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How the National Standards are Aligned and Implemented to the Curriculum in the

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Script writing by the creation heritage, imagination, literature and history. ... Design by the development of environments (set and costume design.) Implementation ... – PowerPoint PPT presentation

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Title: How the National Standards are Aligned and Implemented to the Curriculum in the


1
  • How the National Standards are Aligned and
    Implemented to the Curriculum in the
  • Theatre Department at
  • Classen School of Advanced Studies

Classen SAS Theatre Department

Home
2
  • Please Note
  • The following information reflects a small sample
    of the implementation of National Standards in
    the theatre curriculum at Classen School of
    Advanced Studies. The following criteria is
    derived from various lesson plans and strategies
    for grades
  • 6-12.

3
Content Standard 1 Script writing by the
creation heritage, imagination, literature and
history. of improvisations and scripted scenes
based on personal experiences and
  • Implementation
  • (Lesson Plan Strategies)
  • A-Z Improv students create abbreviated
    scenes using an alphabet structure drawing from
    imagination and personal experiences.
  • Assessment
  • (Assess Knowledge)
  • Criteria used to assess understanding is
    based on a fundamental rubric using 10 points of
    interest including but not limited to
    characterization, verbal, emotional, physical
    expressions, memorization and stage business
    (including movement and body interpretation.)
    Additional assessments include concentration and
    focus.

4
Content Standard 2 Acting by developing basic
acting skills to portray characters who interact
in scripted scenes.
  • Implementation
  • (Lesson Plan Strategies)
  • Opened Ended Scenes Students engage in
    character development through scenes with
    an open interpretation.
  • Assessment
  • (Assess Knowledge)
  • Criteria used to assess understanding is
    based on a fundamental rubric using 10 points of
    interest including but not limited to
    characterization, verbal, emotional, physical
    expressions, memorization and stage business
    (including movement and body interpretation.)
    Additional assessments include concentration and
    focus.

5
Content Standard 3 Design by the development
of environments (set and costume design.)
  • Implementation
  • (Lesson Plan Strategies)
  • Set Designs for Bunraku Puppet Theatre
    Students create sets using transparent film.
    Working with dimensions of 8x11 inch scale,
    enlarged to 5x8 foot scale
  • Assessment
  • (Assess Knowledge)
  • Criteria used to assess understanding is
    based on a fundamental rubric using 10 points of
    interest including but not limited to color,
    range of realism, scale ratio, authenticity and
    appropriateness.

6
Content Standard 4 Directing by organizing
rehearsals for improvised and scripted scenes.
  • Implementation
  • (Lesson Plan Strategies)
  • Playwriting Students write scripts based on
    historical points of interest including Kabuki,
    Noh and Doll Theatre. Once the scripts are
    approved for performance. Students are
  • required to stage and implement all elements
    associated with production.
  • Assessment
  • (Assess Knowledge)
  • Criteria used to assess understanding is
    based on a fundamental rubric using 10 points of
    interest including but not limited to
    characterization, verbal, emotional, physical
    expressions, memorization and stage business
    (including movement and body interpretation.)
    Additional assessments include concentration and
    focus.

7
Content Standard 5 Researching by using
cultural and historical information to support
scripted scenes.
  • Implementation
  • (Lesson Plan Strategies)
  • Greek Theatre Unit Students research the
    period of Greek Theatre and implement styles
    associated with movement, facial and verbal
    expression, use of set features such as periatois
    and skeen in a Greek theatre and traditional
    Greek masks.
  • Assessment
  • (Assess Knowledge)
  • Criteria used to assess understanding is
    based on a fundamental rubric using 10 points of
    interest including but not limited to movement,
    authenticity, concentration, realism and stated
    purpose.

8
Content Standard 6 Comparing and incorporating
art forms by analyzing methods of presentation
and audience response for theatre and dramatic
media.
  • Implementation
  • (Lesson Plan Strategies)
  • Practicum Design for Understanding After
    reading assigned materials, students must
    demonstrate knowledge through poster, playbill
    and marketing elements. A presentation in front
    of a mock audience is required.
  • Assessment
  • (Assess Knowledge)
  • Student understanding is assessed during the
    process of creation and implementation. A
    standard rubric including but not limited to
    includes ability to engage an audience,
    cohesiveness in design and legitimacy of
    completed project.

9
Content Standard 7 Analyzing, evaluating, and
constructing meanings from scripted material from
theatre, film or other media productions.
  • Implementation
  • (Lesson Plan Strategies)
  • Script Analysis Students read and watch
    film or stage versions of plays including but not
    limited to Raisin in the Sun, The Boys Next
    Door, The Piano Lesson, Brighton Beach
    Memoirs, The Importance of Being Earnest,
    Lost in Yonkers, and Cat on a Hot Tin Roof.
  • Assessment
  • (Assess Knowledge)
  • Students demonstrate understanding through
  • assessments associated with tests measuring
    ability to compare, recall and contrast written
    word with media variety.

10
Content Standard 8 Understanding context by
analyzing the role of theatre, film, television
and electronic media in the community and in
other cultures.
  • Implementation
  • (Lesson Plan Strategies)
  • Radio Plays Students will write and present
    a radio play using historical elements associated
    with production. Students will be required to
    assess their personal understanding by analyzing
    radio and film.
  • Assessment
  • (Assess Knowledge)
  • Criteria used to assess understanding is
    based on a fundamental rubric using 10 points of
    interest including but not limited to
    characterization, verbal, emotional, physical
    expressions, memorization and stage business
    (including movement and body interpretation.)
    Additional assessment includes concentration,
    focus, contrast vocal interp, sound analysis and
    ensemble cohesion with creativity.

11
Sample Rubric

  • Grading Rubric

  • Performance Grade Instructor Only
  • Characterization Actors must create a
    character that can be identified as something
    different from themselves.
  • Improvisational Accuracy Actors must create
    realistic portrayals of true human interaction.
  • Concentration Actors must focus on the task.
  • Physical Expression Actors must use physical
    expression in their scene.
  • Emotional Expression Actors must use emotional
    levels in their scene
  • Stagecraft (entrance/exit) Actors must have an
    entrance and an exit in their scene, (may start
    on or offstage.)
  • Time limitations The scene must meet time
    restraints.
  • Beginning/Middle/End The scene must have a
    clear beginning, middle and end.
  • Performance Consistency The actor is not
    allowed to break character for any reason.
  • Clarity The actions and spoken language of the
    scene must be transferred clearly for audience
    understanding.
  • Did Not Meet 1-4 Partially Met 5-7 Exceed
    Expectations 8-10
  • Characterization 1 2 3 4 5 6 7
    8 9 10
  • Improv Accuracy 1 2 3 4 5 6 7
    8 9 10
  • Concentration 1 2 3 4 5 6
    7 8 9 10
  • Physical Expression 1 2 3 4 5 6 7
    8 9 10

12
Portfolio
  • Student growth is demonstrated through portfolio
    review. Students maintain a portfolio in grades
    6-12. Elements of design, actorial growth and
    understanding of historial aspects in theatre are
    demonstrated through student portfolios.

13
Theatre Faculty
  • Tom Harrington
  • Michael Payne
  • Terry Veal
  • Londa Madron
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