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AR.HAFEEZ CONTRACTOR

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Title: AR.HAFEEZ CONTRACTOR


1
AR.HAFEEZ CONTRACTOR
ARCHITECT SEMINAR
BY- AKSHAY KUMAR SUMAN B.ARCH. IV YEAR
2
BIOGRAPHY
  • BORN -Mumbai 19 June 1950.
  • FAMILY- Parsi / Zoroastrian lineage included his
    mother Roshan,who was a teacher and his father
    Sorab Contrator , a business man.
  • Education-He did his Graduate Diploma in
    architecture from Mumbai in 1975 and completed
    his graduation from Columbia University New York
    (USA) on a Tata Scholarship.

3
PROFESSIONAL BACKGROUND
  • Hafeez Contractor commenced his career in 1968
    with T. Khareghat as an Apprentice Architect and
    in 1977 he became the associate partner in the
    same firm
  • Between 1977 and 1980 Hafeez has been a visiting
    faculty at the Academy of Architecture, Mumbai.
    He is a member of the Bombay Heritage Committee
    and New Delhi Lutyens Bungalow Zone Review
    Committee.
  • His practice had modest beginnings in 1982 with a
    staff of two. Today the firm has over 350
    employees including senior associates,
    architects, interior designers, draftsmen, civil
    engineering team and architectural support staff.

4
PHILOSPHY
  • The architects believes that a companys beliefs,
    visions, and values can be epitomized in a 3-D
    built form and its interior ambience.
  • His designs are provocative and unpredictable.
  • Hafeez is full of surprising and revolutionary
    ideas. His uncanny ability to change his
    architectural style from one commission to next
    is also a significant reason why his work is
    sought after by so many.
  • He explains architecture can give form to
    beliefs,and can make building into a real and
    arresting symbol of brand intent.

5
Methodology
  • Previously he was more inclined towards a form
    based architecture but later on he designed in
    very mathematical manner.( site condition,
    clients requirements, construction methodology
    and economics.)
  • He has no style, he works according to clients
    need if client want work according to Vaastu
    then he incorporate that in the design.
  • He doesnt do many details (but he wants) because
    of time and cost his forms so powerful that the
    building still looks detailed.
  • He believes that your building should really
    reflect your socio-economic and climatic
    relations.

6
  • Extensive use of glass and metallic panels on the
    facades confirms to the high tech expressions
    business seek to achieve.
  • Never fixed plan
  • Have axis but not always.
  • Give stress on landscaped terrace.
  • He picks elements from various typologies and use
    them as adornments for the exterior skin of the
    building.
  • He always treats the the corner of the building.

7
LAKE CASTLE,POWAI
  • Location - Powai,Mumbai.
  • Client - Hiranandani Const. Pvt. Ltd.

7
8
ELEVATION
9
  • Lake castle a residential apartment building
    ,nested in green surrounding of powaii,just a few
    miles away from main Bombay is one of the most
    spectacular product of eighties boom.
  • The dominant feature of Lake castle is its
    massive scale. 183 m. linear length ,strikes you
    as an ocean ship going linear of a building with
    multiple decks anchored on the banks of powaii
    lake.
  • Tower block is surrounded by large garden and 8
    acre forest park,all the flats faces the lake.
  • Creating a stepped mass profile ,which
    compliments the hills in the backdrop.

10
  • The architectural form is mean to symbolize a
    city silhouette that is made of a varying shapes
    and sizes.
  • The building is almost like a mirror reflecting
    the densely layered profile of the city itself.

10
11
  • Lake castle is especially interesting because of
    a combination of POP aesthetics, with
    conventionalized classical stylistics .
  • Egyptian motifs are used in building facades
    ,like the treatment given to the columns,the
    friezes and the details of the iron work.
  • The crescent shape projecting balconies ,curved
    projection and egyptian columns on the facades
    relieve the monotony into which building would
    have otherwise slipped .
  • Large French windows are repetitive features on
    the facades.

12
  • To mitigate the broadside effect of the cliff
    of the building ,it has been punctured with
    significant cutouts known as sky decks.
  • further these the dramatic view of the sky though
    the building
  • The stepped profile and two huge cutouts further
    add to lighten the building.

THANK YOU Sources www.indiabuildnet.com/arch www.
scribd.com/Ar-Hafeez-Contractor
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