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The Self and the Others: Identity, Gender and Ethnicity in German Culture around 1800

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Title: The Self and the Others: Identity, Gender and Ethnicity in German Culture around 1800


1
  • The Self and the Others Identity, Gender and
    Ethnicity in German Culture around 1800

2
GE432 The Relevance of the Module
  • Why identity?
  • We live in a world which does not understand
    identity as fixed and given. We can define
    ourselves as individual psychological or physical
    units, in terms of regionality or nationality,
    language or ethnicity, gender or sexuality.
  • Yet we may find these categories compete for our
    loyalty. They may be inadequate for us we may
    find ourselves on borders between them. We may
    see ourselves as hybrid forms of different
    identities or wish to dispense with them
    entirely.
  • Why gender?
  • Gender continues to be of relevance. It could be
    said literally to divide humanity in half. Is
    it culturally or physically determined or both?
    What are the advantages and disadvantages of
    subscribing to a notion of what it means to be
    male or female, masculine or feminine?
  • Why ethnicity?
  • Despite the demise of the anthropological term
    race and the decline of racially hierarchical
    political systems (Apartheid) terms such as
    multiculturalism, societies choose still to
    divide and subdivide along lines of perceived
    difference difference in skin colour, language
    and dialect, perceived origin and regional
    belonging. Where did this tradition come from?
    Can it and should it be challenged?

3
2. Why Self and Others ?
  • Power representation - hierarchy
  • In seeking to define ones self or ones own
    kind, individuals and groups have often used
    the strategy of defining what they are not.
  • This other or alterity is often a
    stereotypical, one-dimensional image which might
    either demonise or fetishize/ exoticize that
    other in terms of a narrow set of perceived
    differences.
  • The image of other (and consequently of self) is
    usually reductive and constitutes the self
    using its power to define and represent the other
    as other.
  • This is an act of power, one which often takes
    the self to be superior or to exist some kind of
    norm and excludes the other the possibility of
    contributing by self-representation i.e. early
    colonial writing
  • The course uses these terms not because they are
    absolute, or even valid in any sense. It views
    them as cultural constructions and wishes to
    examine how these came into being and how we can
    engage with them today.

4
3. Aims and Methods
  • The module will equip us with theories for
    dealing with identity, gender and ethnicity in
    German culture around 1800.
  • Despite this theoretical framework, the main
    emphasis in the module will be historical we
    shall examine texts in the context of the
    intellectual, social and aesthetic forces that
    shaped them we will make forays into theory to
    help us criticise and/ or appreciate what
    different texts achieve.
  • The module will begin in the late Enlightenment
    (mid 1700s), a point in which German culture was
    attempting to define the self (and itself) and
    its others. In many ways this is the period in
    which gender and ethnicity first formally took on
    the starkly dualistic characteristics which they
    are slowly starting to lose today (masculine vs.
    feminine, white vs. black).
  • The module will remain sensitive to how
    Enlightened, Romantic and later
    nineteenth-century writers (1830s-40s) produced
    texts that both promoted his dualistic view but
    also challenged it fundamentally. The period is
    an abundant source of contrasting possibilities
    and the literary texts chosen provide rich
    intersections of all of the ideas that interest
    us here.

5
4. Identity History and Theory
  • How was identity being constructed in thought and
    writing around 1800?
  • The nature of the individual subject, its
    ability to access the truth about itself and
    the world around it using reason, imagination,
    instinct, will power and language. (Kant, Fichte,
    the Romantics)
  • In Romanticism increasing sense of the
    individuals failure to access absolute truths
    the relative value of truth and identity in flux.
    Identity thought of as representation Positive
    and negative aspects of this.
  • What do contemporary theorists have to say?
  • Stuart Hall, Introduction in Representation.
    Cultural Representations and Signifying Practises
    (Sage, 1997).
  • Meaning is constructed thought, feeling and
    language, which are all signifying or
    representational practises. This involves
    attaching value and interpretation to things.
  • Hall writes Meaning is what gives us our sense
    of identity, of who we are and with whom we
    belong so it is tied up with questions of how
    culture is used to mark out and maintain identity
    within and difference between groups ... (p.3)

6
5. Ethnic Otherness
  • Contemporary theory
  • Edward Saids project in Orientalism (1977). Said
    saw that underlying the construction of European
    identities in the 19th century lay a practise of
    exerting representational power over that which
    was non-white, non-European and non-Christian.
    Thus, he argues, the West lumped together the
    North African, Arabic, Persian, Indic and
    Oriental worlds, together with the Islamic
    religion and called it Oriental exoticizing
    and demonizing.
  • To the Westerner ... the Oriental was always
    like some aspect of the West .... Yet the
    Orientalist makes it his work to be always
    converting the Orient from something into
    something else he does this for himself, for the
    sake of his culture, in some cases for what he
    believes is the sake of the Oriental. This
    process of conversion is a disciplined one it is
    taught, it has its own societies, periodicals,
    traditions, vocabulary, rhetoric, all in basic
    ways connected to and supplied by the cultural
    and political norms of the West (pp.67-68).
  • Stuart Halls chapter The Spectacle of the
    Other (less one-sided?) difference is
    important function of culture because it
    regulates meaning, regulates the identity of the
    self and the world of objects it is a
    fundamental to the subjects understanding of its
    self (via an other).
  • But we must still question the value of
    difference it can and often has involved
    reductive stereotyping. It is hard to write about
    difference without value judgement of some form
  • ...difference is ambivalent. It can be both
    positive and negative (p.238).
  • .

7
6. Ethnic Otherness contd.
  • Historical tendencies around 1800
  • The emphasis of the otherness of non-white
    groupings, rooted in perceived physical
    difference skin colour.
  • Pseudo-scientific discourse of racializing
    anthropology Claudia Honegger, Die Ordnung der
    Geschlechter and the unknown continent.
  • Networks of alterity the femininity of the
    ethnic other Passivity, irrationality and
    emotionality, body proximity.
  • Is this true of all our writers, partly, wholly,
    not at all?

8
6. Historical and Theoretical Gender
  • Gender around 1800
  • Enlightenment and the polarisation of gender
    dualistic models.
  • The Rousseauesque tradition of gender, the impact
    on politics and science. The impact on culture in
    Germany.
  • Romantic attempts to modify gender? Women
    writers, radicals and intellectuals? Passive,
    receptive emotionally attuned men? Dialogue?
  • The long nineteenth century missed
    opportunities?
  • Contemporary Gender Studies
  • Post war feminist criticism deconstructivism vs.
    essentialism
  • Sivlia Bovenschen, Die imaginierte Weiblichkeit
    Complementarity and reductivity also the
    monstrous?
  • Emergence of Mens Studies late 1980s
    onwards.
  • Does gender theory give enough credit to what
    writers around 1800 had to say on the subject of
    gender? Or do we need a good dose of theory?

9
7. A Summary
  • Identity, gender, ethnicity are not fixed they
    are constructed in language and representational
    systems
  • These systems use difference to define
    individuals and groups, which can lead to
    hierarchies, stereotyping and exclusion
  • The culture produced 1770-1830 in Germany is rich
    in culture that allows us to explore these
    phenomena
  • Some writers and artists were able to create
    flexible, evolving models of identity, gender,
    ethnicity, though others lapsed into dualisms of
    self and other.
  • We shall be examining texts for evidence of all
    these tendencies

10
8. Preparing for Lessing (week 2)
  • Reading Lessings
  • Nathan der Weise (1779).
  • What can you find out about G.E Lessing,
    particularly his religious and intellectual
    background?
  • What different groups (religious/ ethnic/ gender)
    are drawn in the play?
  • Are any tainted by ethno-religious stereotyping?
  • Do these groups remain established or are they
    undermined if so, how, why and with what
    outcome?
  • What is the Ringparabel about and what is its
    function?
  • Are any of the groups shown to be less flexible
    and open-minded than others?

11
9. The Module Subsequent Weeks
  • Two hour seminar each week. One hour, lecture
    with interactive elements the other hour
    textual discussion/ informal presentations.
  • Extra reading (primary and secondary) may be
    given out at the end of each session for the
    following week. Attendance.
  • Week by week breakdown see handout.
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