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The Life and Career of Adrienne Cecile Rich

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Twenty-One Love Poems (1976) The Dream of a Common Language (1978) ... Dark Fields of the Republic: Poems 1991-1995 (1995) Awards, Prizes and Fellowships ... – PowerPoint PPT presentation

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Title: The Life and Career of Adrienne Cecile Rich


1
The Life and Career of Adrienne Cecile Rich
  • Presentation by
  • Amanda Holloway

2
The Early Years
  • Born May 16, 1929 in Baltimore, Maryland
  • Rich describes her childhood household as white
    and middle-class.full of books, with a father
    who encouraged me to write.
  •  
  • The eldest daughter to Arnold, a Jewish doctor of
    pathology and professor at Johns Hopkins
    University, and Helen Jones Rich, a southern
    protestant, composer and pianist.
  •  
  • Her mother gave up a possible professional music
    career to raise and teach her children. She home
    schooled Adrienne until the fourth grade.
  •  
  • Adrienne always desired the approval of her
    father, who tutored her in the art of writing
    poetry.
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3
The Beginning of a Wonderful Career
  • Rich graduated Phi Beta Kappa from Radcliffe
    College in 1951.
  • This same year, she was awarded the Yale Younger
    Poets Prize for her book, A Change of World. The
    judge for this award was W.H. Auden, a writer
    whom Adriennes style was inspired by.
  • Rich restrained from speaking of issues she felt
    strong about in her early work. Feminism and
    male condescension were some of the issues which
    she thought about deeply.
  •  
  • In 1953, Rich married Alfred Conrad, a Harvard
    economist. The two moved to Massachusetts where
    Adrienne had 3 sons.
  • The next few years were emotionally and
    artistically difficult because of her increasing
    struggle with conflicts over the prescribed
    roles of womanhood versus those of artistry, over
    tensions between sexual and creative roles of
    love and anger.

4
The Changing Period
  • In 1955, Rich published book was The Diamond
    Cutters and Other Poems, which gained her a
    reputation as an elegant controlled stylist.
  • Rich was claimed to have an elegant technique,
    chiseled formation, and restrained emotional
    content.
  • In 1956, Adrienne started dating her poems to
    underscore their existence within a context.
  • Her personal conflict and sexual alienation were
    being combined with social and political forces
    in the 60s. She felt very strongly for the
    civil rights movement, antiwar movement, and
    womens movement.
  • During the 1960s shifted toward feminist themes
    and stylistic experimentation.

5
Continued
  • In 1966 she moved to New York with her husband
    where she took a job as a remedial English
    teacher to poor, black, and third world students
    entering college.
  • During this time the works of James Baldwin and
    Simone de Beauvoir influenced her.
  •  
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6
Finding Herself
  • Rich continued experimenting with form and to
    deal with the experiences and aspirations of
    women from a feminist perspective.
  • Since 1976, Adrienne Rich has lived with Michelle
    Cliff, a writer and editor.
  • Rich is very active in gay and lesbian rights
    movements, reproductive freedom, and the
    progressive Jewish movement New Jewish Agenda.
  • In 1981 Rich received the Fund for Human Dignity

7
Continued
  • In 1997 Rich refused the National Medal for the
    Arts award which would be presented by president
    Clinton. In a letter to The Las Angeles Times
    Book Review, she wrote, Over the past two
    decades I have witnessed the increasingly brutal
    impact of racial and economic injustice in our
    country. The radical disparities of wealth and
    power in America are widening at a devastating
    rate. A President cannot meaningfully honor
    certain token artists while the people at large
    are so dishonored.               

8
The Works of Adrienne Rich
  • A Change of World (1951)
  • The Diamond Cutters and Other Poems (1955)
  • Snapshots of a Daughter-in-Law (1963)
  • The Necessities of Life (1966)
  • Leaflets (1969)
  • The Will to Change (1971)
  • Diving into the Wreck (1973)
  • Twenty-One Love Poems (1976)
  • The Dream of a Common Language (1978)
  • A Wild Patience Has Taken Me This Far (1981)
  • The Fact of a Doorframe Poems Selected and New
    (1984)
  • Your Native Land, Your Life (1986)
  • An Atlas of the Difficult World (1991)
  • Dark Fields of the Republic Poems 1991-1995
    (1995)

9
Awards, Prizes and Fellowships
  • 2 Gugghenheim Fellowships
  • Fellowship of the Acadamy of American Poets
  • Ruth Lilly Poetry Prize
  • Fund for Human Dignity Award of the National Gay
    Task Force
  • Lambda Book Award
  • Poets Prize
  • Lenore Marshall Nation Award
  • MacArthur Fellowship
  • Tanning Award for Mastery in the Art of Poetry
  • Lannan Foundation Lifetime Achievement Award

10
Quotes
  • I am a feminist because I feel endangered,
    psychically and physically, by this society and
    because I believe that the womens movement is
    saying that we have come to an edge of history
    when men insofar as they are embodiments of the
    patriarchal idea have become dangerous to
    children and other living things, themselves
    included.
  • If you are trying to transform a brutalized
    society into one where people can live in dignity
    and hope, you begin with the empowering of the
    most powerless. You build from the ground up.

11
Diving into the Wreck
  • Consists of ten free verse stanzas.
  • Written in first person
  • First published in 1973, after Rich started
    writing very seriously about feminist issues.
  • There are many ways to interpret the meaning of
    this poem.
  • The poem narrates the speakers quest as she
    explores a sunken ship to discover the cause of
    the disaster and to salvage whatever treasures
    remain.
  • The sea is a traditional literary symbol for the
    unconscious.

12
Continued
  • To dive is to probe beneath the surface for
    hidden meanings, and to learn about ones
    submerged desires and emotions. The dive in this
    case is to find knowledge and power.
  • When submerged she becomes both man and woman,
    meaning there is no difference between either.
    we I am she I am he.
  • The diver becomes the boat, cargo, figurehead, an
    observer, an explorer and a participant in the
    disaster. we are the half destroyed
    instruments/that once held to a course.
  • The book of myths may be the metaphorical
    equivalent for the language which has trapped
    and liberated women. Or it may be a book which
    tells of mens adventures and experiences but not
    a womens.
  • The wreck may suggest the lost treasures of women
    in ancient stories and how women became
    submissive to men in the Western world.

13
Continued
  • The forcefulness may come from the wish not to
    huddle in the corner but to explore everything,
    in this case the shipwreck.
  • The diver goes into the ocean, which some see as
    the beginning of life and evolution, and they try
    to determine what went wrong between men and
    women.
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