Title: The Early Modern Period
1The Early Modern Period
- Early Modern? (ca. 1500-1800)
- Followed Middle Ages
- Traits in Europe
- Movement toward secular state
- Divided Western Christianity
- Growing emphasis on science
- World becoming more global, more dominated by
Europe
2The Renaissance
3The Renaissance
- When you hear The Renaissance
- What do you think of?
- What do you understand it to be?
- Does it pop up in culture at all?
4Origins and Humanism
- The Renaissance
- Rebirth of culture and heritage of Greco-Roman
antiquity - Italian Origins
- Wealth
- Remnants and ruins of ancient world
- Flourished throughout peninsula
5Origins and Humanism
- Humanism
- Emphasized study of form and content of classical
learning - Goal recapture culture of ancient world ?
improvement of individuals and society - Interests of Humanists
- Liberal arts
- Latin and Greek
- Classical documents
- Ad fontes!
6Origins and Humanism
- Francesco Petrarch (1304-1374)
- Renowned humanist
- Hated Middle Ages!
- Encouraged revival of classical studies
- Wrote in classical Latin
- Africa
- Searched for ancient manuscripts
7Origins and Humanism
- Lorenzo Valla (1407-1457)
- Major humanist, linguist
- On the False Donation of Constantine (1444)
- Response to Donation of Constantine
- Vallas Observations
- Latin here not used until after Constantine
- Exposed Donation as early medieval fraud
8Origins and Humanism
- Civic Humanism
- Some humanists became involved in public affairs
- Literary talents ? promote city
- Focused on morality and ethics as applied in
civic sphere - Goal inspire virtuous men to take leading
roles in communities - Follow examples of antiquity and Christianity
9Origins and Humanism
- Niccolò Machiavelli (1469-1527)
- Florentine chancellor
- Met important international leaders ?
experience - The Prince (1513)
- Manual for despots on gaining and holding power
- Prince might have to be immoral
- Lion and the fox
- Virtue in politics is ambiguous!
- Political realism
10Origins and Humanism
11Italian Art and Architecture
- Medieval Traditions
- Mostly spiritual iconography
- Paintings influenced by Byzantine style
- Stiff, solemn figures
- Shallow, flat space
- Golden skies!
- Gothic architecture
Madonna and Child (early 13th cent.)
12Italian Art and Architecture
- Renaissance Art
- Artists goals
- Imitate nature
- Revive classical idealism
- Capture sense of individual
- Iconography can now be secular ? portraiture
rediscovered - GIOTTO (ca. 1266-1337)
- Traits of his work naturalism, individuality,
corporeality, emotion - Greatest paintings in Arena Chapel, Padua
(1304-06)
13Italian Art and Architecture
14Italian Art and Architecture
The Lamentation, Arena Chapel
15Italian Art and Architecture
- Linear Perspective
- Goal create illusion of 3D
- Observations of Artists
- Parallel lines converge as they recede into the
distance - Objects sizes vary depending on distance from
viewer
16Italian Art and Architecture
Masaccio, Holy Trinity (1427)
17Italian Art and Architecture
- Donatello (1386-1466)
- Studied classical statues in Rome
- David (1428-1432)
- Bronze
- First freestanding, life-sized nude since
antiquity - Renaissance Traits
- Classical nude male
- Movement
- Calm, ideal beauty
18Italian Art and Architecture
Donatello, Il Gattamelata (1453) Padua, Italy
Marcus Aurelius (ca. 175)
19Italian Art and Architecture
- Leonardo (1452-1519)
- Student of nature
- Quintessential Renaissance Man
- Artist
- Art theorist
- Architect
- Musician
- Scientist
- Engineer
- So many projects ? few ever got done!
Self-portrait (ca. 1512)
20Italian Art and Architecture
- The Last Supper (ca. 1495-98)
- Mural
- Subject announcement of coming betrayal of
Christ, Last Supper - Renaissance traits
- Perspective
- Individuality
21Italian Art and Architecture
- The Mona Lisa (1503-05)
- Portrait of Florentine merchants wife Donna Lisa
- Individualized, yet idealized!
- Ambiguous smile!
22Italian Art and Architecture
23Italian Art and Architecture
Embryo in the Womb (ca. 1510)
The Virtruvian Man (1490)
24Italian Art and Architecture
- Michelangelo (1475-1564)
- Trained in Florence
- Renaissance Man
- Sculptor
- Painter
- Architect
- Poet
- Engineer
- Studied classical models
25Italian Art and Architecture
- The Pietà (ca. 1500)
- Subject Virgin Mary cradling dead Christ after
crucifixion - Renaissance traits
- Appreciation for human body
- Drapery of clothing
- Virgin Mary is idealized, youthful
26Italian Art and Architecture
- David (1501-04)
- Huge!
- Important traits
- Pent-up energy
- Visage is tense, psychological insight
- Demonstrates knowledge of human body
27Italian Art and Architecture
Vaulted Ceiling, Sistine Chapel (1508-12)
28Italian Art and Architecture
The Creation of Adam (1508-12)
29Italian Art and Architecture
Detail Christ as Judge, the Virgin
The Last Judgment (1534-41)
30Italian Art and Architecture
- Raphael, The School of Athens (1510-11)
31Italian Art and Architecture
Guess who?
32Italian Art and Architecture
- Renaissance Architecture
- Architects also fond of classical forms
- A famous project
- Albertis S. Andrea, Mantua (ca. 1470)
- Temple front
- Triumphal arch
Façade, S. Andrea
33Italian Art and Architecture
34Italian Art and Architecture
- Dome, Florence Cathedral (1420-1436)
- Construction of cathedral began ca. 1296 (Gothic)
- Building was incomplete
- Engineering problems ? no dome
- Brunelleschi (1377-1446) commissioned
- Studied classical monuments and architecture of
Rome - Resolved engineering problems ? created most
celebrated dome since antiquity
Dome, S. Maria del Fiore, Florence
35Italian Art and Architecture
36Italian Art and Architecture
37The Northern Renaissance
- The Renaissance Traveled North
- Renaissance spread more slowly to countries north
of the Alps - Northern achievements
- The printing press
- Humanism
- Art
- English language
38The Northern Renaissance
39The Northern Renaissance
- The Printing Press
- Moveable lead type developed ca. 1450
- Attributed to Johann Gutenberg
- Can now print many copies of a book
- Huge impact on Europe
- Ideas spread rapidly
- Increased literacy
- Books now cheaper
40The Northern Renaissance
- Northern Humanism
- Classics
- Christian Humanism
- Religious reform
41The Northern Renaissance
- Erasmus of Rotterdam(1466-1536)
- Dutch
- International celebrity
- Prince of Humanists
- Projects
- Praise of Folly (1511)
- Critical edition of Greek New Testament (1516)
42The Northern Renaissance
- Sir Thomas More (1478-1535)
- English lawyer, lord chancellor
- Very spiritual
- English Humanist
- Wrote history
- UTOPIA (1516)
- First part criticism of political-social abuses
- Second part description of social arrangements
at ideal island of Utopia
43The Northern Renaissance
- Northern Art
- Interest in oil painting
- Vibrant color
- Minute detail
- Jan van Eyck (ca. 1390-1441)
- Flemish
- The Arnolfini Portrait (1434)
- Portrait of Italian banker and his betrothed
- Detail and depth
- Spiritual symbolism
44The Northern Renaissance
- The English Language
- Major changes throughout its history
- WILLIAM SHAKESPEARE (d. 1616)
- Playwright, London
- Greatest English writer
- Many plays set in Roman and English past
45The Northern Renaissance
1990
1996
46The Northern Renaissance