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PhD Candidature Confirmation Seminar

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Title: PhD Candidature Confirmation Seminar


1
PhD Candidature Confirmation Seminar
Lau Kai-chi, Anthony (???)
Supervisors Prof. Mark Bray
Dr. Bob Adamson Committee Dr. Law Wing Wah
Dr. Ng Ho Ming 2
/ 6 /2001
2
A Comparative Study of Chinese Music Teaching in
Junior Secondary Schools in Hong Kong and Taipei
(1st Year PhD Research)
  • Questionnaires
  • Interviews

3
Aims to know
  • What is the nature extent of Chinese music
    teaching in junior secondary schools of HK
    Taipei?
  • How do they compare?

4
Design of Questionnaire (HK)
  • with references to some formats of previous
    questionnaires in music curriculum
  • questions designed are according to current HK
    official music syllabuses by CDC
  • revised by supervisors at the University
  • pilot study 3 experienced music teachers with
    master degree in education
  • modification

5
Design of Questionnaire (Taipei)
  • modify the questionnaire in HK with adding
    suitable terms and items
  • e.g. modify the terms
  • Year One , Two Three instead of Form
    One, Two Three
  • Ministry of Education instead of Education
    Department etc.
  • e.g. adding musical items
  • add local Taiwanese music genres in Chinese
    music genre

6
Process of Distributing Questionnaires (HK)
  • mailing to all music teachers in junior secondary
    schools via their principals
  • reply data enter in Excel no replyre-mailing
    via their music panel chairman
  • reply data enter in Excel no reply telephone
    directly to those junior music teachers then
    mail or fax the questionnaires to them again

7
Process of Distributing Questionnaires (Taipei)
  • mailing to all music teachers in junior secondary
    schools via their school academic officers
  • one week later, write letters to schools
    principals to ask permission to visit their
    schools as well as remind them to send back the
    questionnaires
  • no reply telephone to them by three local music
    teachers and then mail the questionnaires again

8
Selected Results
  • Teachers Personal Particulars
  • HK 20 Teacher Certificate 20 Degree
    60 Degree Teacher Certificate
  • Taipei 100 Degree Teacher Certificate
  • HK 50 teachers know how to play Chinese
    Instrument
  • TaipeiOver 70 teachers know to play Chinese
    Instrument
  • Most of teachers in both places can play 2
    or more Western instruments

9
  • HK 25 (none) 50 (1 - 2 years)
    Learned Chinese Music in tertiary education
  • Taipei Most of them learned 1 - 2 years Chinese
    music in their tertiary education
  • HK 1/6 teachers have attended Refresher Training
    Course in Chinese Music
  • Taipei 1/3 teachers have attended Refresher
    Training Course in Chinese Music
  • Most of teachers in above at both places have
    attended only one RTC in Chinese Music

10
  • HK designed their syllabuses in different ways
  • Taipei Most of them are according to textbooks
    or official syllabus with modifications

11
Extent of Chinese Music Teaching in Lessons
  • HK Western Music Chinese Music 71
  • Taipei Western Music Chinese Music
    91 (1st year) 82 (2nd year) 73 (3rd year)
  • HK singing/listening local music is 50
  • Taipei singing/listening local music is 60

12
Extent of an Ideal Chinese Music Teaching, mainly
follows (own judgement)
  • HK 1. Students own interests 2.Music
    teachers own interests 3.
    Official Syllabuses
  • Taipei 1. Official Syllabuses
    2. Music teachers own interests
    3. Students own interests

13
Extent of an Ideal Chinese Music Teaching, mainly
follows (actual implementation)
  • HK 1. Music teachers own interests 2.
    Students own interests
    3. Official Syllabuses
  • Taipei 1. Official Syllabuses
    2. Music teachers own interests
    3. Textbooks

14
Nature of Chinese Music Teaching
  • HK 1. Folk Songs
    2. Chinese Instruments
    3. Local songs (eg. pop songs)
  • Taipei 1. Folk Songs
    2. Chinese Instruments (1st 2nd year)
  • Taipei 1. Chinese Music Theory 2.
    Chinese Music History (3rd year)

15
Common Chinese Music Genre Taught in Lessons
  • HK Guangdong folk music, Guangdong Operas,
    Guangdong Nanyin
  • Taipei Kejia Fujian folk music, Beijing
    Operas, their local origin music
  • Both places are nearly taught all the Chinese
    instruments to their students

16
Chinese Music Extra-curricular Activities
  • HK half of schools have these activities but few
    students participate, normally, taught by
    external tutors who always organize Chinese
    Instrumental Classes
  • Taipei one-quarter of schools have these
    activities and very few students participate

17
Interviews and School Visits
  • HK interviews with music teachers to get
    in-depth information
  • Taipei interviews in addition to, school visits
    and National Taiwan Normal University visit (most
    of music teachers trained here) to get in-depth
    information

18
Conclusion
  • Teachers in both places seem do not keen on
    teaching Chinese music and students do not like
    to learn Chinese music
  • Teachers have some different understanding of
    Chinese music in HK Taipei
  • Teachers in both places designed their curriculum
    of Chinese music are majority from textbooks or
    their own wills
  • The most favourite Chinese music genre in both
    places by students are Pop music instead of
    Traditional Chinese music

19
Follows-up
  • write summary report and discuss it with some
    music teachers in both places
  • hand summary report to supervisors
  • published in academic journal

20
Acknowledgement
  • Supervisors Prof. Bray Dr. Adamson
  • Support Scholarship Funds Sir Robert Black
    Trust Fund (postgraduate scholarship),
    2000-01 Sik Sik Yuen Educational Fund
    university visit grant by 2001 Taipei Trade
    Centre Exchange Scheme
  • Especially thanks for all of your coming today
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