Some of All You Ever Wanted to Know About Digital Images And Were Probably Afraid to Ask Suzanne Paq - PowerPoint PPT Presentation

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Some of All You Ever Wanted to Know About Digital Images And Were Probably Afraid to Ask Suzanne Paq

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Halftone images embedded in a vector graphic still have a resolution and a size ... Your files need to have high resolution to look good when printed. ... – PowerPoint PPT presentation

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Title: Some of All You Ever Wanted to Know About Digital Images And Were Probably Afraid to Ask Suzanne Paq


1
Some of All You Ever Wanted to Know About
Digital Images And Were Probably Afraid to
AskSuzanne PaquetteJournal of
Histochemistry Cytochemistry
2
Overview
  • Types of Images and Image Files
  • Halftones
  • Vector Graphics and Line-art
  • Rasterization
  • Combination Images
  • Images in Print
  • Images and Colorspaces
  • What should you send to your publisher?

3
Types of Images and Image Files
  • Halftones
  • Digital image definition Halftone images are
    stored as a series of pixels and color
    information.
  • Printers definition An image where no text or
    line drawings are set against a non-colored
    background.
  • Halftone image files have a fixed number of
    pixels when they are saved.
  • If you raise the size of a halftone but dont
    lower the resolution, or raise the resolution but
    dont lower the size, you will have to add to the
    total number of pixels.
  • This will dilute the image quality.

4
Halftone Image Examples
5
Types of Images and Image Files
  • Common Halftone file types
  • JPEG (JPG) Low file quality, very small and
    good for the World Wide Web and email attachments
  • GIF - Better than JPG for line drawings and text
    but poor with color management
  • Bitmap (BMP) Higher quality, can be compressed
    using Stuff-It and WinZip
  • TIFF (TIF) Very high quality, often very large
    files, can be compressed when saved using LZW
    compression.

6
Types of Images and Image Files
  • Vector Graphics (Line-art)
  • Digital image definition True Vector Graphics
    and Line-art files are stored as a series of
    vectors and information for producing the image
    when it is opened for display (not as pixels!).
  • Printers definition An image where text and
    line drawings appear against a non-colored
    background.
  • Graphs, histograms, and diagrams are all
    considered line-art.
  • Examples

7
Line-Art / Vector Graphic Image Examples
8
Line-Art / Vector Graphic Image Examples
9
Types of Images and Image Files
  • True Line-art files are scaleable
  • This means they can be made larger without loss
    of image quality (no dilution).
  • Why? They don't have a fixed number of pixels in
    their primary file format, just vectors.
  • If you want the resolution or image size to be
    larger, new pixels can be made without diluting
    the image quality.
  • If a resolution, size, and/or number of pixels
    has been applied to a vector graphic, it is said
    to be rasterized.

10
Types of Images and Image Files
  • Vector Graphics / Line-art File Types
  • Encapsulated Postscript (EPS) and Postscript (PS)
  • Portable Document Format (PDF) - Proprietary
    Adobe format
  • Enhanced Metafile (EMF) and Windows Metafile
    (WMF) - Microsoft-specific clipart type file that
    can be used to store vector graphics.
  • When a Vector Graphic / Line-art image is saved
    in a Vector Graphic File type, it is scaleable,
    and can be rasterized.

11
Types of Images and Image Files
  • Rasterization
  • The process of applying a size and resolution
    (number of pixels) to a scaleable image (eg. A
    vector graphic).
  • Rasterizing a vector graphic produces a halftone
    image.
  • TIFF, Bitmap, JPEG, and GIF are all rasterized
    file formats, and cannot be used for storing
    scaleable Vector Graphics / Line-art.
  • If a Vector Graphic is saved in a rasterized
    format, it is now a halftone image and is no
    longer scaleable.

12
Types of Images and Image Files
  • Combination Images (Combos)
  • Images containing both halftone images and vector
    graphics / line art are called combination
    images or combos.
  • This includes images where labeling has been
    placed on a white background outside a halftone
    image.
  • Halftone images embedded in a vector graphic
    still have a resolution and a size they are not
    scaleable!
  • The vector graphics / line art portions are
    scaleable as long as the combo has not been
    rasterized.

13
Combination Image Examples
14
Types of Images and Image Files
  • Four Rules for Combo Images and Files
  • When a combo is saved in a Vector Graphic file
    format, the line art portions of the file are
    still scaleable, and the halftone portions are
    not.
  • If a combo is saved in a halftone file format, no
    part of it is scaleable.
  • When you rasterize a scaleable combo file, the
    resolution and size of the embedded halftone
    images will be changed to conform with your
    settings.
  • If you try to rasterize at a size that would
    require the halftone to be larger than the number
    of pixels available, your halftone may look fuzzy
    or indistinct.

15
Combo Image Raster Examples
Fuzzy/indistinct reproduction of the halftone
from dilution
16
Images in Print
  • Print
  • Publishers often use printing presses that will
    print at very high resolutions. Your files need
    to have high resolution to look good when
    printed.
  • For halftone images, 200 DPI at the size intended
    for publication is the absolute minimum, and 300
    DPI gives the best results.
  • For rasterized line-art and combos, 600 DPI at
    the size intended for publication is the absolute
    minimum, and 1000 DPI gives the best results.
  • If you do not rasterize your vector graphics or
    combos, the only resolution you need to keep in
    mind is the halftone in the combo.

17
Images and Colorspaces
  • A colorspace is a set of colors.
  • Gamut is the range of a colorspace.
  • RGB
  • Reasonably large gamut.
  • Monitors and TVs use RGB
  • CMYK
  • Significantly smaller gamut than RGB.
  • Many printers, especially printing presses, print
    in CMYK.

18
Gamuts of RGB and CMYK
19
Images and Colorspaces
  • RGB to CMYK conversion
  • Because RGB's gamut has many colors that CMYK's
    does not, converting from RGB?CMYK results in
    loss of color.
  • This can 'flatten' the look of the image, or make
    it seem dull.
  • If you convert from RGB?CMYK and save the
    changes, you have permanently lost any colors
    outside the CMYK gamut.

20
RGC?CMYK Conversion Example
21
What should send to your publisher?
  • Avoid sending program-specific,
    platform-specific, or proprietary file formats
  • The publisher may not have
  • The program
  • The appropriate version of the program
  • The appropriate platform (operating system)
  • Anyone who knows how to work with the file type.
  • This includes but is not limited to
  • Jasc PSP (Paint Shop Pro) files
  • Adobe PSD (Photoshop), INDD (InDesign), AI
    (Illustrator), and P65 (PageMaker 6.5) files
  • CNV (Canvas) files
  • Corel CDR (Corel Draw) files

22
What should send to your publisher?
  • Try to send generic file formats
  • Most programs can support them by default.
  • The version of the program that made/edited the
    file will not usually determine if another
    version can edit it.
  • Often recognized by non-image-editing software.
  • Generic image file types include TIF, Bitmap
    (BMP), Encapsulated Postscript (EPS), Postscript
    (PS), JPG, and GIF
  • One exception Adobe Acrobat PDFs are usually
    recognized by non-Adobe software.

23
What should send to your publisher?
  • Publishers often list file types they support
  • Look over this list before sending a proprietary
    file format.
  • Take note of any versions or special notes.
  • Send multiple file types if you want to be sure.
  • Send high resolution files
  • There is no such thing as too much resolution.
  • There is such a thing as not enough resolution.
  • Only two solutions for low resolution images
    Dont publish them, or let them look bad when
    published.

24
What should send to your publisher?
  • Consider sending color images in CMYK
  • You may have no control over what changes are
    made in the conversion if you send RGB.
  • The publisher may have to come back to you and
    confirm you are alright with the color loss in
    conversion.
  • Look at an RGB?CMYK conversion of your color
    figures
  • You will have a better idea of what they will
    look like in print.
  • No confirmation needed from the publisher you
    know what to expect.
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