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From 12 many to 121: the role of music

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'Radio is the sound salvation, Radio ... (Radio, Radio, Elvis Costello, 1978) 3. The power of (traditional) radio. Radio is a combination of feelgood and update ... – PowerPoint PPT presentation

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Title: From 12 many to 121: the role of music


1
From 12 many to 121 the role of music
  • Mark Coenen
  • General director Radio, VRT

2
Radio is the sound salvation, Radio is cleaning
up the nation. (Radio, Radio, Elvis Costello,
1978)
3
The power of (traditional) radio
  • Radio is a combination of feelgood and update
  • Radio makes your day follows the rhythm of
    your day
  • Radio has a live-feel
  • Radio is a guide
  • Radio is no hands no eyes
  • Radio is mobile

4
Children of the revolution
  • 1997 audiostreaming listener decides when he
    wants to listen.
  • 2005 podcasting listener decides when he wants
    to listen and on wich device (ipod/mp3-player/comp
    uter)
  • New generation internet radio listener decides
    what he wants to listen to and assembles his own
    radio

5
Frankie says (in 1971)
6
In the future 6 million station managers in
Flanders alone?
  • Mass customisation,
  • mass personalisation
  • mass contribution
  • People take control, traditional media lose
    control.

7
Big difference
  • DIY-radio is mostly on demand
  • DIY-radio has no live updates, weather, traffic
  • DIY-radio isnt really mobile
  • DIY-radio doesnt follow the rhythm of the day
  • DIY isnt a guide but a statement

8
Some other sidenotes
  • Only 1 in 600 visitors of Youtube actually link
    up videos. The rest are traditional
    mediaconsumers. From couch potatoe to internet
    potatoe.
  • 90 of weblogs are dead after 6 months
  • Majority of new bands still needs the power of
    tradional media. There arent that much Arctic
    Monkeys.
  • Age is important under 35 you want to find out
    yourself, over 35 you want to come home.

9
Conclusion
  • Majority of the people still want to find, not to
    search
  • Too much choice scares most of the people
  • People want to share their musical taste
  • Birth of new communities of taste
  • Broadband revolution is not a danger but an
    opportunity for traditional radio.

10
The long tail the VRT way
11
Win/Win
  • Still heavy focus on big radiobrands
  • Much more room for extra content more choice
  • Making room for personalization, without losing
    touch with the radiobrand

12
More choice new forms of radio
  • Thematic music stations ( Donna Hitbits, Klara
    Continuo,
  • Podcast (literature, musical subgenres..)
  • Audiostream (via radioplayer)
  • Webradio (Radio 2 100 Flemish, Radio 1/World..)
  • Tailormade (events festival radio on DAB)
  • Archive(d) radio (compilations of award winning
    programs)

13
For example
14
Targetting the young audience if you cant beat
the join them
  • Demopoll on Studio Brussel (website where young
    bands can upload their bios and songs and where
    people can vote)
  • Hype channel radioshow that only broadcast
    unsigned (alternative) internet-bases bands
  • Most popular presenter (Peter Vandeveire) has his
    own Myspace-page
  • TV-campaign for Studio Brussel also uploaded on
    youtube
  • Radio Dada every weeknight in july and august
    young presenters can do their DIY-thing on Studio
    Brussel (22-23u)

15
Myvrtradio your own DIY-radio with a VRT-twist
  • You get what you want customize your musical
    content
  • Insert live update news, weather, traffic,
    culture
  • Play whenever you like as much as you like

16
Ive seen the future and it works
17
  • http//radio2010/mijnvrt/

18
Issues
  • Rights management
  • Radio must be fully digitalized
  • Metadata are vital

19
Any questions?
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