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The Tetralemma

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Title: The Tetralemma


1
The Tetralemma
2
The Tetralemma as Yes!, No!, Both Yes and
No!, and Neither Yes nor No!, can in a
practical, and human fuzzy sense, be found in
Latin American history, from the time of the
conquest.
3
  • Conformity And An Enthusiastic Embrace Yes!

4
  • The New World as the end of the world made it the
    opportune landing for the New Jerusalems descent
    from the sky. Meditating on the conquered
    Tenochtitlán, Motolinía wrote, You were once
    Babylon, full of confusion and evil now you are
    another Jerusalem, the mother of provinces and
    kingdoms. Elaboration of the Amerindians as
    descendants of the lost tribes of Israel
    reinforced the link between the New World and the
    New Jerusalem, notably in the ponderings of
    Agustín de Betancur at the end of the 17th
    century. Following a tally of twelve religious
    families in Mexico, Betancur mixed metaphors to
    celebrate his noble city as a new Jerusalem with
    twelve gates through which to enter the Jerusalem
    of triumph. The twelve tribes of Israel are
    twelve precious stones that shine like stars
    in the crown of the woman of Apocalypse. With
    such noble encouragement, the Amerindians were
    baptized in droves.

5
  • Liberation theologists continue this tradition
    into the present when they unambiguously assert
    that Europe is no longer the center of Christian
    history. Latin America is. The recuperated
    New World was romanticized as a promised land in
    a flurry of benedictions from José Martís Our
    America (and its extension into the Cuban
    Revolution) to José Vasconceloss explicit
    description of America as the true Christian
    promised land. For Rubén Darío, America was
    the future of the world.

6
  • Resistance And Reaction Against No!

7
  • Conspicuous during the 1680 revolt of the Pueblo
    Amerindians in northern New Mexico was a
    sustained effort to extirpate all vestiges of
    Christianity. One writer witnessing the
    rebellion reported that the pueblo Amerindians
    profaned the holy Christian temples, burning
    them and the images from their altars, mocking at
    the things belonging to divine worship, wearing
    the priestly vestments in their idolatrous
    dances, and making trophies of them, as well as
    of the sacred vessels.

8
  • The Pueblos persevered as reluctant converts to
    Catholicism even after the 1692 reconquest. A
    missionary report almost a century later was
    still lamenting how the Pueblos preferred their
    native names, and when we call them by their
    saints names they usually have their joke among
    themselves, repeating the saints name to each
    other as if in ridicule.

9
  • Synthesizing, Neither Conformity Nor Resistance
    Yes and No!

10
  • Among the Tzeltals and Tzotzils of Chiapas,
    Mexico, unlike most indigenous groups, did not
    strive to restore a prehispanic ideal but rather
    to practice the Catholic faith in a manner
    consonant with indigenous traditions. An initial
    quest for syncretic synthesis became extremist
    because it met wit an authoritarian, repressive
    response from the clergy. Once the cult was
    prohibited and ostracized, its adherents took the
    offensive to safeguard their faith and to fin in
    the Virgins silent discourse an articulation of
    their millennial aspirations.

11
  • In 1780 José Gabriel Condorcanqui of Peru took
    the name Túpac Amaru and rose in revolt against
    colonial abuse of the Amerindians. Túpac Amaru
    II claimed direct descent from Juana Pilcorvaco,
    daughter of the Túpac Amaru who had been executed
    in 1572, and viceregal authorities recognized
    this claim. In nativist perspective he held a
    hereditary claim to legitimate reign, but Inca
    nobility had mutated over centuries of colonial
    rule and by 1780 was more Hispanic than
    indigenous in its lifestyle. The new Túpac
    Amaru, a mestizo born in 1740, had considerable
    wealth and education, lived ostentatiously, and
    was married to a Creole. The corregidor
    considered him a fraudulent Amerindian.

12
  • Conformity And Resistance Neither Yes Nor No!
    (The Problem Millennialism, something totally
    new, a New Age)

13
  • After 1492, Edenic and golden-age ideals were
    projected onto the pristine landscape and noble
    savages of the Americas, particularly in the
    tropics. Some chronicles, such as that of an
    Augustinian describing Mexico, privileged the
    biblical model Just as in Paradise He created
    the plants in growth and the fruits all ripened,
    so in the gardens of this new Paradise He did not
    delay in ordering the imperfect to the perfect.
    In 1514 Peter Martyr favored the Greek model when
    he observed that the natives of Hispaniola go
    naked and know neither weights nor measures, nor
    that source of all misfortune, money living in
    a golden age, without laws, without lying judges,
    without books. Everything among them was common
    property and all happily shared the abundance
    because there was no sense of mine and thine.

14
  • The Mixtón war in Michoacan, Mexico, begun in
    1540, is exemplary in its representation of the
    major motifs of nativist millennialism. The
    prophets represented this total war as a feat of
    supernatural omnipotence, but the always
    imminent, never actualized return of the deity
    leaves the implementation to the earthly agents.
    The peoples will (to eliminate the Spaniards, to
    return to tradition) is rerouted by the prophets
    and returns transcendentalized, hyperebolic, and
    oracular. Once that roundabout authorization is
    accomplished, and once the claim is made that the
    deity will accomplish the mission with
    supernatural intervention, then the people go to
    war. The deity serves as a means to objectify,
    sanction, legitimate, consolidate, and empower he
    will of the people. The ancestral, pain-free
    paradise anticipated beyond victory is likewise
    conditioned by the doubled monologue that echoes
    between community and deity.

15
  • For a more secular, less millennial form of
    Neither Yes Nor No Brazilian Capoeira and
    Candomblé (or Caribbean Santería)
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