored
  • campaigns aimed at the gay and lesbian
  • market after Martina Navratilova
  • appeared in niche-market adverts
  • for Subaru of America, for instance,
  • she also started appearing in the
  • carmaker's broader campaigns.
  • Dyer The stereotype is taken to express a
  • general agreement about a social group.
  • Klapp Social types are representations of
  • those who belong to a society. The types
  • produced by different social groups according to
    their sense of who belongs and who doesnt.

6
Gay Celebrities
  • When he was initially approached by Pier 1, Mr.
    Filicia said, ''the first thing I thought was, Is
    Pier 1 going to want someone gay to represent
    them? Probably not.''
  • ''It's kind of amazing,'' he added, referring to
    being hired for the campaign. ''It's about
    design, not sexuality, but it's still a big step
    for them - and a big step for us.''
  • ''It doesn't matter if he's gay or not,'' said
  • Lainey Canevaro, vice president at Edelman
  • Entertainment Marketing in Chicago, part of
  • Daniel J. Edelman, which produced the campaign.
  • ''We looked at who we could use as a lifestyle
  • spokesperson, and he's fabulous.''

7
Popularity
  • The gay identity is now at a level in the
    popular culture that it can be accessed for this
    role in adverts aimed at the general market,
    especially showing gays as trend-setters and
    arbiters of taste,' Mr. Buford said. 'It runs the
    risk of alienating the gay community, which has a
    much more sophisticated read on this, but that
    always has been the case when something crosses
    over into the mainstream. It's a journey.
  • Dyer The role of stereotypes is to make
    visible the invisible, so that there is no danger
    of it sneaking up on us unawares.

8
Guinness
  • Guinness advert Mess
  • A good looking young man gets ready for work,
    making a mess all along the way. After his bath,
    magazines and other articles float in the water.
    Selecting his clothes, he sniffs then rejects the
    shirt by tossing it onto the floor. Meanwhile, a
    rubber-gloved hand picks up after him. As he runs
    out the front door, coffee cup in hand, he passes
    his boyfriend, whom we see for the first time,
    and the tune "Stand by Your Man" starts. He puts
    the mug on top of his car and gets in as his
    boyfriend waves goodbye, the mug clunks to the
    ground, and the ad closes with a glass of
    Guinness beer. Brand GuinnessCompany
    DiageoYear 1995
  • Themes Affectionate Displays, 
  • At Home, Couples, Male Kisses,
  • Some Skin.
  • Target Mainstream

9
Religion
  • "...sexual orientation is not a choice and
    cannot be altered. Groups who try to change the
    sexual orientation of people through so-called
    conversion therapy are misguided and run the risk
    of causing a great deal of psychological harm..."
  • Raymond Fowler, executive director, American
    Psychological Association.
  • "At-risk adolescents and parents have a right to
    know
  • that homosexuality is preventable and treatable
    and

10
Religion
  • The battle for the minds of North Americans on
    the topic of sexual orientation is not between
    homosexuals and heterosexuals. It is mainly
    between conservative Christians and the rest of
    society. Conservative Christian groups have
    sponsored newspaper and TV adverts in an attempt
    to convince the public that homosexual
    orientation is a choice that can be readily
    changed through trusting Jesus as Lord and Savior
    and by reparative (conversion) therapy.
  • The adverts were followed up with a TV advert
  • campaign in 1998-October which concluded
  • It's not about hate, it's about hope.
  • The major television networks have refused to run
  • these adverts. Bob Davies, the executive
  • director of Exodus International, claims this is
  • because leaders of homosexual-rights groups
  • pressured the networks.

11
Reaction of gay, lesbian and bisexual groups
  • Demonstration On 1998-AUG-22, hundreds of gays
    and lesbians protested. They waved signs one
    read  "Don't crucify us with hate." D. James
    Kennedy, who heads Coral Ridge Ministries
    commented "This ad campaign is not about hate.
    It's about hope. Hope for change...People need to
    know this homosexuality is not a lifetime
    sentence. No one has been saying that. Change is
    possible." Some people who claim to have been
    healed of their homosexuality were present at the
    news conference.
  • Bisexual groups' response The bisexual and
    transsexual
  • communities were outraged at the adverts of the
    religious
  • right. Some were also not particularly enamored 
    at the
  • response adverts by lesgay groups which had
    ignored
  • bisexuals and transsexuals.

12
America
  • The state unveiled two antismoking advertisements
    that will appear in publications for gay men and
    lesbians. It is the first time that the state has
    used tax money from an anti-tobacco initiative to
    reach gay audiences. Officials said that the
    prevalence of smoking among gay men and lesbians
    was 70 percent higher than among the general
    population. ''The state's lesbian and gay
    communities smoke at distressingly high rates,''
    said Dr. Diana M. Bonta, the state health
    director. One advertisement says that smoking is
    the No. 1 killer among gays, lesbians, bisexuals
    and transgendered people. The other says tobacco
  • companies promote their products among
  • gays. Two tobacco companies have
  • challenged the campaign in federal court.
  • John M. Broder (NYT)

13
Britain
  • In November 1986, the British government finally
    grasped the scale of the AIDS problem, setting up
    a Cabinet Committee devoted to combating what was
    rapidly becoming an epidemic. 20 million was
    earmarked for a publicity campaign, 5 million of
    which was to be spent on television commercials
    which could be adapted for cinema.
  • Against a backdrop of icebergs and tombstones,
    the voice of the actor John Hurt sounded a
    chilling warning of an impending Aids epidemic.
    It was seen as a classic among advertising
    campaigns.
  • Designed to frighten people into practising only
    safe sex, the notorious "Don't Die of Ignorance"
    adverts launched by the Government in 1986 were
    hailed as a success in raising awareness on HIV
    and Aids.
  • But 16 years later, sexually transmitted
    infections (STIs) have soared to record levels
    and young people who missed the Aids scare of the
    late Eighties and early Nineties are engaging in
    increasingly risky sexual behaviour.

14
Ikea
  • Ikea advert Dining room table
  • Groundbreaking, famous advert for Swedish
    furniture maker IKEA, made news around the world,
    though it was rarely seen. It features a male
    couple shopping for a dining room table together.
    The two middle-aged men, who finish each other's
    sentences, say a leaf means commitment. At the
    end, one says, We've got another leaf waiting
    for when we REALLY start getting along - perhaps
    implying having children. Brand IKEACompany
    IKEA InternationalYear 1994Themes Gay couples

15
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