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System wide cultural district: mapping and clustering the tangible and intangible cultural asset for

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Title: System wide cultural district: mapping and clustering the tangible and intangible cultural asset for


1
System wide cultural district mapping and
clustering the tangible and intangible cultural
asset for the reshaping of the regional clusters
in the Region of Veneto, Italy
  • Christian Caliandro
  • Department of Arts and Industrial Design
  • IUAV University, Venice

2
The role of culture in post-industrial economies
  • In pre-industrial economies, culture is mostly an
    activity ruled by the gift economy of mecenatism
    rather than by market transactions
  • In industrial economies, culture increasingly
    organizes into cultural industries developing
    their respective consumer markets
  • In post-industrial economies, culture tends to
    become the basic platform for the construction of
    individual and collective identity models and
    tends to assume the character of a public good

3
Clustering in the industrial economy
  • Clusters are characterized by vertical
    integration spatial concentration is ruled by
    the belonging to a common value chain/industry
  • Traditional cultural clusters (cultural
    districts) are just one example among many.
  • More generally, industrial districts (Marshall)
    locations characterized by a shared industrial
    atmosphere (ie an intangible knowledge-based
    asset related to the specific type of production)
    which gives comparative advantage

4
The limitations of vertical integration
  • Considerable economies of scale, scope,
    transportation, etc
  • But at the same time mental lock-in product
    orientation takes over the whole social and
    economic organization and limits innovation
  • Innovation tends to be incremental rather than
    radical
  • When competitive pressure forces relocation, the
    social structure collapses
  • The increasing demands posed by social and
    economic development make this organizational
    model unsustainable (increased demand for novelty
    and variety both on the supply and demand side)

5
Clustering in the post-industrial economy
  • Competition drives toward products/experiences
    with high intangible value added that require
    radical, knowledge-intensive innovation
  • Increasing tendence toward horizontal integration
    (strategic complementarity between different
    industries/value chains which share a common
    need/orientation toward radical innovation)
  • In this new context, culture is not just a bundle
    of sectors/industries among others but becomes
    the platform for individual and societal
    capability building for the production and
    circulation of knowledge
  • Individual and collective cognitive competences
    as the basic intangible infrastructure of the
    post-industrial economy

6
System wide cultural district
  • The increasing confluence of cultural and
    non-cultural productive activities and their
    relation to social sustainability
  • Culture as an activator of innovation the
    strategic importance of cultural access
  • Culture as a social integrator experiencing the
    unusual, bargaining over differences
  • Culture as a networking platform
    de-instrumentalizing interaction
  • Culture and well-being an answer to the
    Easterlin-Inglehart puzzle

7
The case of Regione Veneto (Italy)
  • Construction of a map of the tangible (14 type of
    containers) and intangible assets (18 type of
    activities)
  • Definition of the clusters on the basis of the
    concentration of the two assets.
  • Evaluation of the cluster vocation, thanks to the
    elaboration of the data and the identification of
    the centroids.
  • Development of the process of animation of the
    clusters

8
The result of the data collected Museum
9
The result of the data collected architectural
goods
10
The result of the data collected
libraries/archives
11
The distribution of the activities education and
didactic services in the cultural field
12
The distribution of the activities education
events (others)
13
The distribution of the activities performing
arts (live shows)
14
The spatial distribution of all activities and
containers
15
The twelve SWCD in the Veneto Region
  • Distretto n. 1 - Sistema centrale Padova e
    Venezia
  • Distretto n. 2 - Verona
  • Distretto n. 3 - Dorsale Belluno e Treviso
  • Distretto n. 4 - Vicenza e basso vicentino
  • Distretto n. 5 - Sistema cerniera
  • Distretto n. 6 - Veneto orientale
  • Distretto n. 7 - Garda e Lessinia
  • Distretto n. 8 - Alto vicentino
  • Distretto n. 9 - Alto bellunese
  • Distretto n. 10 - Basso adriatico
  • Distretto n. 11 - Rovigo e basso padovano
  • Distretto n. 12 - Colli euganei

16
1 - Sistema centrale Padova e Venezia, 2
Verona, 3 - Dorsale Belluno e Treviso, 4 -
Vicenza e basso vicentino, 5 - Sistema cerniera,
6 - Veneto orientale, 7 - Garda e Lessinia, 8 -
Alto vicentino, 9 - Alto bellunese, 10 - Basso
adriatico, 11 - Rovigo e basso padovano, 12 -
Colli euganei
17
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18
Come leggere questa mappa
  • I distretti non corrispondono ai confini
    amministrativi ma piuttosto ad una ripartizione
    radicata nella geografia culturale del
    territorio
  • I distretti non si propongono come unalternativa
    ai confini amministrativi e non debbono essere
    istituzionalizzati
  • Sono piuttosto delle aree territoriali, i cui
    confini possono cambiare nel tempo, che stanno
    già di fatto facendo rete e che vanno
    supportate in questa dinamica per farne emergere
    le potenzialità latenti

19
Una prima caratterizzazione
  • Distric with a wide spectrum, where there are
    various possible combination of asstes
    Padova-Venezia (13), Dorsale Cerniera (18),
    Dorsale Belluno-Treviso (16), Alto Vicentino
    (15), Alto Bellunese (14), Veneto Orientale (14)
  • Disctrict with a typical profile and many
    activities spreaded in various sectors Verona
    (9), Vicenza (10), Basso Adriatico (11), Rovigo
    (10). Ma Verona e Vicenza mostrano grandi
    potenzialità di ampliamento dello spettro
  • District with a poor profile Garda e Lessinia
    (5), Colli Euganei (7)

20
What to do now?The creative process
Interaction Crossovers between chains
Spur the growth New cultural production
Separate









Meeting
Production

21
The process
  • Initiator (public or private town hall, bank,
    association of entrepreneurs, group of non-profit
    organizations)
  • Strategic plan
  • Building a coalition of actors
  • Meetings with stakeholders
  • City conferences
  • Creation of a development agency
  • Implementation of action plan
  • Periodic feedback conferences/meetings, revision
    of the strategic plan
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