Lecture 4 The Early Renaissance (1500 AD) Late Renaissance (1600 AD) Baroque (1700 AD) - PowerPoint PPT Presentation

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Lecture 4 The Early Renaissance (1500 AD) Late Renaissance (1600 AD) Baroque (1700 AD)

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Title: Lecture 4 The Early Renaissance (1500 AD) Late Renaissance (1600 AD) Baroque (1700 AD)


1
Lecture 4The Early Renaissance (1500 AD)Late
Renaissance (1600 AD)Baroque (1700 AD)
  • Sejarah Senibina Barat
  • BAEA 2115
  • Naziaty Mohd Yaacob

2
Renaissance 15th Century
  • Florence is an Italian city that became famous as
    the birthplace of the Renaissance.
  • Such great artists as Leonardo da Vinci, Fra
    Angelico, Giotto, and Michelangelo produced many
    of Florence's magnificent paintings and
    sculptures. Great writers who lived in the city
    included Giovanni Boccaccio, Dante, and Petrarch.

3
  • Leonardo's scientific drawings include his famous
    study of human proportions called Vitruvian man
    that fits into the perfect shapes of the square
    and circle. .
  • Like other artists, Leonardo was interested in
    the proportions of the human body. According to
    Vitruvius, the Roman architect, the parts of the
    body are related to one another in ratios of
    whole numbers, and these ratios should be used in
    the design of architecture.
  • Because of his inquiring mind, Leonardo has
    become a symbol of the Renaissance spirit of
    learning and intellectual curiosity.

4
Renaissance Italy
  • Renaissance Italy consisted of about 250 states,
    most of which were ruled by a city. The
    Renaissance began during the 1300's in the
    city-states of northern Italy. Early centers of
    the Renaissance included the cities of Florence,
    Milan, and Venice.
  • World Book map

5
Florentines
  • The architect Filippo Brunelleschi and the
    political analyst Niccolo Machiavelli were born
    in Florence, and the astronomer Galileo did some
    of his work there.

6
Brunelleschis dome
  • Brunelleschi was the first Renaissance architect
    to revive the ancient Roman style of
    architecture. He incorporated arches, columns,
    and other elements of classical architecture into
    his designs.

7
Brunelleschi's design contained two shells for
the dome, an inner shell made of a lightweight
material, and an outer shell of heavier
wind-resistant materials, so that during
construction because workers could sit atop the
inner shell to build the outer shell of the dome.
To support the dome Brunelleschi devised an
ingenius ring and rib support from oak timbers.
The rings hug both shells of the dome, and the
supports run through them.
8
  • Brunelleschis Designs
  • Pazzi Chapel, Florence
  • Vaults and domes
  • S Lorenzo, Florence
  • (for Medici Family)
  • Vaults and domes
  • Basilican plan
  • Added sacristy
  • Roman ideas followed

9
  • Alberti
  • The Church of Sant' Andrea in Mantua, Italy, was
    designed by Leon Battista Alberti in the
    mid-1400's. The front resembles a Roman temple
    with an arch.
  • (c) Gian Berto Vanni, Art Resource

10
Alberti
  • Santa Maria Novella in Florence, Italy, is a
    leading example of Italian Renaissance
    architecture. The church's facade was designed by
    Leon Battista Alberti in the mid-1400's. (c)
    Gian Berto Vanni, Art Resource

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12
  • High Renaissance,Late Renaissance
    Mannerism16th Century

13
  • High Renaissance
  • Bramante
  • Raphael
  • Sangallo
  • Michelangelo

14
Sangallo
15th Century Palace in Florence with symmetrical
plan, interesting cornice and courtyard (1489)
15
Bramante
  • 1493
  • Bramante added a tribune (domed crossing and
    choir) to Solaris Gothic structure (1463).
  • Intended as a Mausoleum for the Sforza dukes.
  • Domed concealed by Conical roof.

16
Bramante
17
St. Peters Rome
  • 1506 1626

Bramante Michelangelo Sangallo
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20
Interior of St Peters Rome from an 18th Century
painting
21
St Peters Rome
22
The Palazzo Vidoni Caffarelli in Rome (1515) By
Raphael. Heavily rusticated ground storey, below
a piano nobile with windows set between paired
columns. High renaissance characteristics.
23
Contrast Raphaels High Renaissance building
with Albertis (Early Renaissance) Plazzo
Rucellai in Florence (1446-51)
24

Palazzo Farnese, last of the High Renaissance,
where five years later Palazzo Massimi became
an example of Mannerist architecture.
25
Mannerist
Biblioteca Laurenziana, Florence (1524-57)
by Micelangelo. Mannerist traits
using Illogicality, like the coupled columns on
brackets. Also give contrast to the long
perspective of the library itself.
26
Medici Chapel in S. Lorenzo, Florence (begun
1521) by Michelangelo as a marriage of sculpture
and architecture
27
Plan of the Capitol, Rome, laid out by
Michelangelo (1538-1612). Sense of enclosure
(left) Palazzo del Senatore (1573-1612) largely
designed by Michelangelo. With raised basement
storey giving prominence. Giant order of
pilasters. Statue of Marcus Aurelius, Roman
emperor, on the concourse.
28
Mannerist
Top Use of rustification to create monumental
strength with playful details Bottom String
course becomes pediment. Using stucco like stone
effect
29
Villa Rotonda (1550) By Palladio Absolute
symmetry Classical proportions Clear on plan
30
Palladios Palazzo Chiericati in Vicenza (1550)
31
Baroque Architecture17th Century
32
Planning the City
  • Piazza at St Peters Square by Bernini
  • At the Vatican City

33
BaroqueArchitecture
  • Berninis Scala Regia in the Vatican (1663-6) is
    made to seem longer by reducing the height and
    width as it ascends.

34
Berninis S. Andrea al Quirinale, Rome (1658-78)
35
Borrominis façade of S. Carlo alle
Quattro Fontane in Rome (1667) Classic elements,
with concave plane set against convex.
36
Borrominis S. Carlo alle Quattro Fontane,
Rome (1633)
37
S. Ivo della Sapienza, Rome (1642-60). Borromini
using plan based on a six point star with a
fantastic dome developed
38
The façade of Sta Maria Della Pace, Rome
(1656-7) by Cortona making the upper level curve
contrast with semi circular porch below creating
tension.
39
Dome of the Chapel of the Santissima
Sindone, Turin Cathedral (1667-90) Guarini
combined Gothic and Islamic Architecture and
produce a unique dome built up by
segmented arches on one another. Each pierced
emitting light.
40
Palazzo Carignano, Turin (begun 1678). Guarini
gives interest to façade by alternating concave
and convex sections, derive from Bernini. Texture
and ornament almost Arabic in character.
41
At S. Agnese, in Rome (begun) 1652),
Borromini created the towers to be independent of
the plan and created a town planning (urban)
interest. Producing each towers as a Sculptural
entity.
42
Renaissance outside of Italy
  • Versailles Palace in France (by Le Vau from 1669)
  • Queens House in Greenwich in England (by Inigo
    Jones from 1616-35)
  • St. Pauls Cathedral(by Christopher Wren from
    1675 1710)

43
The Queens House in Greenwich, England by Inigo
Jones (1616 35)
44
St. Pauls Cathedral by Christopher
Wren (1675-1710)
45
Chatsworth House, Derbyshire for the Duke of
Devonshire, By William Talman (from 1686)
46
Bleinheim Palace, Oxfordshire by Vanbrugh and
Hawksmoor, English Baroque Architecture fine
example (1705-24)
47
  • Blenheim Palace
  • Great court flanked by stable and kitchen courts
  • Main axis
  • Curving quadrants

48
The EndThank you
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