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Narrative Perspective

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Title: Narrative Perspective


1
Narrative Perspective
  • Authors Point of View

2
Dialogue and Narration
  • Dialogue when characters speak.
  • Narration when the narrator speaks.
  • Quotation marks separate narration from
    dialogue.
  • Example
  • Help my cousin Jack said.
  • 1
    2

3
Identifying Narrative Perspective
  • It's about the narrator (who tells the story)
  • We're not looking at dialogue.
  • We don't care what characters say.
  • Only the narrator's voice matters.

4
Pronoun Case
We are trying to figure out the narrator's view
point on the story. Perspectives and Signal Words
First-Person I, me, my, mine, we, us, ours,
Second-Person you, your
Third-Person he, she, her, they, them (also character's names)
5
Secret
  • I am in the room
  • I 1st Person
  • You come in the room.
  • You 2nd Person
  • Then he or she came in the room.
  • He or She 3rd Person

6
First-Person
  • Narrator is a part of the story (character).
  • Often uses I or we.
  • Example
  • I went home. Tim came over. I couldn't play.

7
First-Person
  • the narrator is usually the protagonist or
    central character in the story.  But even if this
    character is not the protagonist, he or she is
    directly involved in the events of the story and
    is telling the tale first hand.
  • the narrator will be telling the story from
    Is perspective.  Readers should watch for the
    narrators use of first-person pronouns- I, me,
    my, our, us, we, myself, and ourselves, as these
    will usually indicate that the passage is
    narrated from first-person perspective.  
  • Remember, one must ignore the dialogue of
    characters (indicated by quotation marks) and
    focus on narration!

8
Second-Person
  • Usually for instructions
  • Uses You from your perspective.
  • Examples
  • First, gather your materials. Add 1 cup sugar to
    flour.

9
Second-Person
  • In this mode narration you are the agent,such
    as in this example you walked down the stairs.
     As it is generally awkward for a story to be
    narrated from your perspective, this mode of
    narration is not used very often in narratives
    and stories.  There are some exceptions, however,
    and second-person perspective is the primary mode
    of narration for choose your own adventure books
    and similarly styled writings.
  •  Most directions and instructions are usually
    narrated from second-person perspective.  In most
    cases, directions will be written in short
    sentences, where the implied subject is you.
     But even when you is not explicitly stated, it
    is understood that you are the subject of
    directions and instructions.

10
Third-Person
  • Narrator usually isnt involved.
  • Tells other's stories.
  • Lots of He, She, character names.
  • Three Types of Third-Person Narration
  • Does the narrator tell
  • Thoughts and Feelings of Characters?

11
Third-Person
  • The narrator may be far removed from or not
    involved in the story, or he or she may be a
    supporting character supplying narration for a
    hero.  
  • Uses he, she, them, they, him, her, his, her,
    and their by the narrator show that a passage is
    narrated from third-person perspective.  There
    are three distinct modes of third-person
    narration objective, limited, and omniscient.
  • Which mode the narrator is using is determined by
    how much the narrator explains the thoughts,
    feelings, and internal thoughts of the characters
    and shares them with the reader through
    narration.  Characters feelings and motivations
    can be inferred and understood through their
    behavior and dialogue in each of the three modes
    of third-person narration however, readers
    should be concerned with finding instances where
    the narrator explicitly reveals a characters
    thoughts or feelings.

12
Third-Person Omniscient
  • Narrator is all knowing.
  • Narrator tells thoughts and feelings of more than
    one character.
  • Omni All Scient Knowing
  • Example
  • Tim was mad at Shay. He blamed her. Shay knew
    Tim would be mad, but she wanted to live her life.

13
Omniscient
  • In this mode of narration, the narrator gives
    readers the most access to characters thoughts
    and feelings.  With third-person omniscient
    narration, the narration will reveal more than
    one characters  internal feelings.
  • The base word omni means all, and scient means
    knowing, so omniscient translates to all
    knowing.   In omniscient narration, the narraor
    is all knowing.

14
Third-Person Limited
  • Narrator is limited to one character.
  • Tells thoughts feelings of one character
  • Example
  • Tim was mad at Shay. He blamed her. Shay just
    left without saying anything. She left a note
    and then left him.

15
Limited
  • When a narrator uses third-person limited
    perspective, the narrators perspective is
    limited to the internal thoughts of one
    character.  In other words, the narrator reveals
    the thoughts and feelings of one character
    through explicit narration. As with objective
    narration, readers may be able to infer
    characters thoughts and feelings based on the
    behaviors and dialogue of those characters, which
    are narrated, but the narrator also directly
    reveals the central characters internal
    perspective.

16
Third-Person Objective
  • Narrator does not reveal any characters thoughts
    or feelings.
  • Only characters dialogue and actions are
    narrated.
  • Example
  • Tim slammed the door. He walked upstairs read
    a note from Shay. He kicked her trash can
    started crying.

17
Objective
  • In this mode of narration, the narrator tells a
    third-persons story (he, she, him, her), but the
    narrator only describes characters behavior and
    dialogue.  The narrator does not reveal any
    characters thoughts or feelings. Again, readers
    will be able to understand characters thoughts
    and motivations based on characters actions and
    dialogue, which are narrated however, the
    narrator will not explicitly reveal characters
    thoughts and/or motivations in narration.

18
Tips on Identifying
  • Check 1st or 2nd-person before worrying about
    objective, limited, or omniscient.
  • Ask, Whos story is the narrator telling his,
    mine, or someone elses?
  • Focus on narration not dialogue.

19
Practice
  1. Read the following passages.
  2. Determine the narrators perspective.
  3. Write down your answer.

20
1
  • When I was four months old, my mother died
    suddenly and my father was left to look after me
    all by himself I had no brothers or sisters. So
    through boyhood, from the age of four months
    onward, there was just us two, my father and me.
    We lived in an old gypsy caravan behind a filling
    station

21
2
  • Foresight in Relationships
  • The previous night, make your plans for the
    next day and write them down If you attend an
    exclusive Samurais party and feel timid, you
    cannot do your part in making it a successful
    party. You had first better prepare by
    convincing yourself that you will have a grand
    time. And you should feel grateful for the
    invitation.

22
3
  • Harold Davis took a deep breath and slowly
    started to peel the gauze from the wound on his
    grandmothers leg. Hold on, Grandma. Im
    almost done, He said quietly. Dont worry,
    baby. It doesnt hurt too much, she quietly
    replied. Just take your time. Harold glanced
    up at his grandmother lying on the couch. He
    could tell she was in pain from the way she
    gripped the cushions, but still she managed to
    smile back at him.

23
4.
  • They were standing under a tree, each with an
    arm round the other's neck, and Alice knew which
    was which in a moment, because one of them had
    "DUM" embroidered on his collar, and the other
    "DEE." "I suppose they've each got "TWEEDLE"
    round at the back of the collar," she said to
    herself. They stood so still that she quite
    forgot they were alive, and she was just looking
    round to see if the word "TWEEDLE" was written at
    the back of each collar, when she was startled by
    a voice coming from the one marked "DUM."

24
5.
  • Tuck Everlasting by Natalie Babbitt
  • At dawn, Mae Tuck set out on her horse for the
    wood at the edge of the village of Treegap. She
    was going there, as she did once every ten years,
    to meet her two sons, Miles and Jesse, and she
    was feeling at ease. At noon time, Winnie
    Foster, whose family owned the Treegap wood, lost
    her patience at last and decided to think about
    running away.
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