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Chapter 3 - Lesson 3

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Title: Chapter 3 - Lesson 3


1
Chapter 3 - Lesson 3
  • Sculpture

2
Unique Quality of Sculpture
  • Exists in space
  • Viewed from all sides
  • Actual space rather than illusion of space
  • A sculptor sets out to fill space with original,
    visually appealing forms.
  • These forms may echo reality, express powerful
    emotions, or communicate ideas.

3
Vocabulary of sculpture
  • Bas relief
  • High relief
  • Sculpture in the round
  • Modeling
  • Carving
  • Casting
  • Assembly
  • Kinetic art

4
Relief Sculpture
  • Not all sculpture can be viewed from all sides.
  • Relief sculptures are 3-d forms mounted to a flat
    surface.
  • Like paintings these sculptures are designed to
    be viewed form the front.
  • Bas relief the sculptured forms project only
    slightly from the background
  • High relief the sculptured forms extend boldly
    out into space

5
Bas Relief- Donatello - Feast of Herod
6
High Relief Andrea della Robbia Madonna
child
7
Sculpture in the round
  • Any freestanding work surrounded on all sides by
    space.
  • Not all freestanding sculptures are meant to be
    viewed from all sides.

8
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9
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10
Processes of Sculpture
  • Modeling is a process in which a soft, pliable
    material is built up and shaped into a sculptural
    form.
  • Clay Wax or Plaster
  • Sculptor will gradually add more and more
    material to build a 3-D form, this is known as
    the additive process

11
Processes of Sculpture
  • Carving is cutting or chipping a form from a
    given mass of material to create a sculpture.
  • Stone , Wood
  • Removing material in order
  • to create a sculpture is
  • known as the subtractive
  • process.
  • Each type of stone has
  • unique characteristics
  • which create individual
  • challenges and textures.

12
I saw the angel in the marble and carved until I
set him free.
Michelangelo
13
Processes of Sculpture
  • Casting a melted-down metal or other liquid
    substance is poured into a mold to harden.
  • This method allows the artist to duplicate an
    original
  • sculpture done in wax, clay, plaster or
    some other material.
  • Most widely used
  • for is known as
  • the cire-perdu
  • or lost wax. Well
  • over a thousand
  • years old
  • method.

14
Processes of Sculpture
  • Assembly The artist gathers and joins together
    a variety of materials to construct a 3-D work of
    art.
  • Assemblage is a modern technique usually
    utilizing found items.
  • Kinetic Art is a sculptural form that
    actually moves in space. (both externally and
    internally.)

15
Sculpture
  • No one can predict what the sculptures of the
    future will look like. In one important way,
    however, they will be like the ones of past and
    present They will continue to record the full
    range of human experience in ways that are
    sometimes shocking, sometimes touching, but
    always thrilling to see, to touch, and to
    appreciate.
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