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Kathe Kollwitz (1867-1945)

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Title: Kathe Kollwitz (1867-1945)


1
Kathe Kollwitz(1867-1945)
  • Gigi
  • 7th Hour
  • Art History

2
Time Period
  • Weimar Period The period of German history from
    1919 to 1933 is known as the Weimar Republic. It
    is named after the city of Weimar, where a
    national assembly convened to produce a new
    constitution after the German monarchy was
    abolished following the nation's defeat in World
    War I. This first attempt at establishing a
    liberal democracy in Germany was a time of great
    tension and inner conflict and, ultimately,
    failed with the ascent of Adolf Hitler and the
    Nazi Party in 1933
  • World War 1 The background to the long term
    causes of World War One can be traced back to the
    end of the C19th. Alliances, broken alliances and
    German naval expansion all caused much friction
    in Europe with two camps developing - both of
    which distrusted the other. The immediate spark
    of World War One may well have been the murder at
    Sarajevo but suspicion and mistrust had been
    growing since 1882.

3
Artist Reaction
  • Kathes son Peter was killed in World War One and
    her house had been burned down-after this she
    vowed to create a memorial for her son
  • Kathe was always sympathetic to the people living
    in poverty, a scene she saw everyday of her
    life-because of this, she created art that they
    could appreciate and view
  • Dr. Karl Kollwitz, Kathes husband, ran a
    childrens clinic in a poverty-stricken
    neighborhood. This environment stemmed the social
    messages in Kollwitz paintings.
  • Was taught radical beliefs of religion from her
    uncles, father and grandfather (who founded the
    Free Religious Congressional Church) these
    teachings taught her to suppress her
    feelings-caused her later in life to avidly
    express what she had kept in

4
Artist Reaction
  • During the period of the Weimar Republic
    Kollwitzs status as one of Germanys great
    artists at last received official recognition.
  • In 1919 she became the first woman to be elected
    a professor and member of the Prussian Academy of
    Arts in Berlin, and she became the chair of the
    graphic arts department in 1928.
  • She devoted herself to the cause of social
    justice and peace, was invited to travel to the
    Soviet Union in 1927, and received Germanys
    highest honor, the Pour le Mérite, in 1929.
  • In the years that followed, her reaction to the
    war found a continuous outlet she produced the
    cycle War in woodcut form

5
Style and Content
  • All of the historical events listed in the
    previous slides contributed to her art and her
    three major themes suffering, poverty, and
    injustice
  • Kollwitzs art was centered on the depiction of
    humanity and reflected her deep compassion for
    the poor and her hatred for social injustice and
    war. The self-portrait and themes of revolution,
    poverty, motherhood, childhood, and death engaged
    Kollwitz over her fifty-year career. Her
    exploration of these universal themes culminated
    in such works
  • Decided to concentrate upon graphic art.
  • Initially her work was grounded in Naturalism,
    and later took on Expressionistic qualities
  • Expressionism style in which the intention is
    not to reproduce a subject accurately, but
    instead to portray it in such a way as to express
    the inner state of the artist. The movement is
    especially associated with Germany, and was
    influenced by such emotionally-charged styles as
    Symbolism, Fauvism, and Cubism.

6
Inspiration
  • Her early artistic development was influenced by
    the works and writing of the painter and etcher
    Max Klinger (18571920).
  • The Weavers", which dramatized the oppression of
    the Silesian weavers in Langembielau and their
    failed revolt in 1842, inspired, the artist
    ceased work on a series of etchings and produced
    a cycle of six works on the weavers theme, three
    lithographs (Poverty, Death, and Conspiracy) and
    three etchings with aquatint and sandpaper (March
    of the Weavers, Riot, and The End).

7
Inspiration
  • The Peasants' War was a popular revolt in the
    Holy Roman Empire in the years 1524/1525. It
    consisted, of a series of economic as well as
    religious revolts by peasants, townsfolk and
    nobles.
  • The conflict, which took place mostly in
    southern, western, and central areas of modern
    Germany but also affected areas in neighbouring
    modern Switzerland and Austria, involved at its
    height in the spring and summer of 1525 an
    estimated 300,000 peasant insurgents
    contemporary estimates put the dead at 100,000.
    It was Europe's largest and most widespread
    popular uprising before the 1789 French
    Revolution. When completed, the Peasant War
    consisted of pieces in etching, acquatint, and
    soft ground

8
Uprising
  • Classic example of Modernism
  • Etching
  • Scene of pain and suffering
  • Black and white
  • Blending of the black, white and gray

9
Selbstbildnis
  • Etching
  • Facial expression despair and somber
  • Black and white
  • Blending
  • No sharp lines
  • Particular pencil strokes

10
Mutter mit Kind auf dem Arm
  • Etching
  • Black and white
  • More defined pencil strokes
  • Sense of peace and connection
  • Intense shading

11
Sturm
  • Black and white
  • Scene of poverty
  • Contrast of poor people and nice house
  • Dramatic pencil strokes

12
Weberzug
  • War scene
  • Facial expressions determined
  • Shading
  • Sharp definitive lines
  • Short pencil strokes

13
Begrüssung
  • Minimal
  • Simple background
  • Family scene
  • People are content
  • Messy lines
  • Dark v. light

14
Mutter mit Zwillingen
  • Sense of connection between children and mother
  • Another family scene
  • Bronze
  • Mother depicted as caring and loving

15
Die Klage (Zum Gedenken des verstorbenen Ernst
Barlach)
  • Sad and distressed looking
  • Bronze
  • Hands look connected to the face
  • Eye closed to block out pain

16
Which is a Kollwitz?
17
ANSWER
  • The one of the LEFT
  • Verbrüderung
  • Sense of connection with people
  • Etching
  • Black and white
  • Shading
  • Particular pencil strokes
  • Not a particularly happy piece, more solemn

18
Bibliography
  • http//www.artcyclopedia.com/artists/kollwitz_kath
    e.html
  • http//www.artnet.com/PDB/PublicLotDetails.aspx?lo
    t_id425568293page1
  • www.brigantine.atlnet.org
  • faculty.evansville.edu
  • neo-neocon.blogspot.com
  • http//findarticles.com/p/articles/mi_m0422/is_2_8
    0/ai_54073976
  • http//www.rogallery.com/Kollwitz/Kollwitzhm.htm
  • http//www.germannotes.com/hist_weimar_republic.sh
    tml
  • http//www.historylearningsite.co.uk/ww1.htm
  • http//wwar.com/masters/k/kollwitz-kathe.html
  • http//www.famsf.org/fam/membership/councils/counc
    il_news.asp?newskey1councilkey1
  • Britannica Encyclopedia
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