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Nikolas Weinstein

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Their design is a direct response to location, while the aesthetic derives from ... nature and take shape as the gaffer blows molten glass into a hissing iron mold. ... – PowerPoint PPT presentation

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Title: Nikolas Weinstein


1
Nikolas Weinstein
  • Commission, Lighting, Contracting, Objects.

2
Commission
  • Commissions explore how sculptural glassworks
    interact with architectural space. Their design
    is a direct response to location, while the
    aesthetic derives from an evolving interest in
    basic natural forms and patterns rendered in
    glass. Commissioned projects build upon close
    collaboration with clients and draw upon the
    Studio's extensive experience in sculpture,
    graphic art, architecture, lighting, and glass
    manufacture. Nikolas Weinstein

3
Pariser Platz 3 Chandelier
  • Looking South from lower level into public atrium.

4
Pariser Platz 3 Chandelier
  • Looking North from entrance of Conference Hall at
    ground level into public atrium below.

5
Pariser Platz 3 Chandelier
  • Detail of glass panels with frosted undersides.

6
Pariser Platz 3 Chandelier
  • Looking down into atrium from walkway on ground
    level.

7
Pariser Platz 3 Chandelier
  • Cutaway view of 150 model showing glass
    installation site in relation to Conference Hall
    at center.

8
Pariser Platz 3 Chandelier
  • View from walkway approaching Conference Hall.
    Installation visible through glass shell at
    right.

9
Pariser Platz 3 Chandelier
  • Detail of glass panels frosted underside in
    sunlight.

10
Pariser Platz 3 Chandelier
  • Computer model of installation in relation to
    Conference Hall.

11
Pariser Platz 3 Chandelier
  • The layout of the installation was fine-tuned
    using a computer model.

12
Pariser Platz 3 Chandelier
  • Unloading the first of 36 crates at construction
    site with Brandenburg Gate in background.

13
Pariser Platz 3 Chandelier
  • View between panels from elevated platform during
    installation.

14
Pariser Platz 3 Chandelier
  • Rolling out kiln bed with rods and pads in raised
    formation to describe mold topography.

15
Pariser Platz 3 Chandelier
  • Aerial view of kiln bed with panel, on raised pin
    mold, after firing.

16
Pariser Platz 3 Chandelier
  • View of fired panel from beneath with pins in
    raised position.

17
Pariser Platz 3 Chandelier
  • Detail of custom softwares tube layout module,
    used to design each panels structural matrix.

18
Pariser Platz 3 Chandelier
  • Detail of panel cross-section.

19
Pariser Platz 3 Chandelier
  • Computer rendering of machined cast acrylic plug
    used for distributing load during suspension.

20
Huat Residence Installation
  • View when entering residence.

21
Huat Residence Installation
  • Side view of installation showing range of
    deflection, controlled by varying the height and
    weight of each glass piece.

22
Huat Residence Installation
  • Detail of glass and network of restraining cables.

23
Huat Residence Installation
  • Installation detail.

24
Miller Residence Installation
  • Front view of glass elements wrapped around steel
    rods.

25
Miller Residence Installation
  • Front detail of glass element with etched surface.

26
Miller Residence Installation
  • Side view of installation.

27
Miller Residence Installation
  • Side detail of installation with glass elements
    resting on spherical stop collars.

28
Lighting
  • Lighting marries the more abstract aesthetic of
    the commissioned work to the utility of
    illuminated sculptures. Contrasting their sinuous
    curves and supple skins, the lighting's hardware
    is not hidden, but rendered in precise and
    delicate machined steel. Primarily powered by
    low-voltage, their electrical systems are
    minimal, dimmable, and can be easily integrated
    into existing home systems. -Nikolas Weinstein

29
Campton Place Restaurant Chandelier
  • View of chandelier upon entering restaurants
    dining room.

30
Campton Place Restaurant Chandelier
  • Front view of chandelier.

31
Campton Place Restaurant Chandelier
  • View of ceiling coffer with installed mounting
    hardware and recessed lighting.

32
Campton Place Restaurant Chandelier
  • View of chandelier from beneath.

33
Campton Place Restaurant Chandelier
  • Detail of chandeliers center from side.

34
Dining Room Chandelier
  • Side view of chandelier suspended by very thin
    copper cables which also power low-voltage
    halogen bulbs.

35
Dining Room Chandelier
  • Circular ceiling mount contains all electrical
    components and suspension points for glass
    elements.

36
Dining Room Chandelier
  • View from beneath. Each glass element disperses
    light from a standard halogen bulb located in its
    cupped form.

37
Dining Room Chandelier
  • Detail of chandeliers center from below.

38
Dining Room Chandelier
  • Side detail.

39
Dining Room Chandelier
  • Hardware used to suspend and power the
    chandelier.

40
Contracting
  • Contracted work encompasses the custom
    prototyping and production of glass fixtures for
    lighting designers and architects, as well as
    restoration services for antique dealers.
    Combining design and production expertise, the
    studio team will help to refine a client's
    concept with an eye towards its efficient
    fabrication. Available resources include
    glassblowing, kiln-forming, carving,
    sandblasting, mold work, lamping, metalwork, and
    computer aided design.
  • -Nikolas Weinstein

41
Ed Hardy San Francisco Restoration
  • Detail of new candle arms designed and sculpted
    to fit existing sockets in frame.

42
Ed Hardy San Francisco Restoration
  • Detail showing newly fashioned rosettes and glass
    border elements in place.

43
Ed Hardy San Francisco Restoration
  • Cutting molten glass onto steel table, to be
    press-modeled with new mold cast in bronze from
    existing rosettes.

44
Ed Hardy San Francisco Restoration
  • Replacement glass border elements and candle cup.

45
Ed Hardy San Francisco Restoration
  • New elements designed to fill gaps in border
    design left by missing pieces.

46
Ed Hardy San Francisco Restoration
  • View of mirror, fully restored.

47
Neumann Metal Studio Custom Urns
  • Custom-fabricated glass urns element for lamp.

48
Neumann Metal Studio Custom Urns
  • Finished urns at studio.

49
Neumann Metal Studio Custom Urns
  • Matt Szosz fashioning wooden mold on lathe.

50
Neumann Metal Studio Custom Urns
  • Completed mold.

51
Neumann Metal Studio Custom Urns
  • Finished lamp with custom-made metal hardware.

52
Eric Owen Moss Architects T Minus 30 Canopy
  • View of armature and glass canopy.

53
Eric Owen Moss Architects T Minus 30 Canopy
  • Kiln-formed glass panels are supported from
    beneath by edge clips protruding from structural
    steel.

54
Catalog
  • These objects are inspired by the essential
    geometry of nature and take shape as the gaffer
    blows molten glass into a hissing iron mold.
    Still glowing from the heat, some portions of the
    glass are then cut and peeled back while others
    collapse and bend. When the process is complete,
    each creation emerges as a unique response to the
    challenges posed by a basic form. Beautiful as
    sculptural elements grouped upright or on their
    sides, these pieces also serve as extraordinary
    vases, bowls and platters. Nikolas Weinstein

55
Catalog
56
Catalog
57
Catalog
58
Catalog
59
About Nikolas Weinstein
  • Nikolas Weinstein was born in New York City in
    1968 into a family involved in the visual arts.
    His aesthetic derives from a longstanding
    interest in the natural world. The influence of
    organic forms in his work dates to a young age,
    established during internships at The American
    Museum of Natural History and The Scripps
    Institution of Oceanography. After graduating
    college with a degree in comparative literature,
    he moved to San Francisco, where he briefly
    worked as a graphic designer's assistant before
    founding his studio. Working primarily in glass,
    he initially designed and made small sculptures
    for design boutiques. More recently, his work
    concentrates on larger commissioned
    installations.
  • http//www.kqed.org/arts/people/profile.jsp?id47
    17

60
Bibliography
  • KQED - SPARK
  • http//www.kqed.org/arts/people/profile.jsp?id471
    7
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