Title: Nikolas Weinstein
1Nikolas Weinstein
- Commission, Lighting, Contracting, Objects.
2Commission
- Commissions explore how sculptural glassworks
interact with architectural space. Their design
is a direct response to location, while the
aesthetic derives from an evolving interest in
basic natural forms and patterns rendered in
glass. Commissioned projects build upon close
collaboration with clients and draw upon the
Studio's extensive experience in sculpture,
graphic art, architecture, lighting, and glass
manufacture. Nikolas Weinstein -
3Pariser Platz 3 Chandelier
- Looking South from lower level into public atrium.
4Pariser Platz 3 Chandelier
- Looking North from entrance of Conference Hall at
ground level into public atrium below.
5Pariser Platz 3 Chandelier
- Detail of glass panels with frosted undersides.
6Pariser Platz 3 Chandelier
- Looking down into atrium from walkway on ground
level.
7Pariser Platz 3 Chandelier
- Cutaway view of 150 model showing glass
installation site in relation to Conference Hall
at center.
8Pariser Platz 3 Chandelier
- View from walkway approaching Conference Hall.
Installation visible through glass shell at
right.
9Pariser Platz 3 Chandelier
- Detail of glass panels frosted underside in
sunlight.
10Pariser Platz 3 Chandelier
- Computer model of installation in relation to
Conference Hall.
11Pariser Platz 3 Chandelier
- The layout of the installation was fine-tuned
using a computer model.
12Pariser Platz 3 Chandelier
- Unloading the first of 36 crates at construction
site with Brandenburg Gate in background.
13Pariser Platz 3 Chandelier
- View between panels from elevated platform during
installation.
14Pariser Platz 3 Chandelier
- Rolling out kiln bed with rods and pads in raised
formation to describe mold topography.
15Pariser Platz 3 Chandelier
- Aerial view of kiln bed with panel, on raised pin
mold, after firing.
16Pariser Platz 3 Chandelier
- View of fired panel from beneath with pins in
raised position.
17Pariser Platz 3 Chandelier
- Detail of custom softwares tube layout module,
used to design each panels structural matrix.
18Pariser Platz 3 Chandelier
- Detail of panel cross-section.
19Pariser Platz 3 Chandelier
- Computer rendering of machined cast acrylic plug
used for distributing load during suspension.
20Huat Residence Installation
- View when entering residence.
21Huat Residence Installation
- Side view of installation showing range of
deflection, controlled by varying the height and
weight of each glass piece.
22Huat Residence Installation
- Detail of glass and network of restraining cables.
23Huat Residence Installation
24Miller Residence Installation
- Front view of glass elements wrapped around steel
rods.
25Miller Residence Installation
- Front detail of glass element with etched surface.
26Miller Residence Installation
- Side view of installation.
27Miller Residence Installation
- Side detail of installation with glass elements
resting on spherical stop collars.
28Lighting
- Lighting marries the more abstract aesthetic of
the commissioned work to the utility of
illuminated sculptures. Contrasting their sinuous
curves and supple skins, the lighting's hardware
is not hidden, but rendered in precise and
delicate machined steel. Primarily powered by
low-voltage, their electrical systems are
minimal, dimmable, and can be easily integrated
into existing home systems. -Nikolas Weinstein
29Campton Place Restaurant Chandelier
- View of chandelier upon entering restaurants
dining room.
30Campton Place Restaurant Chandelier
- Front view of chandelier.
31Campton Place Restaurant Chandelier
- View of ceiling coffer with installed mounting
hardware and recessed lighting.
32Campton Place Restaurant Chandelier
- View of chandelier from beneath.
33Campton Place Restaurant Chandelier
- Detail of chandeliers center from side.
34Dining Room Chandelier
- Side view of chandelier suspended by very thin
copper cables which also power low-voltage
halogen bulbs.
35Dining Room Chandelier
- Circular ceiling mount contains all electrical
components and suspension points for glass
elements.
36Dining Room Chandelier
- View from beneath. Each glass element disperses
light from a standard halogen bulb located in its
cupped form.
37Dining Room Chandelier
- Detail of chandeliers center from below.
38Dining Room Chandelier
39Dining Room Chandelier
- Hardware used to suspend and power the
chandelier.
40Contracting
- Contracted work encompasses the custom
prototyping and production of glass fixtures for
lighting designers and architects, as well as
restoration services for antique dealers.
Combining design and production expertise, the
studio team will help to refine a client's
concept with an eye towards its efficient
fabrication. Available resources include
glassblowing, kiln-forming, carving,
sandblasting, mold work, lamping, metalwork, and
computer aided design. - -Nikolas Weinstein
41Ed Hardy San Francisco Restoration
- Detail of new candle arms designed and sculpted
to fit existing sockets in frame.
42Ed Hardy San Francisco Restoration
- Detail showing newly fashioned rosettes and glass
border elements in place.
43Ed Hardy San Francisco Restoration
- Cutting molten glass onto steel table, to be
press-modeled with new mold cast in bronze from
existing rosettes.
44Ed Hardy San Francisco Restoration
- Replacement glass border elements and candle cup.
45Ed Hardy San Francisco Restoration
- New elements designed to fill gaps in border
design left by missing pieces.
46Ed Hardy San Francisco Restoration
- View of mirror, fully restored.
47Neumann Metal Studio Custom Urns
- Custom-fabricated glass urns element for lamp.
48Neumann Metal Studio Custom Urns
49Neumann Metal Studio Custom Urns
- Matt Szosz fashioning wooden mold on lathe.
50Neumann Metal Studio Custom Urns
51Neumann Metal Studio Custom Urns
- Finished lamp with custom-made metal hardware.
52Eric Owen Moss Architects T Minus 30 Canopy
- View of armature and glass canopy.
53Eric Owen Moss Architects T Minus 30 Canopy
- Kiln-formed glass panels are supported from
beneath by edge clips protruding from structural
steel.
54Catalog
- These objects are inspired by the essential
geometry of nature and take shape as the gaffer
blows molten glass into a hissing iron mold.
Still glowing from the heat, some portions of the
glass are then cut and peeled back while others
collapse and bend. When the process is complete,
each creation emerges as a unique response to the
challenges posed by a basic form. Beautiful as
sculptural elements grouped upright or on their
sides, these pieces also serve as extraordinary
vases, bowls and platters. Nikolas Weinstein
55Catalog
56Catalog
57Catalog
58Catalog
59About Nikolas Weinstein
- Nikolas Weinstein was born in New York City in
1968 into a family involved in the visual arts.
His aesthetic derives from a longstanding
interest in the natural world. The influence of
organic forms in his work dates to a young age,
established during internships at The American
Museum of Natural History and The Scripps
Institution of Oceanography. After graduating
college with a degree in comparative literature,
he moved to San Francisco, where he briefly
worked as a graphic designer's assistant before
founding his studio. Working primarily in glass,
he initially designed and made small sculptures
for design boutiques. More recently, his work
concentrates on larger commissioned
installations. - http//www.kqed.org/arts/people/profile.jsp?id47
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60Bibliography
- KQED - SPARK
- http//www.kqed.org/arts/people/profile.jsp?id471
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