Title: A
1A P
- The Age of Innocence or Ignorance
- Language and Point of View
2Housekeeping
- 1. play rehearsal 12/10 (Wed) noon and advisor
time - 2. e-text vs. textbook
- 3. group advisor
- Group 1-4 Kate
- Group 5-8 Julia
- Group 9-12 Andrew
- Our email address introlit2014_at_gmail.com
3Outline
- Q A General Introduction
- Structure ? Queenie in grace, disgraced, and the
hero fights back to no avail. - Language and Style ? contrasting two kinds of
people - Discussion
- Points of View
- Ending
- The Swimming Suit Issue Sammy vs. the Other
Characters - Setting Theme
4AP
5John Updike AP
- Originally he had 3 more pages describing Sams
going up to the beach to find the girls, but
without success - A filmic adaptation, followed by an interview
Norton
6AP Characters
- Sammy
- Lengel, Stokesie, McMahon (at the meat counter)
- 3 girls (par 2)
- The First Friend (Plaid)
- The Second Friend (Big Goony Goony)
- Queenie
- Customers
7Structure Rescuing the Queen
- Beginning In media res in the middle of a
sequence of an event or a story. - Long description of the three girls with a focus
on Queenie, juxtaposed with short descriptions of
the other customers. - Middle Now here comes the sad part of the
story (par 11) - confrontation between the girls and Lengel
- Between Lengel and Sammy
- Ending out of the supermarket.
8AP Structure
- In medias res (Latin "in the midst of things")
9QA Your Responses
- Why did Stokesie call the author "Daddy"? (Since
Stokesie was older than him.)
"Oh Daddy," Stokesie said beside me. "I feel so faint. (7)
"Darling," I said. "Hold me tight." Stokesie's married, with two babies chalked up on his fuselage already, but as far as I can tell that's the only difference. He's twenty-two, and I was nineteen this April. (8)
10Sammys Language Your Choice
- (team 8!)
- 1.Sammy's os - a good tan and a sweet broad
soft-looking can with those two crescents of
white just under it. Bright green and the seams
on the bra. - 2.description of Queenie - Sammy thinks the most
beautiful girl is untouchable , so he nicknames
her "Queenie", which refers as "Queen. For
example, she held her head so high her
neck,......but I (Sammy) doesn't mind. The
longer her neck is ,the more of her there is.
(par 4)
11Sammys Language Your Choice
- 3.argument with the boss - It begins with Sammy
saying "I quit !" Just because the girls are
embarrassed by the boss. It shows that Sammy is
like other teenagers, who always do something
without thinking twice. However a sudden impulse
made Sammy quit his job, neglecting what the boss
says and what his parents' feeling. In the end,
it turned out that Sammy does regret when he
turns back, seeing his boss ringing up, with a
dark gray face standing alone.
12Sammys Language (1)
- Colloquial omission, rep, coined words, run-on S
and misplaced modifier pars 13, 52 first
sentences.) - Concrete with vivid details and things he is
familiar with (e.g. games, womens bodily
parts--breasts and bottoms, supermarket) - Vivid and imaginative e.g. the girls voice (par
14), the sound of the cash register (par 21).
13Sammys Language (2)
- 4. Stereotyping and exaggerative Tends to divide
up people into two groups--one he likes, and one
he dislikesand exaggerates their differences.
(e.g. Sheep vs. Queen) - e.g. You could see them the other customers,
when Queenie's white shoulders dawned on them,
kind of jerk, or hop, or hiccup, but their eyes
snapped back to their own baskets and on they
pushed. (par 5) - Other descriptions of the customers (par 12, 30)
- e.g. Queenie vs. the dynamites
14Example of Sammys Language (3)Queenie
- Queenie-- sex queenly manners
- The way she walks square-shouldered and
long-necked. - the oaky hair that the sun and salt had
bleached. - She had on a kind of dirty-pinkbeige maybe, I
don't knowbathing suit with a little nubble all
over it and, what got me, the straps were down - shining rim top of her chest like a dented
sheet of metal tilted in the light - The bill from the girls cleavage from between
the two smoothest scoops of vanilla I had ever
known...."
15Summary and Preview Point of View
- Participant (or first-person) point of view
- --1) as protagonist e.g. A P, Boys and
Girls Araby - -- 2) as witness
- (we A Rose for Emily) (Issuereliable nor
not) - Non-participant (or third-person) point of view.
- --1) neutral omniscience objective
- --2) editorial omniscience (with judgment)
- --3) selective omniscience -- e.g. 20/20
- ? Enter the mind or not ? stream of
consciousness (later)
16Discussion Questions
- Group 1, 5, 9- Point of View Sammys vs.
Queenies or Lengels (description or performance
of dialogue) - Group 2, 6, 10- Ending What do we make of it?
Would you quit the job if you were in Sams
position? Which ending do you prefer? - Group 3, 7, 11- Swimming Suit or not The Girls,
Sammys, Lengels, Stoksies and the Other
Customers Points of View (description or
performance) - Group 4, 8. 12- Setting Theme (analysis or
re-creation) - http//www.youtube.com/watch?vOJImoQJsgEs
17Lets Take a Break!!!
- And start our group discussion 1016- 1106
- Come back to this classroom at 1116 sharp!
18Period 2 Discussion Time 1010-1100
19- 2-groups (1,2, 7,8) presentation, (9, 10, 3, 4)
practice raising questions - 3rd hour (5. 6. 11, 12) present (9, 10, 3, 4)
ask questions
Question Group no. Group no. Group no.
1 1 5 9
2 2 6 10
3 3 7 11
4 4 8 12
20Point of View Related Issues
- the I-narrator is not the author
- E.g. The author described the woman as a
"witch". This analogy not only described her
appearance, but also her personality. She likes
to pick on others, and Sammy was the victim this
time. - Sense of Immediacy, sympathy induced by
first-person point of view? ? A P - Objectivity, human littleness? suggested by
third-person point of view? 20/20? - Only one point of view in telling a story?
- No. The change of point of view or tone means a
lot.
21The Character (1)Sammy Queenie
- Is he a sexist?
- Attentive to sexual details and judgmental
(Queenie and Plaid and Big Tall Goony-Goony (not
that as raw material she was so bad), ) - About the girls minds You never know for sure
how girls' minds work (do you really think it's a
mind in there or just a little buzz like a bee in
a glass jar?) - Wants to play hero, but he is not and cannot be
one. - His move futile he is self-centered, but he is
indeed courageous. - How about Queenie?
22The Queen Is she really queenly?
- Seemingly proud and self-assured
- slow-motioned and a bit exaggerated in her walk
- Holds her head tall
- In response to Lengel
- Her voice when speaking to Lengel (par. 14)
- Feeble attempt at defending herself Were
decent. (par 18) - Her family background, different from Sammys
23Class Differences between Q S
- Herring snacks
- Cocktail Drink with olive
- Lemonade and Schlitz (beer)
- Glasses with cartoon figures
Par. 14
24Sammys Point of View of the Sheep
- The middle-aged customer --"about fifty," and a
"witch" of the sort he's learned once flourished
in nearby Salem with"rouge on her cheekbones and
no eyebrows" but nothing else that might stir him
in the direction of sympathy. (par 1) - I bet you could set off dynamite in an AP and
the people would by and large keep reaching and
checking oatmeal off their lists and muttering .
. .(par 5) - "house slaves in pin curlers (par 5)
- "old party in baggy gray pants who stumbles up
to his checkout lane with four giant cans of
pineapple juice" (par 12) - "women with six children and varicose veins
mapping their legs." (par 10) - "like scared pigs in a chute (par 30)
- ? Is Sammy a reliable narrator?
25Ending (1) What Happens?
- "You'll feel this regret for the rest of your
life," Lengel says, and I know that's true, too. - The girls gone
- Sammys action I just saunter into the electric
eye in my white shirt that my mother ironed the
night before, and the door heaves itself open,
and outside the sunshine is skating around on the
asphalt. - Sammys feeling His face was dark gray and his
back stiff, as if he'd just had an injection of
iron, and my stomach kind of fell as I felt how
hard the world was going to be to me hereafter.
26Ending (2) What Happens?
- After Sammy quits, he goes out to the parking lot
and sees not the girls, but some young married
screaming with her children about some candy they
didnt get. - What do you think about the ending? Has Sammy
achieved anything? Or arrived at some type of
awareness of his future prospect?
27Swimming Suit Issue
- Social Propriety Respecting local customs and
manners - Avoiding confrontation
- Swimming suits symbolic meaning freedom,
leisure, sexuality
28Putting Sammy in his Position
- Analyzing
- his Point of View (vs. the Others) and
- his Social Position (in the Setting)
29Sammy in Context (1) the Other Characters (2)
Stokesie, McMahon and Lengel.
- Stokesie
- "Oh Daddy," Stokesie said beside me. "I feel so
faint." "Darling," I said. "Hold me tight."
Stokesie's married, with two babies chalked up on
his fuselage already, but as far as I can tell
that's the only difference. . . .wants to be a
manager. - old McMahonpatting his mouth and looking after
them sizing up their joints. Poor kids, I began
to feel sorry for them, they couldn't help it. - Lengel patient and old and gray
- ? more practical or less polite in their stare at
the girls. - How would they look at Sammy?
- How about the shoppers?
30Sammy in Context (2) Setting Imagery ?
Symbolic Meanings?
- Supermarket fluorescent light (vs. sunlight),
checkerboard green-and-cream rubber-tile
floor.(par 6) - A lot of merchandize e.g. a pyramid of Diet
Delight peaches, Caribbean Six or Tony Martin
Sings, plastic toys, etc.. - Images of the mundane, the business world and
capitalism ? which places people, as consumers
and workers, in different classes and increases
their differences. - What difference would it make if this story were
placed in another setting?
31Theme and Message
- The story as an initiation story (????) in which
the 19-year-old Sammy has a rite of passage
(???) at a supermarket. - Self (Personal Aspiration) against Society
(Social Control) - Does he grow up?
- Yes, he realizes he cannot be a hero. But his
realization is a bit self-centered and too
dramatic.
32Next Time
- Another initiation story.
- Be patient when reading the images which will
later take on symbolic meanings when they get
grouped together (in image clusters).