Chapter 5: The Irish Question/ The Loaded Weapon (170-208)

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Chapter 5: The Irish Question/ The Loaded Weapon (170-208)

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Title: Chapter 5: The Irish Question/ The Loaded Weapon (170-208)


1
Chapter 5The Irish Question/The Loaded Weapon
(170-208)
  • A PowerPoint by
  • Don L. F. Nilsen

2
Irish Humor
  • Since Irish humor developed out of the oral
    tradition (the telling of jokes and stories in
    Irish pubs), it is very epiphenal in nature.
  • Like Jewish humor, Irish humor developed out of
    pain and tragedy that came from the Irish
    diaspora.
  • Irish humor, like Jewish humor, contains much
    wordplay, and like Jewish humor, much of Irish
    wordplay is bilingual and/or bicultural, relating
    to both the Gaelic/Celtic and to the English
    language and culture.
  • There are many Irish people around the world who
    are trying to reestablish their roots, and it is
    the humor in Irish written and oral literature
    that is helping them do so. (Nilsen xv)

3
Irish Logic
  • The Ballyhough railway station had two clocks
    that disagreed with each other by six minutes.
  • An irate traveller asked a porter what was the
    use of having two clocks if they didnt tell the
    same time.
  • The porter replied, And what would we be wanting
    with two clocks if they told the same
    time? (McCrum 170)
  • Based on this story, Martin Joos wrote a
    monograph entitled, The Five Clocks describing
    the Frozen, Formal, Consultative, Informal, and
    Intimate registers of language.

4
Irish Folklore
  • County Mayo in the Gaeltacht is remote from
    tourism.
  • There are the remains of prehistoric forests and
    fairy mounds in the peat-bogs.
  • People talk of ancestors as if they were
    neighbors, and of three-hundred-year-old events
    as if they happened yesterday.
  • (McCrum 177)

5
Kissing the Blarney Stone
  • To kiss the Blarney stone you must climb to the
    top of Blarney Castle.
  • In order to kiss the Blarney stone, the visitor
    has to lie on his back and be lowered head
    downwards over the edge of the wall.
  • Someone has to hold onto the ankles of the
    visitor so that they wont slip off the edge of
    the castle.
  • Its hard to know whether kissing the stone gives
    someone the gift of elegance,
  • Of if the entire process is a bit of the
    blarney.
  • (McCrum 172)

6
Irish Blarney
  • Irishmen have the gift of gab.
  • This comes from kissing the Blarney stone at
    Blarney Castle in County Cork.
  • It is said that Queen Elizabeth tried to get
    Cormac MacCarthymore (occupier of Blarney Castle
    at the time) to surrender his castle to the
    English.
  • He said he would do so, but he kept giving her
    reasons that he couldnt do it yet.
  • The queen is said to have exclaimed, Its all
    Blarneyhe says he will do it, but he never means
    to do what he says.
  • (McCrum 171)

7
An Irish Talker
  • Terry Wogan on BBC is an Irish Talker.
  • His language is mocking and self-deprecating. He
    plays with words, attacks his superiors, and
    gets his boot in.
  • You could accuse him of really saying very
    little, which again is very Irish.
  • (McCrum 207)

8
Irish words in English
  • Banshee (fairy woman) comes from bean (woman)
    and sí (fairy)
  • Keening (wailing) comes from caoine (wail)
  • Galore (much)
  • Brogue (wooden shoe). The Irish were said to
    speak with a shoe in their mouth, hence, their
    Irish Brogue.
  • Sheila youse are both Irish words.
  • Shenanigan comes from sionnachuighim (I play
    tricks)
  • Smithereens comes from smideirin (a small
    fragment)
  • Shanty comes from sean-tigh (old house)
  • (McCrum 178, 184, 188, 194, 203)

9
More Irish Influence
  • The Irish use shall for will
  • They say seen for saw
  • and She is in the school.
  • and belave, jine, and applesass instead of
    believe, join, and applesauce.
  • And tree airly and dat for three early
    and that
  • And the Irish youse is typical in the speech of
    Irish cops in New York and Boston. (McCrum 202)

10
Scouse
  • Many people from Dublin moved to Liverpool in
    England
  • The Irish accent of Liverpool is known as Scouse
    and it has an adenoidal quality and many rising
    inflections.
  • Scouse is the dialect of The Beatles.
  • (McCrum 205)

11
English Royalty in Ireland
  • In 1171 Henry II and his Anglo-Norman knights
    landed in Ireland and began the English
    domination of Ireland.
  • Anne, Elizabeth I, Oliver Cromwell James I all
    imposed English rule over Ireland.
  • Satirist Alexander Pope wrote
  • Here thou, great Anna! Whom three realms obey,
  • Dost sometimes counsel takeand sometimes Tea.
  • (McCrum 172-173, 181)

12
The Battle of the Boyne, 1690
  • In 1690, King William III defeated the Roman
    Catholic forces of old Ireland.
  • This gave victory to the Orange over the Green.
  • After this, the Anglo-Irish ruling class
    developed. It was known as the ascendency.
  • The Republicans were not part of the
    ascendency because they believed in the
    Republic of Ireland.
  • But the Irish Catholics still use the city name
    of Derry instead of using the protestant name of
    Londonderry, as in the Londonderry Aire.
  • (McCrum 174)

13
Ireland The Celtic Fringe (McCrum 166/175)
14
Irish-English in 1800 (McCrum 170/182)
15
Irish as a Receding Language (McCrum 171/183)
16
Irish Settlements in the New World
  • Newfoundland, Canada (the earliest settlement)
  • Barbados, Carribean (Oliver Cromwell used it as
    an internment camp for prisoners taken during his
    battles in Ireland)
  • Montserrat, was known as the emerald isle of the
    Caribbean.
  • Australia (in 1851, 30 were Irish)
  • (McCrum 191-193)

17
Australia as an Irish Penal Colony
  • One Irish convict girl is said to have served her
    statutory seven years and returned to Dublin.
  • But she then committed another crime in order to
    return to Australia at the governments
    expense. (McCrum 193)

18
The Irish Potato Famine
  • Potatoes were the staple of the Irish diet, and
    the potato crops failed for several years.
  • Hunger and hardship drove the Irish into exile.
    They fled their homes by the millions.
  • They went to England, Australia the U.S.

19
Irish Diaspora (McCrum (178/190)
20
  • The Irish children who stayed in Ireland were
    mocked and humiliated if they spoke Gaelic.
  • They were punished with wooden gags.
  • They were forced to wear weekly tally sticks with
    notches for every Gaelic expression.
  • At the end of the week, the schoolmaster would
    tally the notches and administer the appropriate
    punishment. (McCrum 196)

21
The Irish Revival
  • Today, Gaelic is taught in Irish schools as a
    second language.
  • Irish politicians are now expected to use a
    cúpla focal (couple of Gaelic words) to revive
    their Celtic past.
  • J. M. Synge, Sean OCasey, James Joyce, W. B.
    Yeats and the Trinity Theatre in Dublin are all
    involved in the Irish revival. (McCrum 197)
  • For example, Synges Playboy of the Western
    World, and Joyces The Dead are about the
    revival.

22
Synge the Irish Revival
  • To make Playboy of the Western World authentic,
    Synge would listen at a chink in the floor of the
    old Wicklow house and eavesdrop on what was being
    said by the servant girls in the kitchen.
  • Following is a synopses of the story
  • Christy Mahon, A Connaught man, killed his father
    with a blow of a spade, and then fled to an Aran
    island and threw himself on the mercy of the
    natives.

23
  • Christy was a rogue. Even though a reward was
    offered for his capture, the natives on the
    island hid him in a hole and he was later shipped
    to America.
  • But as the play goes on, the audience comes to
    realize that the whole story is a bit of the
    blarney, and the speech of Christy, Pegeen, and
    the Widow Quin become emblematic of Irish
    exaggeration and story telling.
  • In fact, Christys father turns out to be alive,
    but the Widow Quin, who is so involved in the
    story, makes out that the father is mad for
    claiming that Christy is his son. (McCrum 199)

24
!Irish Authors
  • Edmund Spenser (c1554-1599)
  • The Faerie Queene
  • Jonathan Swift (1667-1745)
  • Gullivers Travels
  • A Modest Proposal
  • William Congreve (1670-1729)
  • The Way of the World
  • Richard Brinsley Sheridan (1751-1816)
  • The Rivals
  • Oscar Wilde (1854-1900)
  • The Importance of Being Earnest
  • The Picture of Dorian Gray

25
  • !!William Butler Yeats (1865-1939)
  • Treasury of Irish Poetry
  • J. M. Synge (1871-1909)
  • Playboy of the Western World
  • George Bernard Shaw (1856-1950)
  • Pygmalion ? My Fair Lady
  • James Joyce (1882-1941)
  • A Portrait of the Artist as a Young Man
  • Ulysses
  • The Dubliners
  • Finnegans Wake
  • Samuel Beckett (1906-1989)
  • Waiting for Godot
  • Flannery OConnor (1925-1964)
  • A Good Man is Hard to Find
  • (McCrum 170, 179, 200)

26
!!!James Joyce
  • The character Shem in Finnegans Wake takes the
    English language and smashes it up into
    smithereens, and hands it back and says This is
    our revenge. Shem boasts that he will
  • wipe alley english spooker, or
    multiphoniaksically spuking off the face of the
    erse.
  • James Joyce remarked that if Dublin were ever
    destroyed, it could be recreated from the pages
    of his fiction.
  • (McCrum 200-201)

27
Works Cited
  • McCrum, Robert, William Cran, and Robert MacNeil.
    The Story of English. New York, NY Penguin,
    1986. (source of map citations)
  • McCrum, Robert, William Cran, and Robert MacNeil.
    The Story of English Third Revised Edition. New
    York, NY Penguin, 2003. (source of text
    citations)
  • Nilsen, Don L. F. Humor in Irish Literature A
    Reference Guide. Westport, CT Greenwood Press,
    1996.
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