Luis Jimenez 19402006

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Luis Jimenez(1940-2006)
That's part of what artists, writers and
musicians do. They expand the boundaries and
raise the level of understanding among people.
Art has an obligation to take us to a different
place.
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I have a way of looking at the world that is
somewhat unique, that is not maybe totally
mainstream
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I would hope that I've helped people have
insights into the world we are living in. I
believe in the communicative power of the image
I believe people can be changed through exposure
to images. My work is made for a community.
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Principles
Balance - This has an asymmetrical balance. The
horse and rider are balancing as if they were
one. Proportion - The sculpture is about 8 feet
tall, which towers over any person. This makes
each detail stand out and makes it that much more
impressive. Unity - Jimenez is using a
Southwestern theme that reflects his heritage.
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Principles
Variety - Jimenez includes little details and a
variety of colors that contributes to its
interest. Repetition - There is continuous
rhythm, and not much repetition in figures,
although there is a definite theme of color.
Movement - This sculpture has a lot of
movement, the horse is bucking and the rider
yells with excitement. The movement of the horse
exaggerates the riders position.
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Purpose
Jimenez creates his sculptures to celebrate his
Hispanic heritage. He centers on themes relating
to Mexican events and people. He specifically
targets the working class, not just the daily
chores, but also the social aspect of the working
class. He uses bright colors and fiberglass to
create an intense finish.
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Elements of Art
Shape - The shape itself is simple, but the
complexity lies in the details. Texture - The
coyote has many textures surfaces that create a
sense of life in the coyote. Space - The single
coyote creates a sense of independence, but the
posture suggests mourning. Planes - There are no
real planes. The sculpture is very fluid. Value -
The coyote has deep and bright colors to contrast
with each other. Colors - The metallic colors
provoke a sense of intensity within the coyote.
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Material/Technique

• Jimenez uses fiberglass as his material. He
  first learner of fiberglass at his dads machine
  shop, where his hot-rodder friends would use it
  on their vehicles. The material was used in
  airframe fuselages and racecar bodies, but he
  prefers to use it because when used properly, it
  can create an amazing finish.

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Biography

• Luis Jimenez was born in El Paso, Texas on July
  30, 1940. He studied art and architecture and
  received his bachelors in 1964 at the University
  of Texas in Austin. He began teaching at a
  University of Houston while creating his own
  works of art. His works can be found across the
  nation in many distinguished universities and
  museums He was killed in June 2006 when a piece
  his sculpture Mesteño fell on him and killed him
  instantly.

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Killed by a piece of his own sculpture - June 13,
2006
Southwest Pieta is honored as a national treasure
- 1999
Distinguished Alumni Award from UTA - 1998
1998 - Texas Artist of the Year Award
Man On Fire opens at Albuquerque Museum, and is
moved to the National Museum of Art in Wash.
D.C. - 1995
1993 - Governors Award of New Mexico
1972 - Moved to New Mexico to focus on his
Mexican heritage
Produces Man on Fire - 1969
1964 - Received his B.S. in art.
July 30, 1940. Born in El Paso, Texas
1940
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Works citedhttp//en.wikipedia.org/wiki/Luis_Jimé
nez_28sculptor29http//www.extension.iastate.ed
u/cyfar/art/sculpture.htmlhttp//eyelevel.si.edu/
2006/06/in_memoriam_lui.htmlhttp//www.scholastic
.com/ARTANDWRITINGAWARDS/alumprofiles/luis_jimenez
_profile.htmhttp//www.tfaoi.com/newsmu/nmus105a.
htmhttp//www.uwrf.edu/rw66/minority/hisp.htmht
tp//www.cabq.gov/publicart/images/slideshowhttp
//www.hamilton.k12.nj.us/secondary/reynolds/ground
s_for_sculpture_files/grounds_for_sculpture.htm