Title: Composition
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14The relationship of elements to each other and
to the space they occupy.
15 Compose to emphasize the point of interest.
16Rule of Thirds
Divide the image into thirds vertically and
horizontally.
Place the point of interest on the intersecting
lines
17Rule of Thirds
18Rule of thirds is a device for balancing
elements.
191/3s also can be applied to horizon lines.
And portraits.
20during this lecture watch for the rule of
thirds and balance.
Balance
The visual importance or "weight" of elements is
equally distributed.
symmetry
Balance
21during this lecture watch for the rule of
thirds and balance.
Balance
The visual importance or "weight" of elements is
equally distributed.
Asymmetric or informal balance.
22during this lecture watch for the rule of
thirds and balance.
Balance
The visual importance or "weight" of elements is
equally distributed.
Asymmetric or informal balance.
23Balancing contrasts. color / tone contrasts.
24Balancing contrasts. color / tone contrasts.
25Balancing contrasts. color / tone contrasts.
Brandt
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27Balancing contrasts. psychological
contrasts visual importance
Callahan
28Balancing contrasts. psychological
contrasts visual importance
Margaret Bourke-White Bread Line, 1937
29Framing
Leads into the picture. Creates depth. A sense
of viewpoint.
30Framing
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33Viewpoint
Change a picture dramatically. Find an
"unusual" point of view.
34Choose camera orientation horizontal or vertical
35Choose camera orientation horizontal or vertical
Art Sinsabaugh
36Choose camera orientation horizontal or vertical
Art Sinsabaugh
37Movement
Lines lead to the subject
or through the picture.
38Diagonals are dynamic.
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43Scale
Relative size.
44Scale
Relative size.
45Scale
Relative size.
46Scale
Relative size.
47Scale
Relative size.
48Scale
Relative size.
49Scale
Relative size.
50Scale
Relative sizes. Creates depth. Perspective.
Winston O. Link
51Scale
Linear Perspective
Creates a sense of space.
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53Telephoto
Normal
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55Background
can place the subject in space.
56can elaborate on the subject.
this is not an endorsement
57can distract from the subject
58Timing
Waiting for the right moment.
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60Composing
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62review
Compose
Arrange all of the elements. Balance.
2 basic ways
Move objects relative to each other. (still life)
Alter your viewpoint.
63Framing Balance Contrast Simplicity Viewpoint
Lines / Diagonals
Scale Timing Movement Posing Perspective Back
ground
Pattern Rhythm Elements Emphasis Distraction
Rule of Thirds
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67Weegee
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77Calahan
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81Rosenthal
82Newman
83Josef Koudelka
84T. Wolcott
85Jorieke Putman
86Ansel Adams
87Brandt
88Alvarez Bravo
89Alvarez Bravo
90Coburn
91Winogrand
92Bourke-White
93De Carava
94Doisneau
95Doisneau
96Unknown
97Compose
Arrange all of the elements.
2 basic ways
Move objects relative to each other. (still life)
Alter your viewpoint.
98Assignment Part 1 - Still Life
Create a composition by arranging objects.
99Keep it fairly simple.
Consider the depth of field.
100Assignment Part 1 - Still Life
Create an interesting set up.
101Assignment Part 2 - Architecture Photo
Find an interesting angle on the subject.
102Watch the
and h o r i z o n t a l lines !
103Watch the edges!
104Consider showing the surroundings.
105Consider details.
106Interiors
107Interiors
what gives a clue to scale?
108Interiors
what gives a clue to scale?
109Assignment Part 1 - Still Life
Create an interesting set up.
Assignment Part 2 - Architectural Photo
Find an interesting angle on the subject.
Shoot 36 - show 18 jpgs
110Use the entire frame.
111Winogrand
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