Slayt 1

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I D E O L O G Y 1 CLASSICAL, CHINESE and
ISLAMIC IDEOLOGIES
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I D E O L O G Y ideas that are operational in a
certain culture about what art or design should
be
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C L A S S I C I S M an ideology, begun during
the Renaissance, that took Greek and Roman
civilization as a standard.
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Library of Celsus, Ephesus, 110 AD
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Maison Carrée, Nimes, FRANCE, 19-16 BC
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Filippo Brunelleschi, The Pazzi Chapel,
Florence, 1430
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Andrea Palladio, Palazzo Chiericati, Vicenza,
ITALY, 1550
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Andrea Palladio,Elevation of the Pantheon,
from the Quattro Libri dArchitettura, 1570
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Andrea Palladio, Villa Rotunda, near Venice,
ITALY, 1550-1606
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Neo-Classicism
Thomas Jefferson, Monticello,Virginia, USA,
1768-1809
Thomas Jefferson, University of Virginia
Library, USA, 1817-25
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US Army seal, designed 1775
Antique bust of Attis wearing a Phrygian cap
Phrygian cap, worn by French revolutionary, end
18th. century
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William J. Smith, ITÜ Faculty of Architecture
(Taskisla), 1846-52
Alexandre Vallaury,Istanbul Archaeological
Museum, 1891
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1550, ITALY
110, Ephesus
1891, Istanbul
1825, USA
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Kritios Boy, 480 BC
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sculptures from Chartres Cathedral (1194-1260)
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Michelangelo, Bacchus 1497
Donatello, David, 1440s
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Neo-Classicism
Antonio Canova, Paolina Borghese, 1804
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1804
480 BC
1497
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Alessandro Botticelli, The Birth of Venus, 1482
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Neo-Classicism
Jacques Louis David, Madame Récamier, 1800
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Domus Aurea decoration by Fabullus 64 68 CE
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The Loggetta of Cardinal Bibbiena
Raphael1516-17
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Senate Appropriations Committee Room Washington
DC Constantino Brumidi in the 1850s
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CHINESE SUNG and LITERATI PAINTING
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Northern Sung Dynasty (960-1127)
The Emperor Ming Huangs Journey to Shu (11th
century copy of Tang Dynasty painting from the
8th century)
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Fan Kuan, Travellers amid Mountains and
Streams, 990-1030
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Anonymous,Chu Yun Breaking the Balustrade,
12th century
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Liang Kai, Li Po Chanting a Poem, 13th century
Liang Kai, Immortal in Splashed Ink, 13th
century
Wenjen Hua (Literati Painting)
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Chen Chun, Crab, from The Album of Flowers and
Birds, 14th century
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Xu Wei, Ink Grapes, 14th Century
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I S L A M I C A R T and A R C H I T E C T
U R E
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Incense Burner,from Syria, 14th century
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Bowl, from Egypt, 15th century
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Iznik Ceramics, 1580s
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Arabesque repetitive use of geometrical and
floral designs to symbolize the transcendent,
invisible and infinite nature of Allah
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minber (pulpit)from Birgi Ulu Camii , 1320s
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tugra (official seal) of Süleyman the
Magnificient, 1555
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Alhambra Palace, Cordoba, SPAIN, 1333-1354
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Muqarnas in the Palazzo della Zisa, Palermo,
1167.
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Mimar Sinan, Selimiye Mosque, Edirne, 1567-74