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Sestina

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The lines are grouped into six sestets and a concluding tercet. ... In the closing tercet, each of the six words are used, with one in the middle of ... – PowerPoint PPT presentation

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Title: Sestina


1
Sestina
  • Learn the Sestina pattern

This material is the property of the AR Dept. of
Education. It may be used and reproduced for
non-profit, educational purposes only after
contacting the ADE Distance Learning Center at
http//dlc.k12.ar.us edr
2
History
  • Historically, the Sestina is a French poem form
    first appearing in the 12th century.
  • It was used by troubadours or court poets and
    singers in the service of French nobles.
  • It often contained themes romantic flirtation and
    desire.

3
Lyric Poetry
  • The Sestina is a form of lyric poetry
  • Lyric poetry is a form of poetry that does not
    attempt to tell a story but is of a more personal
    nature instead.
  • Rather than portraying characters and actions,
    the lyric poet addresses the reader directly,
    portraying his or her own feelings, states of
    mind, and perceptions.

4
Traditional Sestina Form
  • The lines are grouped into six sestets and a
    concluding tercet.
  • A sestet is a stanza containing six lines
  • A tercet is a stanza containing three lines
  • The Sestina has 39 lines.
  • Lines may be of any length. Their length is
    consistent in a single poem. You can use long
    lines or short linesjust keep them consistent.

5
Traditional Sestina Form
  • The six words that end each of the lines of the
    first stanza are repeated in a different order at
    the end of lines in each of the subsequent five
    stanzas. The particular pattern is given below.
    (This kind of recurrent pattern is lexical
    repetition.)
  • The repeated words are unrhymed.

6
Traditional Sestina Form
  • The first line of each sestet after the first
    ends with the same word as the one that ended the
    last line of the sestet before it.
  • In the closing tercet, each of the six words are
    used, with one in the middle of each line and one
    at the end.

7
Traditional Sestina Form
  • The pattern of word-repetition is as follows,
    where the words that end the lines of the first
    sestet are represented by the numbers 1 2 3 4 5 6

8
Stanza Pattern
  • 1 2 3 4 5 6 - End words of lines in first
    sestet.
  • 6 1 5 2 4 3 - End words of lines in second
    sestet.
  • 3 6 4 1 2 5 - End words of lines in third
    sestet.
  • 5 3 2 6 1 4 - End words of lines in fourth
    sestet.
  • 4 5 1 3 6 2 - End words of lines in fifth
    sestet.
  • 2 4 6 5 3 1 - End words of lines in sixth
    sestet.
  • (1 2) (3 4) (5 6) - Middle and end words of
    lines in tercet.

9
The Tercet
  • In the tercet (at the end of the poem) three of
    the end-words appear in the middle of the lines
    and three at the ends
  • Check the order its back to 123456.
  • Common Variation Many poets arrange the tercet
    end-words in any order they want.
  • The traditional pattern ends with 123456.

10
Choosing Repeating Words
  • The repetition of words in a Sestina makes this
    form a good match for a story that uses common
    vocabulary.
  • In conversation the repetition of key words is
    common.
  • The writer of a Sestina can use the repetition to
    delve more deeply into the material.
  • Each stanza can revisit that material and show
    more facets of what the poet feels.
  • Ending words should have some sort of meaning or
    symbolism for the poem.

11
Line Length
  • Traditionally, one keeps the same line length, as
    that gives the rhythmic repetition that the ear
    associates with music. It also gives a pleasant
    appearance on the page.
  • Don't be lazy and cut lines short or run them on
    because you can't be bothered to fix the poem's
    flaws.

12
End Words
  • Traditionally, the Sestina keeps the same end
    words.
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