great

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great
P H O T O G R A P H S

• By Monique Romero

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S I M I L A R I T Y

• Similarity is an element used in design with the
  purpose of visually linking similar or completely
  different objects together.
• In this case, we see similarity in form. With the
  dainty dress being in focus, the similarly shaped
  shadow strongly reinforces the form.

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P R O X I M I T Y

• Thoughtfully paying attention to proximity can
  turn a photo into something aesthetically
  pleasing.
• This photo mildly has emphasis by isolation, with
  the use of negative spaces to make the brushes
  stand out. The careful placement of the objects
  shows stronger proximity.

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C O N T I N U A T I O N

• Continuation in design is used to visually lead
  the viewers eyes from one point to another.
• The bluish black road is dominant here because it
  takes up the bottom weight of the photo. What is
  interesting is that as you follow it, it becomes
  smaller and smaller and it ultimately creates a
  path.

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ISOMORPHIC CORRESPONDENCE

• Isomorphic Correspondence triggers the audience
  to react with tension by the way images portray
  frightful objects and accidental occurrences.
• It is not a surprise that this instance can
  happen to anybody walking around a disorderly
  room. The blade is so close to the toe, which
  brings tension to the viewer.

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INTELLECTUAL UNITY

• Intellectual Unity involves the viewer to go back
  to former experiences and knowledge in order to
  regard a design with understanding, pleasure, or
  admiration.
• This is an individual photo showing two very
  different people. The baby picture of the father
  being held right next to his son shows the
  concept of intellectual unity.

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N E A R S Y M M E T R Y

• Near Symmetry refers to designs that are not
  entirely symmetrical or asymmetrical.
• There is a transition from an organic to an
  industrial feel. The strong masculine lines that
  lie near symmetrical separates the two completely
  opposite worlds.

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A S Y M M E T R Y

• Asymmetry is when layouts are not symmetrical at
  all. Rather, they are often random or
  thoughtfully placed somewhere off-centered.
• This image asymmetrically shows movement of
  lights. The chaotic view of lights conveys
  excitement, thrill and action.

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EMPHASIS BY ISOLATION

• When an a person or object stands out due to
  utter difference in shape, placement, scale or
  any other visually strong elements, this is
  Emphasis by Isolation.
• The woman is shown to be admiring a large variety
  of paintings, some of which are respectively
  great in size and smaller in size. The fact that
  the paintings are uniformly in rectangular
  frames, and she is positioned near the larger
  paintings shows emphasis by isolation.

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EMPHASIS BY DIFFERENCE

• A difference in elements such as focus, texture,
  or shape illustrates an emphasis by difference.
• While the blue car is static and in sharp focus,
  the taxi stands out because it is out of focus.
  This element of difference in focus, communicates
  a sense of movement.

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EMPHASIS BY COLOR

• Emphasis by Color means that a differently
  colored object in a photo will be the first thing
  the viewer sees.
• Each piece of clothing distinguishes themselves
  from each other because they each boldly
  attribute elements such as line and texture.
  However, the viewers eyes will tend to look at
  the centered, most colorful jacket.

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EMPHASIS BY LINEAR PLACEMENT

• Linear Placement is continuation with a purpose
  of leading the viewer to something else.
• The stairway is very inviting in that you get the
  sense that each stair gets smaller and smaller.
  While the stairway is more monotone in color, it
  leads you to something very colorful and
  interesting.

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EMPHASIS BY SCALE

• When an object or person lures the viewers eyes
  because of their small or large size, this is
  Emphasis by Scale.
• The woman is seen to be similar in size as the
  display. The display is seen to be significantly
  smaller than the photograph.

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S I M I L A R I T Y II

• In this case, Similarity is strong in shape,
  form, position of objects and what is happening
  in the photograph.
• The cats shape and form are similar to the two
  pillows above it. In addition, the lady who seems
  to be in a relaxed position is seems to be almost
  as relaxed as the cat comfortably lying down.