The Greater Reading creative community takes a ride

1 / 36
About This Presentation
Title:

The Greater Reading creative community takes a ride

Description:

The Greater Reading creative community takes a ride – PowerPoint PPT presentation

Number of Views:31
Avg rating:3.0/5.0
Slides: 37
Provided by: cinem

less

Transcript and Presenter's Notes

Title: The Greater Reading creative community takes a ride


1
The Greater Reading creative community takes a
ride
  • into the future with the
  • ideal film office

2
  • What is a film office?

3
What is a film office?
  • The common entertainment industry understanding
    of a traditional film office is a department or
    group of people who are an extension of either
  • - a communitys Tourism Bureau
  • a Chamber of Commerce
  • States Department of Employment Commerce

4
  • Such a group is charged with securing
    legitimate, medium to large budgeted film or
    television to shoot a movie or television program
    (all or even a small portion of such in a defined
    community).
  • The financial and creative windfall is
    invaluable on a short term basis (if multiple
    projects can be secured on a regular basis than
    that financial influx is compounded).

5
  • The success of a film office is completely
    dependent upon the sales savvy of the film
    office, depth of resources a given film
    community, and the health of the entertainment
    business in California, New York or abroad.
  • Service of indigenous film production is often
    third potato or handled as a afterthought to
    fill in gaps in between larger projects.

6
Film Offices Film Incentive Packages
  • What you need to know

7
  • In the last handful of years, states all over the
    country have seen immediate financial benefit in
    the ability to lure large film or television
    shows to their communities when their state
    offices financial incentives (ie tax rebates,
    discounts, etc)
  • Not every state can offer incentives and some
    states have better incentives than others leaving
    states to squabble over who nails the film coming
    to their state versus another

8
  • Filmmakers, large or small, have to navigate the
    maze of paperwork to secure the revenue from
    their financial incentive, often having to wait
    months or year to receive their monies
  • Communities within a state offering tax
    incentives that have depth of production
    resources (equipment, personnel, coordination
    agility, etc) will beat out other communities in
    that state for productions shooting in their
    community versus another

9
Entertainment today...
  • It aint your mommas motion picture house
    anymore

10
  • The film business as we know it is changing
    (corporate conglomerization, eroding audiences
    from traditional viewing patters, infinite
    personal viewing with the internet
  • Thus, it is harder to secure independent
    financing and distribution there for the American
    Dream of making your film is fading and thus is
    changing the role of the film office in a given
    community or state (many fighting for the few)
  • If programming and content is controlled by few
    this is an issue for the independent voice or
    artist to be heard enabling the continuity of
    the independent voice to be heard is essential in
    maintaining community identity and
    individualismand culture or community heritage.

11
  • If you dont have content emerging from a
    community then that can be seen as a lost revenue
    stream.
  • In the last 2 years personal viewing and online
    communities have been on the rise audiences
    turn to personal viewing space (youtube,
    facebook, unique postings, etc) to seek
    entertaining. For the consumer this
    low-cost(free) source of entertainment is a great
    deal but the hidden value could be in the highly
    personalized stories published on the web in the
    form of video postings, vlogs, blogs, community
    pages, etc.

12
Feasibility Study
  • As part of Greater Readings interest to become
    more involved with the value that entertainment
    can bring to a community both creative and
    financial a feasibility study was completed in
    2008 at the request of the Greater Reading
    Commission for A Film Office.
  • The results recommended that while the concept
    of a film office would be invaluable to Greater
    Reading the effort of pursuing a traditional film
    office (sales concierge database services)
    would not be recommended.

13
A new frontier
  • Instead Greater Reading should take a ride
    into the future and establish a film office that
    would be a transition of the current methodology
    of a film office and the future needs of the
    community with regards to entertainmentin short,
    a more cutting edge approach in the creation of a
    film office was born

14
Action!
  • Following, is a snapshot of the ideal
  • film office for Greater Reading
  • a picture that has the ability to meet all of
    the challenges it faces as well as acquire all
    the resources necessary to complete this picture

15
  • The vision of the
  • Greater Reading Film Office
  • is three-fold

16
  • 1) To be the central resource, hyper-simple,
    user-friendly, single point of contact for TV,
    film and digital projects and initiatives that
    originate both in and outside the Greater Reading
    region

17
  • 2) to be the catalyst for working with the
    regional educational community (schools, colleges
    and universities) to grow and sustain a creative
    economy and the workforce to staff it

18
  • 3) to host, promote and sponsor events which
    enhance the reputation and capabilities of the
    region as a film and digital media nexus.
  • Through collaboration with our partners and
    constituents, this vision will materialize when a
    revenue generating entity is established that is
    anchored by an artistic and/or technology
    business-related company and this entity and the
    Commissions goals are parlayed with the
    communitys existing economic development plan.

19
  • Why is this approach
  • critical to our
  • economic and cultural survival?

20
  • We desperately need to renew the cultural soul
    and enhance the economic vitality and morale of
    the community
  • this is essential to the future of the people
    and region of Greater Reading.

21
  • One approach to this end is to cultivate the
  • development of the film industry sector and
  • become the source of quality storytelling that
  • reinforces the most basic human values

  • as well as become a
    vibrant center for the convergence of
  • technology and entertainment.

22
The vision of getting there ---
  • Step 1
  • The Greater Reading Regional Film Commission
    develops and supports a creative economy that is
    integrated and consistent with the established
    community economic development plan

23
  • Step 2
  • By garnering resources and collaborating with
    partners, we create ongoing awareness for media
    artists and professionals in the local and global
    marketplace about Greater Reading as a fresh,
    economical and versatile location and home for
    TV, film and digital media projects

24
  • Step 3
  • At the same time, by incubating and mentoring
    future talent, we augment a professional skilled
    workforce to accommodate and staff these
    projects.

25
  • Consequently
  • the quality and prosperity of the cultural
    and economic life of the Greater Reading region
    will flourish.

26
How do we physically accomplish this task?
  • Following is a thumbnail sketch of how this
  • could be accomplished in a real world scenario
    --- an approach not much different than building
  • a manufacturing business.

27
Build it and they will come
  • In an office park complex or in a manufacturing
    campus or in a mixed-use-retail setting, set up
    the following departments or divisions

28
  • Administrative office group
  • Educational Training divisions
  • Small scale production space turnkey production
    coordination office space
  • Equipment rental facility including equipment
    brokerage
  • Incubator work space
  • Revenue generating project space

29
  • Administrative office space
  • To be the center, the hub provide traditional
    film office services (database, concierge,
    sales), marketing of overall project, and oversee
    operations of other divisions
  • Educational space
  • Classroom(s) wherein training is offered on
    variant current subjects (follow UCLA Extension
    model) bring in guest speakers pay as you go
    for first few year this is non-accredited.
  • Training space
  • Equipment training lab space where students can
    intern or co-op on new technolgoy projects as
    part of hands-on training or have hands on
    training time (Vo-tech model)
  • Equipment rental
  • House a small, current pool of available
    equipment to rent to local filmmakers or outside
    productions and if not available broker to
    bring it in from area companies (third party
    rental) or NY or NJ.
  • Production support
  • Provide production office space to rent if you
    are in production in the area turnkey

30
All this sounds rather noble but to survive
this ideal film office will need to monetize
itself
  • Revenue projects
  • Project(s) owned by Greater Reading program in
    conjunction with other PA companies
  • wherein company will be an allie to help complete
    the project (ie distance learning programs,
    training videos for online, etc). The PA
    company and the GRP would work to secure a
    contract or create a project to fuifill a need
    and secure funding. This would be the
    think-tank space and manufacturing space
    (production, editing) and would utilize talent
    pool of the region and bring in people from the
    outside (with the understanding that they would
    need to be part of Education pice)
  • Rentals and fees from other projects coming to
    shoot in area
  • Revenue from material produced here if no 3rd
    party distribution self distribute (ie Imax or
    web)
  • And proceeds go to the GR program
  • Investment - Local VC would need to underwrite
    year 1 to get overall project started. Addl
    funding raised or invested for years 2 3 with
    hope that years 4 5 would be some receivables
    enough to support the overall project
  • -

31
Okay - weve got a physical plan outlined, but
what are our priorities?
  • The following priorities were culled from our
    committees Report. They are listed in the
  • order in which the group felt they should be
    implemented

32
  • location photo management
  • inventory of artistic and technology
    business-related organizations to identify
    potential future partners
  • marketing/promotions to producers of motion
    media content (i.e. filmmakers, ad agencies,
    large corporations)
  • production concierge service (i.e. finding
    discounts on hotels, gaining access to various
    community resources)
  • production coordination (i.e. location permitting
    and scouting)
  • innovative, state-of-the-art educational
    programming (i.e. to develop a workforce in the
    motion media industry)
  • incubating and nurturing indigenous filmmakers
    and motion media projects
  • motion media property distribution
  • monetize entertainment properties for the web

33
Who will shepherd us to complete this picture?
  • Following is preliminary list of key partner
    organizations.
  • Obviously, this does not include the many
    individuals who are playing such a vital role in
    this process and whose partnership is also very
    integral
  • Berks Arts Council
  • Berks Economic Partnership
  • Chamber of Commerce
  • City of Reading
  • Convention and Visitors Bureau
  • Lancaster Film Commission
  • Lehigh Valley Film Services

34
Who will be part of our team?
  • There are many constituents that ultimately need
    to support the operations of the Greating
    Readings ideal Film Office, many are identified
    and categorized below
  • Business small and large area businesses
    (technology, media, manufacturing, research
    development), venture capital firms
  • Education BCIU, colleges/universities,
    elementary and secondary schools Higher
    Education Council
  • Government Economic Development Berks
    Economic Partnership, City of Reading, County of
    Berks, ICGR (Initiative for a Competitive Greater
    Reading), Reading Redevelopment Authority, urban
    and rural economic development organizations,
    workforce development organizations

35
Constituents continued
  • Media Cultural Berks Arts Council, BCTV,
    Channel 69 WFMZ, Comcast, Exhibitors (Carmike,
    Cinema Center Fox Theatres), GoggleWorks,
    Historical Society of Berks County, Service
    Electric
  • Special Interests agriculture, waterways and
    railroad preservation and advocacy organizations

36
Lets work together to make this picture a
reality

Mission Statement Insert here
Write a Comment
User Comments (0)