Lords of Acid Choreography: Hey Ho

1
Lords of Acid Choreography Hey Ho
Move
Floor Pattern

• Notes Partner dance. All counts are in measures
  (4/4), except March which is in beats (18)
• March (18) Confident city girl stride on the
  beat, big, but shortened so it takes 8 counts to
  reach your place. First 8 counts partner
  furthest from entrance enters, strides to stage
  front right (or left), continues striding in
  place as second 8 counts other partner strides
  to stage front left (or right), continues
  striding in place for final 2 counts until
• BREAK! Into arabic basic with hard diagonal arms
  and levels, high on 1st beat, low on 3rd, turning
  in place with quarter turns away from each other
  until on 4th measure you are facing each other.
  Note floreo on 1st beat, but not on 3rd.
• 4 Measure 1 Egyptian basic in place (facing
  together, but cheat ¾ towards audience)
• Measure 2 3Egyptian half-turns
• Measure 4 Egyptian basic in place
• counter-clockwise grapevine around each other
  with full turn on beats 7 8. Take 8 counts to
  make a half circle so after 16 counts youre in
  your original starting position. The full turns
  should be more or less in place at your partners
  position your own position, respectively.
• 4 Measure 1 body wave towards each other (1,2),
  chest drop twice (3 4)
• Measure 2 body wave with quarter turn to face
  audience (1,2) then chest circle (3 4)
• Measure 3 (still facing audience) body wave
  (1,2) then chest circle (3 4)
• Measure 4 body wave with quarter turn to face
  eachother (1,2) then chest drop twice (3 4)

2

• 8 (Grand Theme)
• Measures 1-3 snake-arm torso rotations facing
  each other as one body.
• Measure 4 Body wave back with split arms
• (x2)
• 4 (GMYB)
• Measure 1 Posture check (pelvis back, tuck,
  reverse body wave from waist into ¾ rib-height
  good posture position).
• One partner makes a half-turn before measure 2
  so that both are now facing the same direction
• (Measure 2-4 while moving into shadow turn
  position)
• Measure 2 slow arabic basic, right arm out,
  left up, looking at right hand, with floreo.
• Measure 3 slow arabic basic, left arm out,
  right up, looking at left hand, with floreo.
  (reverse of measure 2)
• Measure 4 slow arabic basic, right arm out,
  left up, looking at right hand, with floreo.
  (measure 2)
• (tappits)
• (in 6/4 time) Shadow turn, no floreos

2.
4.
3.
3

• Measure 3 (begin pivot bump pass) counts 1 2
  drop right arm to point towards partner, counts 3
  4 drop left arm to meet right arms. Pop wrists
  pivot bump quarter turns to make complete
  rotation counts 5,6,7,8, winding up facing
  eachother on 8.
• Measures 1 2 pivot bump pass across stage,
  passing partner maintaining eye contact _at_ 4
• Measure 3 4 pivot bump pass turn (beats 1
  2) drop left arm to meet right, flip hands, and
  make pivot-bump quarter turns on beats 3- 8 to
  make a total of 1½ turn and so end facing
  partner again
• Measure 5 6 pivot bump pass across stage in
  opposite direction, passing partner
  maintaining eye contact _at_ 4
• Measure 7 8 pivot bump pass turn (beats 1
  2) drop left arm to meet right, flip hands
  make pivot bump quarter turns on 3-8 to make a
  total of about. 1½ turn, ending facing ¾ towards
  partner audience.
• GMYB, rising one very protracted Delilah shimmy,
  begin the energy at your feet shimmy it up
  through your body as the music rises (looking up
  through outstretched arms _at_ apex), letting it
  recede with denouement. Final measure is a break
  do flat figure 8 shimmies with low wavy arms.

4

• (sufi turn section)
• first 8 measures, paddle turn around left leg
  with ballerina arms
• second 8 measures have a bump in the music,
  reverse direction to paddle around right leg
  hip bump on the beat, sharper on every other
  beat, when the music is accented. Keep arms still
  1 overhead, 1 horizontal..
• 8 (Grand Theme)
• (repeat) torso rotation sequence
• Measures 1-3 3 snake-arm torso rotations facing
  each other Measure 4 Body wave back with split
  arms
• Measures 5-7 3 snake-arm torso rotations facing
  each other
• Measure 8 Big hip circle with quarter rotation
  to end facing audience.
• (On measures 1 2 the person not doing the
  isolation is facing front, but looking straight
  at the person who is doing the isolation)
• Measure 1 Chest isolations, one person only
  Left,Right,LRL, looks pointedly _at_ partner on
  final half beat.
• Measure 2 Chest isolations, other person only
  Left,Right,LRL, both look forward _at_ audience on
  final half-beat
• Measure 3 Chest isolations, both, tightly
  synchronized to the beatUp,Down.UUDD
• Measure 4 LR,flbr LRblfr
• (Bird) alternating basket turns, low arm-scoop
  arabic basic while quarter turning in place in
  opposite directions

5

• 8 (Grand Theme) ¾ - oriented ¾ between eachother
  audience, moves mirror eachother, so person on
  left does
• Measure 1 Right arm sweep, step-ball-change
• Measure 2 Left arm sweep, step-ball-change
• Measure 3 Right arm sweep, step-ball-change
• Measure 4 Full turn counter-clockwise with
  egyptian arms
• (repeat)
• while person on right does
• Measure 1 Left arm sweep, step-ball-change
• Measure 2 Right arm sweep, step-ball-change
• Measure 3 Left arm sweep, step-ball-change
• Measure 4 Full turn clockwisewith egyptian arms
• GMYB do-si-do
• Tappits secret handshake

6

• March
• Tappits cool drum solo
• (Grand theme) (As before but now oriented to
  audience, now in unison, not mirrored) Both do
• Measure 1 Right arm sweep, step-ball-change
• Measure 2 Left arm sweep, step-ball-change
• Measure 3 Right arm sweep, step-ball-change
• Measure 4 Full turn counter-clockwise with
  egyptian arms
• (repeat)
• Sufi turkish shimmy in place with quarter turns,
  away from eachother