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The Move to STRIDE

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Grew from guitar-accompanied blues performed at black social gatherings ... imitating the guitar format (2 guitars, the second playing accompanying chords) ... – PowerPoint PPT presentation

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Title: The Move to STRIDE


1
The Move to STRIDE
  • the ATTRACTION
  • creative pianists added notes
  • Jelly Roll Morton Maple Leaf Rag
  • Jelly Roll was the father of solo jazz piano
  • virtuoso ragtime pianists
  • James P. Johnson
  • Willie The Lion Smith
  • Fats Waller
  • Art Tatum
  • Harlem Stride
  • The elaboration of pre-existing rags
  • fast pieces were called shout piano

2
James P. Johnson1894 - 1955
  • Composed popular songs andBroadway scores
    includingRunnin Wild
  • Accompanied Ethel Waters andBessie Smith
  • Considered the Father of stride1905 - 1910
  • Composed the Charleston in 1923. This work became
    the basis for a dance rage
  • Master and inventor of the stride style
  • Interested in classical music and composed many
    works, including Yamecraw a Negro Rhapsody which
    premiered in Carnegie Hall in 1928.

3
James P. Johnson
  • Stride piano is a development of ragtime.
    Johnson used a two-beat left- hand rhythm to
    accompany right-hand melodies which featured
    great interpretive variety
  • Carolina Shout (SCCJ 1-12) and The Mule
    Walk (SCJP 1-4)

4
James P. Johnson
  • Born in 1894, February 1, New Brunswick, NJ
    (James Price Johnson)
  • Classically trained, studied piano with Bruto
    Giannini and Eubie Blake
  • 1908 - NYC - Harlem music scene
  • Combined ragtime with the blues and brought
    stride into being
  • Composed and directed several shows, scored the
    Bessie Smith film St. Louis Blues, wrote an opera
    De Organizer, solo concerts, recordings, remained
    active until 1951 (died in New York on November
    17, 1955)

5
James P. Johnson
  • From about 1915 to the early '20s, James P. made
    many piano rolls for the Aeolian Company
  • Became the first Negro staff artist for the QRS
    piano roll firm in 1921
  • Met and became friendly with George Gershwin, and
    helped him write the music for several shows.
  • He played for some time with the famed James
    Reese Europe's Hell Fighters at the Clef Club in
    Harlem.

6
James P. Johnson
  • Johnson's piano style had a major impact on
    pupil/friend Fats Waller, Duke Ellington, Count
    Basie, Art Tatum and Teddy Wilson, as well as on
    more modern players like Erroll Garner, Jaki
    Byard and Thelonious Monk.

7
Fats WallerMay 21, 1904 - December 15, 1943
  • Johnsons most famous pupil was Fats Waller
  • Son of Harlem preacher
  • Nickname (over 200 lbs at 15)
  • 1st recordings in 1922
  • Composed several all-black Broadway shows(Hot
    Chocolates )

8
Fats Waller
  • Many screen performances
  • Carolina Shout (SCJP 1-8) (by James P. Johnson)

9
Fats Waller
  • interest in piano at age 6
  • violin and bass but liked the organ best (he was
    first to demonstrate that the organ could be used
    in jazz)
  • Waller studied with Leopold Godowsky and attended
    Juilliard
  • Fatts used piano rolls by James P. Johnson to
    learn the stride style
  • shout circuit (parties at private homes)

10
Fats Waller
  • Abducted by Al Capones boys for a private
    recital
  • Aint Misbehavin - Hot Chocolates - Louis
    Armstrong
  • Carnegie Hall - 1942

11
Fats Waller
  • Waller was the first important jazz organist
  • His unhealthy lifestyle and the stress of legal
    difficulties over alimony battles resulted in him
    succumbing to pneumonia on a train taking him
    back to New York. 38 years old, Waller died in
    Kansas City, Mo., on Dec. 15, 1943.
  • heritage
  • 22 piano rolls
  • 162 published songs
  • 163 unpublished songs
  • 515 recordings
  • Honeysuckle Rose (SCCJ 1-6)
  • Stride Piano web siteshttp//www.stridepiano.com
    /

12
Boogie-Woogie
  • Identifying elements
  • Strong LH rhythm pattern made up with 8th notes
    or chords - OSTINATO
  • RH many chords with repeated ideas

13
Boogie-Woogie
  • Grew from guitar-accompanied blues performed at
    black social gatherings
  • Pianists began imitating the guitar format (2
    guitars, the second playing accompanying chords)
  • The transition to piano first took place in the
    lumber and turpentine camps of Texas and
    Louisiana
  • Leadbelly said he heard piano boogie-woogie
    played in Caddo County, Texas, in 1899. It was
    called fast western or fast blues. Became
    known as boogie-woogie when it moved to Chicago
    after WW I

14
Jimmy Yancey 1894-1951
  • Most influential in promoting boogie-woogie style
  • Born in Chicago in 1894
  • Vaudeville dancer
  • Self-taught pianist
  • Followers included
  • Albert Ammons
  • Lux Lewis
  • Pine Top Smith
  • Crippled Clarence Lofton
  • State Street Special(SCJP 1-16)

15
Lux Lewis
  • Mid-late 1930s boogie-woogie became popular
  • Solo piano music based on 8 and 12 bar blues
    progressions
  • Driven by the left hand
  • The use by second-class talents caused its
    downfall
  • Still played today in altered forms (rock and
    roll)

16
Lux Lewis
  • Born in Chicago in 1905
  • An uncle named him the Duke of Luxembourg
    because he liked to dress up
  • Began his study of music on the violin in 1921
  • Owes his fame to Honky-Tonk Train Blues,
    recorded several times between 1927-1944
  • Quit music in 1929
  • Worked for the WPA and drove a taxi
  • Met Albert Ammons (another taxi driver)
  • They had a piano installed at the taxi depot
    where they practiced

17
Lux Lewis
  • 1935 John Hammond found him playing for tips in a
    Chicago saloon
  • Recorded extensively for the next 8-10 years
  • 1938 played in a Carnegie Hall Jazz Concert
  • 1964 died in a car crash

18
Albert Ammons and Lux Lewis
  • Honky Tonk Train Blues(SCJP 1-17)
  • The most famous of all Boogie-Woogie pieces
  • Traditional boogie using the 1st pattern
  • Each chorus contains 3-phrases typical of 12-bar
    blues
  • Highly ornamented RH

19
Willie the Lion Smith
  • William Henry Joseph Berthol Bonaparte Berthloff
    Smith was born in Brooklyn in1897
  • Called the Lion because of his bravery during
    World War I
  • Typical career for a black jazz pianist
  • Began playing professionally at age 17
  • Worked at various spots in Atlantic City
  • Served in the 350th Infantry in Europe in 1917

20
Willie The Lion Smith1897 - 1973
  • Harlem Stride
  • A structure that is march-like and similar to
    Ragtime
  • Willie could stride with the best of them but,
  • His compositions did not stride
  • Echoes of Spring (SCJP 1-5)
  • does not stride
  • parlor piano

21
More Stride Pianists
  • Charles Luckeyeth Luckey Roberts, born
    Philadelphia, August 7, 1887, died New York,
    February 5, 1968
  • Donald Lambert (the Lamb), born in Princeton NJ,
    1904 died in Newark, May 8, 1962

22
More Stride Pianists
  • Bobby Henderson, born New York City, March 15,
    1910 died December 9, 1969, in Albany, New
    York
  • Stephen The Beatle Henderson

23
More Stride Pianists
  • Claude (Driskett) Hopkins, born in Alexandria,
    VA, August 24, 1903 died in New York, February
    14 1984
  • Joe Turner, born in Baltimore, November 3, 1907
    died in Montreuil, France, July 21, 1990

24
More Stride Pianists
  • Pat Flowers - born died October 6
  • Hank (Henry James) Duncan, born in Bowling Green,
    KY, October 26, 1896 died in Long Island, New
    York, June 7, 1968

25
More Stride Pianists
  • Cliff Jackson, born July 19, 1902, in Culpepper,
    Virginia died May 24, 1970
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