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Tales from Firozsha Baag

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Tales from Firozsha Baag Rohinton Mistry Rohinton Mistry (1952~) Born in Bombay, Mistry lives in Canada now. His works portray diverse facets of Indian ... – PowerPoint PPT presentation

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Title: Tales from Firozsha Baag


1
Tales from Firozsha Baag
  • Rohinton Mistry

2
Rohinton Mistry (1952)
  • Born in Bombay, Mistry lives in Canada now.
  • His works portray diverse facets of Indian
    socioeconomic life as well as Parsi Zoroastrian
    life, customs, and religion. (source)
  • Suspected of being Muslim during the post-911
    period.

3
The Good Parsi
  • identified with the 'symbolic discourse of
    colonial authority'.
  • They internalized the powerful side of colonial
    self-representation to create an image of the
    'Good Parsi' who, like his British role-model,
    was 'more truthful, more pure, more charitable,
    more pregressive, more rational and more
    masculine than the Hindu-of-the-masses'.
  • As with other elite Indians, the Parsis shaped
    their ideals and aesthetics around British
    values. However, their sense of self became
    frozen at a particular moment of communal
    ascendancy
  • Now there is a notion among the Parsis that they
    have themselves become ineffectual and
    emasculated, overtaken by the majority Hindu
    population who now manifest the qualities of a
    dominant group. (Morey 12)
  • Parsi Homi Bhabha, Salman Rushdie, Bapsi Sidhwa.

4
Tales from Firozsha Baag
Isolation from the environment
  • Auspicious Occasion
  • One Sunday
  • The Ghost of Firozsha Baag
  • Condolence Visit
  • The Collectors
  • Of White Hairs and Cricket

Home
  • The Paying Guests
  • Squatter
  • Lend Me Your Light
  • Exercisers
  • Swimming Lessons

Death. Change and loss
Migration as exile or escape
5
Examples of Britishness or Eurpoean/Western
cultures
  • Rustom nostalgia for Lifebuoy soap and Johnnie
    Walker (15)
  • Najamaithe strains of The Blue Danube (32)
  • Nariman
  • -- fondness for introducing new English words
    into his stories, for exposing "young minds to as
    shimmering and varied a vocabulary as possible"
    (146)
  • -- owns a Mercedes-Benz, has cultivated a Clark
    Gable moustache, and likes to whistle the march
    from The Bridge on the River Kwai.
  • Kersi My Fair Lady 175

6
Story Cycle
  • Definition a set of stories linked to each other
    in such a way as to maintain a balance between
    the individuality of each of the stories and the
    necessities of the larger unit ... so that
    the reader's successive experience in various
    levels of the pattern of the whole significantly
    modifies his experience of each of its component
    parts.
  • formal materialization of the trope of doubleness
    as the between-worlds condition is presented via
    a form that itself oscillates between two genres
    novel and short story.(Davis)
  • Formal hybridity or fragmentation of identity
  • Other examples The Dubliners, The Woman Warrior

7
Tales from Firozsha Baag
  • The growth the artist Kersi from a boy to a
    young man.

8
Places
  • Firozsha Baag in Bombay//
  • an apartment building in Toronto
  • Dolly in British Columbia, Vera in Alberta, Kersi
    in Toronto, Ontario and Jamshed in New York

9
Narrative Hybridity
  • Nariman unpredictability was the brush he used
    to paint his tales with, and ambiguity the
    palette he mixed his colours in ... Nariman
    sometimes told a funny incident in a very serious
    way, or expressed a significant matter in a light
    and playful manner. And these were only two rough
    divisions, in between were lots of subtle
    gradations of tone and texture. Which, then, was
    the funny story and which the serious? Their
    opinions were divided, but ultimately, said
    Jehangir, it was up to the listener to
    decide.(147-48)

10
"Squatter"
  • Narimans stories about Savukshaw and Sarosh
  • How are the two set in contrast with each other?
  • What does squatter mean?
  • Is Sarosh happy to be back to Bombay?
  • What is the function of the narrative frame (of
    Nariman)?

11
Savukshaw and Sarosh
  • Savukshaw 146-53
  • A cricket player, a hunter, a pole-vaulter and a
    bicyclist
  • Success does not mean happiness
  • Sarosh
  • Emigration a good choice? ? 10-year term
  • As Sid wants complete adaptation
  • Dependence on the old way
  • Other related Problems wonder bread (158), CNI
    (160), fired (163)

12
Squatter vs. CNI
  • ????????(???)??, but Saroshs squatting is both
    literal/physical and symbolic.
  • And if the one outside could receive the fetor
    of Sarosh's business wafting through the door,
    poor unhappy Sarosh too could detect something
    malodorous in the air the presence of xenophobia
    and hostility.(Tales 156)
  • Crappus Non Interruptus once implanted, one can
    never pass a motion in the natural wayneither
    sitting nor squatting. // Canadas
    Multiculturalism

13
Saroshs Return
  • Sense of Defeat 164
  • bowel movement
  • Must get off the plane?
  • calm
  • forlorn and woebegone (167)

14
Narimans role 1) comic-heroic A parody of
Othello's last speech
  • The original here
  • "I pray you, in your stories ... When you shall
    these unlucky deeds relate, speak of me as I am
    nothing extenuate, nor set down aught in malice
    tell them that in Toronto once there lived a
    Parsi boy as best as he could. Set you down this
    and say, besides, that for some it was good and
    for some it was bad, but for me life in the land
    of milk and honey was just a pain in the
    posterior."(168)

15
Narimans role 2) multiple perspectives
  • He himself is Westernized
  • Starts with indicating two examples of
    successful migration.
  • ambiguities and mixing of seriousness and comic
    tone.

16
"Lend Me Your Light"
  • "your lights are all lit--then where do you go
    with your lamp? / My house is all dark and
    lonesome,--lend me your light. Tagore
  • Kersi-- in between two worlds I, Tiresias,
    blind and throbbing between two lives, the one in
    Bombay and the one to come in Toronto
    ...(179-80) examples of his in-betweenness?

17
Kersis in-betweenness
  • A. In-between Jamshed and Percy
  • His responses to Jamsheds letter (181-82)
  • distanced from Percys actions ()
  • Connected with the Parsi community in Toronto 183
  • Bombaydirtier -- It was disconcerting to
    discover that I'd become unused to Bombay the
    drama of Reality (187)

18
"Swimming Lessons"
  • What does swimming lessons mean?
  • What does Kersi learn here?
  • How are the two parts of the story connected to
    each other?

19
The parents views
  • Sense of racial inferiority "We've seen
    advertisements in newspapers from England, where
    Canadian Immigration is encouraging people to
    come to Canada. Of course, they won't advertise
    in a country like India--who would want these
    bloody ghatis to come charging into their fine
    land?" (178).
  • Disappointed at Percy in Lend me your Light 188
  • after reading the first 5 stories
  • shesad he must be unhappy there
  • he all writers worked in the same way, they
    used their memories and experiences and made
    stories out of them, changing some things, adding
    some, imagining some, all writers were very good
    at remembering details of their lives. (243)
  • After reading allhope that there are more
    Canadian stories, feel that they know their son
    better, wished there were many more stories. (245)

20
Kersis epiphany
  • For me, it is already too late for snowmen and
    snowball fights, and all I will have is thoughts
    about childhood thoughts and dreams, built around
    snows-capes and winter-wonderlands on the
    Christmas cards so popular in Bombay, my snowmen
    and snowball fights and Christmas trees are in
    the pages of Enid Blyton's books.(244)
  • "My snowflakes are even less forgettable than
    the old man's, for they never melt" (244).

21
References
  • Davis, Rocío G. "Paradigms of Postcolonial and
    Immigrant Doubleness Rohinton Mistry's Tales
    from Firozsha Baag." Tricks with a Glass Writing
    Ethnicity in Canada. Ed. Rocío G. Davis.
    Amsterdam, Netherlands Rodopi, 2000. 71-92. Rpt.
    in Contemporary Literary Criticism. Ed. Jeffrey
    W. Hunter. Vol. 196. Detroit Gale, 2005.
    Literature Resource Center. Web. 14 Mar. 2010.
  • Morey, Peter. Rohinton Mistry. Manchester UP, 2004
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